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Dracula: May 9

9 May 2026 at 14:06

Letter from Miss Mina Murray to Miss Lucy Westenra.

9 May.

My dearest Lucy,—

Forgive my long delay in writing, but I have been simply overwhelmed with work. The life of an assistant schoolmistress is sometimes trying. I am longing to be with you, and by the sea, where we can talk together freely and build our castles in the air. I have been working very hard lately, because I want to keep up with Jonathan's studies, and I have been practising shorthand very assiduously. When we are married I shall be able to be useful to Jonathan, and if I can stenograph well enough I can take down what he wants to say in this way and write it out for him on the typewriter, at which also I am practising very hard. He and I sometimes write letters in shorthand, and he is keeping a stenographic journal of his travels abroad. When I am with you I shall keep a diary in the same way. I don't mean one of those two-pages-to-the-week-with-Sunday-squeezed-in-a-corner diaries, but a sort of journal which I can write in whenever I feel inclined. I do not suppose there will be much of interest to other people; but it is not intended for them. I may show it to Jonathan some day if there is in it anything worth sharing, but it is really an exercise book. I shall try to do what I see lady journalists do: interviewing and writing descriptions and trying to remember conversations. I am told that, with a little practice, one can remember all that goes on or that one hears said during a day. However, we shall see. I will tell you of my little plans when we meet. I have just had a few hurried lines from Jonathan from Transylvania. He is well, and will be returning in about a week. I am longing to hear all his news. It must be so nice to see strange countries. I wonder if we—I mean Jonathan and I—shall ever see them together. There is the ten o'clock bell ringing. Good-bye.

Your loving

MINA.

Tell me all the news when you write. You have not told me anything for a long time. I hear rumours, and especially of a tall, handsome, curly-haired man???

Dracula: May 8

8 May 2026 at 14:05

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

8 May.—I began to fear as I wrote in this book that I was getting too diffuse; but now I am glad that I went into detail from the first, for there is something so strange about this place and all in it that I cannot but feel uneasy. I wish I were safe out of it, or that I had never come. It may be that this strange night-existence is telling on me; but would that that were all! If there were any one to talk to I could bear it, but there is no one. I have only the Count to speak with, and he!—I fear I am myself the only living soul within the place. Let me be prosaic so far as facts can be; it will help me to bear up, and imagination must not run riot with me. If it does I am lost. Let me say at once how I stand—or seem to.

I only slept a few hours when I went to bed, and feeling that I could not sleep any more, got up. I had hung my shaving glass by the window, and was just beginning to shave. Suddenly I felt a hand on my shoulder, and heard the Count's voice saying to me, "Good-morning." I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me. In starting I had cut myself slightly, but did not notice it at the moment. Having answered the Count's salutation, I turned to the glass again to see how I had been mistaken. This time there could be no error, for the man was close to me, and I could see him over my shoulder. But there was no reflection of him in the mirror! The whole room behind me was displayed; but there was no sign of a man in it, except myself. This was startling, and, coming on the top of so many strange things, was beginning to increase that vague feeling of uneasiness which I always have when the Count is near; but at the instant I saw that the cut had bled a little, and the blood was trickling over my chin. I laid down the razor, turning as I did so half round to look for some sticking plaster. When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat. I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.

"Take care," he said, "take care how you cut yourself. It is more dangerous than you think in this country." Then seizing the shaving glass, he went on: "And this is the wretched thing that has done the mischief. It is a foul bauble of man's vanity. Away with it!" and opening the heavy window with one wrench of his terrible hand, he flung out the glass, which was shattered into a thousand pieces on the stones of the courtyard far below. Then he withdrew without a word. It is very annoying, for I do not see how I am to shave, unless in my watch-case or the bottom of the shaving-pot, which is fortunately of metal.

When I went into the dining-room, breakfast was prepared; but I could not find the Count anywhere. So I breakfasted alone. It is strange that as yet I have not seen the Count eat or drink. He must be a very peculiar man! After breakfast I did a little exploring in the castle. I went out on the stairs, and found a room looking towards the South. The view was magnificent, and from where I stood there was every opportunity of seeing it. The castle is on the very edge of a terrible precipice. A stone falling from the window would fall a thousand feet without touching anything! As far as the eye can reach is a sea of green tree tops, with occasionally a deep rift where there is a chasm. Here and there are silver threads where the rivers wind in deep gorges through the forests.

But I am not in heart to describe beauty, for when I had seen the view I explored further; doors, doors, doors everywhere, and all locked and bolted. In no place save from the windows in the castle walls is there an available exit.

The castle is a veritable prison, and I am a prisoner!


When I found that I was a prisoner a sort of wild feeling came over me. I rushed up and down the stairs, trying every door and peering out of every window I could find; but after a little the conviction of my helplessness overpowered all other feelings. When I look back after a few hours I think I must have been mad for the time, for I behaved much as a rat does in a trap. When, however, the conviction had come to me that I was helpless I sat down quietly—as quietly as I have ever done anything in my life—and began to think over what was best to be done. I am thinking still, and as yet have come to no definite conclusion. Of one thing only am I certain; that it is no use making my ideas known to the Count. He knows well that I am imprisoned; and as he has done it himself, and has doubtless his own motives for it, he would only deceive me if I trusted him fully with the facts. So far as I can see, my only plan will be to keep my knowledge and my fears to myself, and my eyes open. I am, I know, either being deceived, like a baby, by my own fears, or else I am in desperate straits; and if the latter be so, I need, and shall need, all my brains to get through.

I had hardly come to this conclusion when I heard the great door below shut, and knew that the Count had returned. He did not come at once into the library, so I went cautiously to my own room and found him making the bed. This was odd, but only confirmed what I had all along thought—that there were no servants in the house. When later I saw him through the chink of the hinges of the door laying the table in the dining-room, I was assured of it; for if he does himself all these menial offices, surely it is proof that there is no one else to do them. This gave me a fright, for if there is no one else in the castle, it must have been the Count himself who was the driver of the coach that brought me here. This is a terrible thought; for if so, what does it mean that he could control the wolves, as he did, by only holding up his hand in silence. How was it that all the people at Bistritz and on the coach had some terrible fear for me? What meant the giving of the crucifix, of the garlic, of the wild rose, of the mountain ash? Bless that good, good woman who hung the crucifix round my neck! for it is a comfort and a strength to me whenever I touch it. It is odd that a thing which I have been taught to regard with disfavour and as idolatrous should in a time of loneliness and trouble be of help. Is it that there is something in the essence of the thing itself, or that it is a medium, a tangible help, in conveying memories of sympathy and comfort? Some time, if it may be, I must examine this matter and try to make up my mind about it. In the meantime I must find out all I can about Count Dracula, as it may help me to understand. To-night he may talk of himself, if I turn the conversation that way. I must be very careful, however, not to awake his suspicion.


Midnight.—I have had a long talk with the Count. I asked him a few questions on Transylvania history, and he warmed up to the subject wonderfully. In his speaking of things and people, and especially of battles, he spoke as if he had been present at them all. This he afterwards explained by saying that to a boyar the pride of his house and name is his own pride, that their glory is his glory, that their fate is his fate. Whenever he spoke of his house he always said "we," and spoke almost in the plural, like a king speaking. I wish I could put down all he said exactly as he said it, for to me it was most fascinating. It seemed to have in it a whole history of the country. He grew excited as he spoke, and walked about the room pulling his great white moustache and grasping anything on which he laid his hands as though he would crush it by main strength. One thing he said which I shall put down as nearly as I can; for it tells in its way the story of his race:—

"We Szekelys have a right to be proud, for in our veins flows the blood of many brave races who fought as the lion fights, for lordship. Here, in the whirlpool of European races, the Ugric tribe bore down from Iceland the fighting spirit which Thor and Wodin gave them, which their Berserkers displayed to such fell intent on the seaboards of Europe, ay, and of Asia and Africa too, till the peoples thought that the were-wolves themselves had come. Here, too, when they came, they found the Huns, whose warlike fury had swept the earth like a living flame, till the dying peoples held that in their veins ran the blood of those old witches, who, expelled from Scythia had mated with the devils in the desert. Fools, fools! What devil or what witch was ever so great as Attila, whose blood is in these veins?" He held up his arms. "Is it a wonder that we were a conquering race; that we were proud; that when the Magyar, the Lombard, the Avar, the Bulgar, or the Turk poured his thousands on our frontiers, we drove them back? Is it strange that when Arpad and his legions swept through the Hungarian fatherland he found us here when he reached the frontier; that the Honfoglalas was completed there? And when the Hungarian flood swept eastward, the Szekelys were claimed as kindred by the victorious Magyars, and to us for centuries was trusted the guarding of the frontier of Turkey-land; ay, and more than that, endless duty of the frontier guard, for, as the Turks say, 'water sleeps, and enemy is sleepless.' Who more gladly than we throughout the Four Nations received the 'bloody sword,' or at its warlike call flocked quicker to the standard of the King? When was redeemed that great shame of my nation, the shame of Cassova, when the flags of the Wallach and the Magyar went down beneath the Crescent? Who was it but one of my own race who as Voivode crossed the Danube and beat the Turk on his own ground? This was a Dracula indeed! Woe was it that his own unworthy brother, when he had fallen, sold his people to the Turk and brought the shame of slavery on them! Was it not this Dracula, indeed, who inspired that other of his race who in a later age again and again brought his forces over the great river into Turkey-land; who, when he was beaten back, came again, and again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph! They said that he thought only of himself. Bah! what good are peasants without a leader? Where ends the war without a brain and heart to conduct it? Again, when, after the battle of Mohács, we threw off the Hungarian yoke, we of the Dracula blood were amongst their leaders, for our spirit would not brook that we were not free. Ah, young sir, the Szekelys—and the Dracula as their heart's blood, their brains, and their swords—can boast a record that mushroom growths like the Hapsburgs and the Romanoffs can never reach. The warlike days are over. Blood is too precious a thing in these days of dishonourable peace; and the glories of the great races are as a tale that is told."

It was by this time close on morning, and we went to bed. (Mem., this diary seems horribly like the beginning of the "Arabian Nights," for everything has to break off at cockcrow—or like the ghost of Hamlet's father.)

Dracula: May 7

7 May 2026 at 14:05

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

7 May.—It is again early morning, but I have rested and enjoyed the last twenty-four hours. I slept till late in the day, and awoke of my own accord. When I had dressed myself I went into the room where we had supped, and found a cold breakfast laid out, with coffee kept hot by the pot being placed on the hearth. There was a card on the table, on which was written:—

"I have to be absent for a while. Do not wait for me.—D."

I set to and enjoyed a hearty meal. When I had done, I looked for a bell, so that I might let the servants know I had finished; but I could not find one. There are certainly odd deficiencies in the house, considering the extraordinary evidences of wealth which are round me. The table service is of gold, and so beautifully wrought that it must be of immense value. The curtains and upholstery of the chairs and sofas and the hangings of my bed are of the costliest and most beautiful fabrics, and must have been of fabulous value when they were made, for they are centuries old, though in excellent order. I saw something like them in Hampton Court, but there they were worn and frayed and moth-eaten. But still in none of the rooms is there a mirror. There is not even a toilet glass on my table, and I had to get the little shaving glass from my bag before I could either shave or brush my hair. I have not yet seen a servant anywhere, or heard a sound near the castle except the howling of wolves. Some time after I had finished my meal—I do not know whether to call it breakfast or dinner, for it was between five and six o'clock when I had it—I looked about for something to read, for I did not like to go about the castle until I had asked the Count's permission. There was absolutely nothing in the room, book, newspaper, or even writing materials; so I opened another door in the room and found a sort of library. The door opposite mine I tried, but found it locked.

In the library I found, to my great delight, a vast number of English books, whole shelves full of them, and bound volumes of magazines and newspapers. A table in the centre was littered with English magazines and newspapers, though none of them were of very recent date. The books were of the most varied kind—history, geography, politics, political economy, botany, geology, law—all relating to England and English life and customs and manners. There were even such books of reference as the London Directory, the "Red" and "Blue" books, Whitaker's Almanac, the Army and Navy Lists, and—it somehow gladdened my heart to see it—the Law List.

Whilst I was looking at the books, the door opened, and the Count entered. He saluted me in a hearty way, and hoped that I had had a good night's rest. Then he went on:—

"I am glad you found your way in here, for I am sure there is much that will interest you. These companions"—and he laid his hand on some of the books—"have been good friends to me, and for some years past, ever since I had the idea of going to London, have given me many, many hours of pleasure. Through them I have come to know your great England; and to know her is to love her. I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is. But alas! as yet I only know your tongue through books. To you, my friend, I look that I know it to speak."

"But, Count," I said, "you know and speak English thoroughly!" He bowed gravely.

"I thank you, my friend, for your all too-flattering estimate, but yet I fear that I am but a little way on the road I would travel. True, I know the grammar and the words, but yet I know not how to speak them."

"Indeed," I said, "you speak excellently."

"Not so," he answered. "Well, I know that, did I move and speak in your London, none there are who would not know me for a stranger. That is not enough for me. Here I am noble; I am boyar; the common people know me, and I am master. But a stranger in a strange land, he is no one; men know him not—and to know not is to care not for. I am content if I am like the rest, so that no man stops if he see me, or pause in his speaking if he hear my words, 'Ha, ha! a stranger!' I have been so long master that I would be master still—or at least that none other should be master of me. You come to me not alone as agent of my friend Peter Hawkins, of Exeter, to tell me all about my new estate in London. You shall, I trust, rest here with me awhile, so that by our talking I may learn the English intonation; and I would that you tell me when I make error, even of the smallest, in my speaking. I am sorry that I had to be away so long to-day; but you will, I know, forgive one who has so many important affairs in hand."

Of course I said all I could about being willing, and asked if I might come into that room when I chose. He answered: "Yes, certainly," and added:—

"You may go anywhere you wish in the castle, except where the doors are locked, where of course you will not wish to go. There is reason that all things are as they are, and did you see with my eyes and know with my knowledge, you would perhaps better understand." I said I was sure of this, and then he went on:—

"We are in Transylvania; and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things. Nay, from what you have told me of your experiences already, you know something of what strange things there may be."

This led to much conversation; and as it was evident that he wanted to talk, if only for talking's sake, I asked him many questions regarding things that had already happened to me or come within my notice. Sometimes he sheered off the subject, or turned the conversation by pretending not to understand; but generally he answered all I asked most frankly. Then as time went on, and I had got somewhat bolder, I asked him of some of the strange things of the preceding night, as, for instance, why the coachman went to the places where he had seen the blue flames. He then explained to me that it was commonly believed that on a certain night of the year—last night, in fact, when all evil spirits are supposed to have unchecked sway—a blue flame is seen over any place where treasure has been concealed. "That treasure has been hidden," he went on, "in the region through which you came last night, there can be but little doubt; for it was the ground fought over for centuries by the Wallachian, the Saxon, and the Turk. Why, there is hardly a foot of soil in all this region that has not been enriched by the blood of men, patriots or invaders. In old days there were stirring times, when the Austrian and the Hungarian came up in hordes, and the patriots went out to meet them—men and women, the aged and the children too—and waited their coming on the rocks above the passes, that they might sweep destruction on them with their artificial avalanches. When the invader was triumphant he found but little, for whatever there was had been sheltered in the friendly soil."

"But how," said I, "can it have remained so long undiscovered, when there is a sure index to it if men will but take the trouble to look?" The Count smiled, and as his lips ran back over his gums, the long, sharp, canine teeth showed out strangely; he answered:—

"Because your peasant is at heart a coward and a fool! Those flames only appear on one night; and on that night no man of this land will, if he can help it, stir without his doors. And, dear sir, even if he did he would not know what to do. Why, even the peasant that you tell me of who marked the place of the flame would not know where to look in daylight even for his own work. Even you would not, I dare be sworn, be able to find these places again?"

"There you are right," I said. "I know no more than the dead where even to look for them." Then we drifted into other matters.

"Come," he said at last, "tell me of London and of the house which you have procured for me." With an apology for my remissness, I went into my own room to get the papers from my bag. Whilst I was placing them in order I heard a rattling of china and silver in the next room, and as I passed through, noticed that the table had been cleared and the lamp lit, for it was by this time deep into the dark. The lamps were also lit in the study or library, and I found the Count lying on the sofa, reading, of all things in the world, an English Bradshaw's Guide. When I came in he cleared the books and papers from the table; and with him I went into plans and deeds and figures of all sorts. He was interested in everything, and asked me a myriad questions about the place and its surroundings. He clearly had studied beforehand all he could get on the subject of the neighbourhood, for he evidently at the end knew very much more than I did. When I remarked this, he answered:—

"Well, but, my friend, is it not needful that I should? When I go there I shall be all alone, and my friend Harker Jonathan—nay, pardon me, I fall into my country's habit of putting your patronymic first—my friend Jonathan Harker will not be by my side to correct and aid me. He will be in Exeter, miles away, probably working at papers of the law with my other friend, Peter Hawkins. So!"

We went thoroughly into the business of the purchase of the estate at Purfleet. When I had told him the facts and got his signature to the necessary papers, and had written a letter with them ready to post to Mr. Hawkins, he began to ask me how I had come across so suitable a place. I read to him the notes which I had made at the time, and which I inscribe here:—

"At Purfleet, on a by-road, I came across just such a place as seemed to be required, and where was displayed a dilapidated notice that the place was for sale. It is surrounded by a high wall, of ancient structure, built of heavy stones, and has not been repaired for a large number of years. The closed gates are of heavy old oak and iron, all eaten with rust.

"The estate is called Carfax, no doubt a corruption of the old Quatre Face, as the house is four-sided, agreeing with the cardinal points of the compass. It contains in all some twenty acres, quite surrounded by the solid stone wall above mentioned. There are many trees on it, which make it in places gloomy, and there is a deep, dark-looking pond or small lake, evidently fed by some springs, as the water is clear and flows away in a fair-sized stream. The house is very large and of all periods back, I should say, to mediæval times, for one part is of stone immensely thick, with only a few windows high up and heavily barred with iron. It looks like part of a keep, and is close to an old chapel or church. I could not enter it, as I had not the key of the door leading to it from the house, but I have taken with my kodak views of it from various points. The house has been added to, but in a very straggling way, and I can only guess at the amount of ground it covers, which must be very great. There are but few houses close at hand, one being a very large house only recently added to and formed into a private lunatic asylum. It is not, however, visible from the grounds."

When I had finished, he said:—

"I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may lie amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through weary years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may." Somehow his words and his look did not seem to accord, or else it was that his cast of face made his smile look malignant and saturnine.

Presently, with an excuse, he left me, asking me to put all my papers together. He was some little time away, and I began to look at some of the books around me. One was an atlas, which I found opened naturally at England, as if that map had been much used. On looking at it I found in certain places little rings marked, and on examining these I noticed that one was near London on the east side, manifestly where his new estate was situated; the other two were Exeter, and Whitby on the Yorkshire coast.

It was the better part of an hour when the Count returned. "Aha!" he said; "still at your books? Good! But you must not work always. Come; I am informed that your supper is ready." He took my arm, and we went into the next room, where I found an excellent supper ready on the table. The Count again excused himself, as he had dined out on his being away from home. But he sat as on the previous night, and chatted whilst I ate. After supper I smoked, as on the last evening, and the Count stayed with me, chatting and asking questions on every conceivable subject, hour after hour. I felt that it was getting very late indeed, but I did not say anything, for I felt under obligation to meet my host's wishes in every way. I was not sleepy, as the long sleep yesterday had fortified me; but I could not help experiencing that chill which comes over one at the coming of the dawn, which is like, in its way, the turn of the tide. They say that people who are near death die generally at the change to the dawn or at the turn of the tide; any one who has when tired, and tied as it were to his post, experienced this change in the atmosphere can well believe it. All at once we heard the crow of a cock coming up with preternatural shrillness through the clear morning air; Count Dracula, jumping to his feet, said:—

"Why, there is the morning again! How remiss I am to let you stay up so long. You must make your conversation regarding my dear new country of England less interesting, so that I may not forget how time flies by us," and, with a courtly bow, he quickly left me.

I went into my own room and drew the curtains, but there was little to notice; my window opened into the courtyard, all I could see was the warm grey of quickening sky. So I pulled the curtains again, and have written of this day.

Dracula: May 5

5 May 2026 at 20:11

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

5 May. The Castle. —The grey of the morning has passed, and the sun is high over the distant horizon, which seems jagged, whether with trees or hills I know not, for it is so far off that big things and little are mixed. I am not sleepy, and, as I am not to be called till I awake, naturally I write till sleep comes. There are many odd things to put down, and, lest who reads them may fancy that I dined too well before I left Bistritz, let me put down my dinner exactly. I dined on what they called "robber steak"—bits of bacon, onion, and beef, seasoned with red pepper, and strung on sticks and roasted over the fire, in the simple style of the London cat's meat! The wine was Golden Mediasch, which produces a queer sting on the tongue, which is, however, not disagreeable. I had only a couple of glasses of this, and nothing else.

When I got on the coach the driver had not taken his seat, and I saw him talking with the landlady. They were evidently talking of me, for every now and then they looked at me, and some of the people who were sitting on the bench outside the door—which they call by a name meaning "word-bearer"—came and listened, and then looked at me, most of them pityingly. I could hear a lot of words often repeated, queer words, for there were many nationalities in the crowd; so I quietly got my polyglot dictionary from my bag and looked them out. I must say they were not cheering to me, for amongst them were "Ordog"—Satan, "pokol"—hell, "stregoica"—witch, "vrolok" and "vlkoslak"—both of which mean the same thing, one being Slovak and the other Servian for something that is either were-wolf or vampire. (Mem., I must ask the Count about these superstitions)

When we started, the crowd round the inn door, which had by this time swelled to a considerable size, all made the sign of the cross and pointed two fingers towards me. With some difficulty I got a fellow-passenger to tell me what they meant; he would not answer at first, but on learning that I was English, he explained that it was a charm or guard against the evil eye. This was not very pleasant for me, just starting for an unknown place to meet an unknown man; but every one seemed so kind-hearted, and so sorrowful, and so sympathetic that I could not but be touched. I shall never forget the last glimpse which I had of the inn-yard and its crowd of picturesque figures, all crossing themselves, as they stood round the wide archway, with its background of rich foliage of oleander and orange trees in green tubs clustered in the centre of the yard. Then our driver, whose wide linen drawers covered the whole front of the box-seat—"gotza" they call them—cracked his big whip over his four small horses, which ran abreast, and we set off on our journey.

I soon lost sight and recollection of ghostly fears in the beauty of the scene as we drove along, although had I known the language, or rather languages, which my fellow-passengers were speaking, I might not have been able to throw them off so easily. Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom—apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the "Mittel Land" ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillsides like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not yet been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadars would not repair them, lest the Turk should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point.

Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colours of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water. One of my companions touched my arm as we swept round the base of a hill and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us:—

"Look! Isten szek!"—"God's seat!"—and he crossed himself reverently.

As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasised by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and Slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me: for instance, hay-ricks in the trees, and here and there very beautiful masses of weeping birch, their white stems shining like silver through the delicate green of the leaves. Now and again we passed a leiter-wagon—the ordinary peasant's cart—with its long, snake-like vertebra, calculated to suit the inequalities of the road. On this were sure to be seated quite a group of home-coming peasants, the Cszeks with their white, and the Slovaks with their coloured, sheepskins, the latter carrying lance-fashion their long staves, with axe at end. As the evening fell it began to get very cold, and the growing twilight seemed to merge into one dark mistiness the gloom of the trees, oak, beech, and pine, though in the valleys which ran deep between the spurs of the hills, as we ascended through the Pass, the dark firs stood out here and there against the background of late-lying snow. Sometimes, as the road was cut through the pine woods that seemed in the darkness to be closing down upon us, great masses of greyness, which here and there bestrewed the trees, produced a peculiarly weird and solemn effect, which carried on the thoughts and grim fancies engendered earlier in the evening, when the falling sunset threw into strange relief the ghost-like clouds which amongst the Carpathians seem to wind ceaselessly through the valleys. Sometimes the hills were so steep that, despite our driver's haste, the horses could only go slowly. I wished to get down and walk up them, as we do at home, but the driver would not hear of it. "No, no," he said; "you must not walk here; the dogs are too fierce"; and then he added, with what he evidently meant for grim pleasantry—for he looked round to catch the approving smile of the rest—"and you may have enough of such matters before you go to sleep." The only stop he would make was a moment's pause to light his lamps.

When it grew dark there seemed to be some excitement amongst the passengers, and they kept speaking to him, one after the other, as though urging him to further speed. He lashed the horses unmercifully with his long whip, and with wild cries of encouragement urged them on to further exertions. Then through the darkness I could see a sort of patch of grey light ahead of us, as though there were a cleft in the hills. The excitement of the passengers grew greater; the crazy coach rocked on its great leather springs, and swayed like a boat tossed on a stormy sea. I had to hold on. The road grew more level, and we appeared to fly along. Then the mountains seemed to come nearer to us on each side and to frown down upon us; we were entering on the Borgo Pass. One by one several of the passengers offered me gifts, which they pressed upon me with an earnestness which would take no denial; these were certainly of an odd and varied kind, but each was given in simple good faith, with a kindly word, and a blessing, and that strange mixture of fear-meaning movements which I had seen outside the hotel at Bistritz—the sign of the cross and the guard against the evil eye. Then, as we flew along, the driver leaned forward, and on each side the passengers, craning over the edge of the coach, peered eagerly into the darkness. It was evident that something very exciting was either happening or expected, but though I asked each passenger, no one would give me the slightest explanation. This state of excitement kept on for some little time; and at last we saw before us the Pass opening out on the eastern side. There were dark, rolling clouds overhead, and in the air the heavy, oppressive sense of thunder. It seemed as though the mountain range had separated two atmospheres, and that now we had got into the thunderous one. I was now myself looking out for the conveyance which was to take me to the Count. Each moment I expected to see the glare of lamps through the blackness; but all was dark. The only light was the flickering rays of our own lamps, in which the steam from our hard-driven horses rose in a white cloud. We could see now the sandy road lying white before us, but there was on it no sign of a vehicle. The passengers drew back with a sigh of gladness, which seemed to mock my own disappointment. I was already thinking what I had best do, when the driver, looking at his watch, said to the others something which I could hardly hear, it was spoken so quietly and in so low a tone; I thought it was "An hour less than the time." Then turning to me, he said in German worse than my own:—

"There is no carriage here. The Herr is not expected after all. He will now come on to Bukovina, and return to-morrow or the next day; better the next day." Whilst he was speaking the horses began to neigh and snort and plunge wildly, so that the driver had to hold them up. Then, amongst a chorus of screams from the peasants and a universal crossing of themselves, a calèche, with four horses, drove up behind us, overtook us, and drew up beside the coach. I could see from the flash of our lamps, as the rays fell on them, that the horses were coal-black and splendid animals. They were driven by a tall man, with a long brown beard and a great black hat, which seemed to hide his face from us. I could only see the gleam of a pair of very bright eyes, which seemed red in the lamplight, as he turned to us. He said to the driver:—

"You are early to-night, my friend." The man stammered in reply:—

"The English Herr was in a hurry," to which the stranger replied:—

"That is why, I suppose, you wished him to go on to Bukovina. You cannot deceive me, my friend; I know too much, and my horses are swift." As he spoke he smiled, and the lamplight fell on a hard-looking mouth, with very red lips and sharp-looking teeth, as white as ivory. One of my companions whispered to another the line from Burger's "Lenore":—

"Denn die Todten reiten schnell"— ("For the dead travel fast.")

The strange driver evidently heard the words, for he looked up with a gleaming smile. The passenger turned his face away, at the same time putting out his two fingers and crossing himself. "Give me the Herr's luggage," said the driver; and with exceeding alacrity my bags were handed out and put in the calèche. Then I descended from the side of the coach, as the calèche was close alongside, the driver helping me with a hand which caught my arm in a grip of steel; his strength must have been prodigious. Without a word he shook his reins, the horses turned, and we swept into the darkness of the Pass. As I looked back I saw the steam from the horses of the coach by the light of the lamps, and projected against it the figures of my late companions crossing themselves. Then the driver cracked his whip and called to his horses, and off they swept on their way to Bukovina. As they sank into the darkness I felt a strange chill, and a lonely feeling came over me; but a cloak was thrown over my shoulders, and a rug across my knees, and the driver said in excellent German:—

"The night is chill, mein Herr, and my master the Count bade me take all care of you. There is a flask of slivovitz (the plum brandy of the country) underneath the seat, if you should require it." I did not take any, but it was a comfort to know it was there all the same. I felt a little strangely, and not a little frightened. I think had there been any alternative I should have taken it, instead of prosecuting that unknown night journey. The carriage went at a hard pace straight along, then we made a complete turn and went along another straight road. It seemed to me that we were simply going over and over the same ground again; and so I took note of some salient point, and found that this was so. I would have liked to have asked the driver what this all meant, but I really feared to do so, for I thought that, placed as I was, any protest would have had no effect in case there had been an intention to delay. By-and-by, however, as I was curious to know how time was passing, I struck a match, and by its flame looked at my watch; it was within a few minutes of midnight. This gave me a sort of shock, for I suppose the general superstition about midnight was increased by my recent experiences. I waited with a sick feeling of suspense.

Then a dog began to howl somewhere in a farmhouse far down the road—a long, agonised wailing, as if from fear. The sound was taken up by another dog, and then another and another, till, borne on the wind which now sighed softly through the Pass, a wild howling began, which seemed to come from all over the country, as far as the imagination could grasp it through the gloom of the night. At the first howl the horses began to strain and rear, but the driver spoke to them soothingly, and they quieted down, but shivered and sweated as though after a runaway from sudden fright. Then, far off in the distance, from the mountains on each side of us began a louder and a sharper howling—that of wolves—which affected both the horses and myself in the same way—for I was minded to jump from the calèche and run, whilst they reared again and plunged madly, so that the driver had to use all his great strength to keep them from bolting. In a few minutes, however, my own ears got accustomed to the sound, and the horses so far became quiet that the driver was able to descend and to stand before them. He petted and soothed them, and whispered something in their ears, as I have heard of horse-tamers doing, and with extraordinary effect, for under his caresses they became quite manageable again, though they still trembled. The driver again took his seat, and shaking his reins, started off at a great pace. This time, after going to the far side of the Pass, he suddenly turned down a narrow roadway which ran sharply to the right.

Soon we were hemmed in with trees, which in places arched right over the roadway till we passed as through a tunnel; and again great frowning rocks guarded us boldly on either side. Though we were in shelter, we could hear the rising wind, for it moaned and whistled through the rocks, and the branches of the trees crashed together as we swept along. It grew colder and colder still, and fine, powdery snow began to fall, so that soon we and all around us were covered with a white blanket. The keen wind still carried the howling of the dogs, though this grew fainter as we went on our way. The baying of the wolves sounded nearer and nearer, as though they were closing round on us from every side. I grew dreadfully afraid, and the horses shared my fear. The driver, however, was not in the least disturbed; he kept turning his head to left and right, but I could not see anything through the darkness.

Suddenly, away on our left, I saw a faint flickering blue flame. The driver saw it at the same moment; he at once checked the horses, and, jumping to the ground, disappeared into the darkness. I did not know what to do, the less as the howling of the wolves grew closer; but while I wondered the driver suddenly appeared again, and without a word took his seat, and we resumed our journey. I think I must have fallen asleep and kept dreaming of the incident, for it seemed to be repeated endlessly, and now looking back, it is like a sort of awful nightmare. Once the flame appeared so near the road, that even in the darkness around us I could watch the driver's motions. He went rapidly to where the blue flame arose—it must have been very faint, for it did not seem to illumine the place around it at all—and gathering a few stones, formed them into some device. Once there appeared a strange optical effect: when he stood between me and the flame he did not obstruct it, for I could see its ghostly flicker all the same. This startled me, but as the effect was only momentary, I took it that my eyes deceived me straining through the darkness. Then for a time there were no blue flames, and we sped onwards through the gloom, with the howling of the wolves around us, as though they were following in a moving circle.

At last there came a time when the driver went further afield than he had yet gone, and during his absence, the horses began to tremble worse than ever and to snort and scream with fright. I could not see any cause for it, for the howling of the wolves had ceased altogether; but just then the moon, sailing through the black clouds, appeared behind the jagged crest of a beetling, pine-clad rock, and by its light I saw around us a ring of wolves, with white teeth and lolling red tongues, with long, sinewy limbs and shaggy hair. They were a hundred times more terrible in the grim silence which held them than even when they howled. For myself, I felt a sort of paralysis of fear. It is only when a man feels himself face to face with such horrors that he can understand their true import.

All at once the wolves began to howl as though the moonlight had had some peculiar effect on them. The horses jumped about and reared, and looked helplessly round with eyes that rolled in a way painful to see; but the living ring of terror encompassed them on every side; and they had perforce to remain within it. I called to the coachman to come, for it seemed to me that our only chance was to try to break out through the ring and to aid his approach. I shouted and beat the side of the calèche, hoping by the noise to scare the wolves from that side, so as to give him a chance of reaching the trap. How he came there, I know not, but I heard his voice raised in a tone of imperious command, and looking towards the sound, saw him stand in the roadway. As he swept his long arms, as though brushing aside some impalpable obstacle, the wolves fell back and back further still. Just then a heavy cloud passed across the face of the moon, so that we were again in darkness.

When I could see again the driver was climbing into the calèche, and the wolves had disappeared. This was all so strange and uncanny that a dreadful fear came upon me, and I was afraid to speak or move. The time seemed interminable as we swept on our way, now in almost complete darkness, for the rolling clouds obscured the moon. We kept on ascending, with occasional periods of quick descent, but in the main always ascending. Suddenly, I became conscious of the fact that the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle, from whose tall black windows came no ray of light, and whose broken battlements showed a jagged line against the moonlit sky.


5 May.—I must have been asleep, for certainly if I had been fully awake I must have noticed the approach of such a remarkable place. In the gloom the courtyard looked of considerable size, and as several dark ways led from it under great round arches, it perhaps seemed bigger than it really is. I have not yet been able to see it by daylight.

When the calèche stopped, the driver jumped down and held out his hand to assist me to alight. Again I could not but notice his prodigious strength. His hand actually seemed like a steel vice that could have crushed mine if he had chosen. Then he took out my traps, and placed them on the ground beside me as I stood close to a great door, old and studded with large iron nails, and set in a projecting doorway of massive stone. I could see even in the dim light that the stone was massively carved, but that the carving had been much worn by time and weather. As I stood, the driver jumped again into his seat and shook the reins; the horses started forward, and trap and all disappeared down one of the dark openings.

I stood in silence where I was, for I did not know what to do. Of bell or knocker there was no sign; through these frowning walls and dark window openings it was not likely that my voice could penetrate. The time I waited seemed endless, and I felt doubts and fears crowding upon me. What sort of place had I come to, and among what kind of people? What sort of grim adventure was it on which I had embarked? Was this a customary incident in the life of a solicitor's clerk sent out to explain the purchase of a London estate to a foreigner? Solicitor's clerk! Mina would not like that. Solicitor—for just before leaving London I got word that my examination was successful; and I am now a full-blown solicitor! I began to rub my eyes and pinch myself to see if I were awake. It all seemed like a horrible nightmare to me, and I expected that I should suddenly awake, and find myself at home, with the dawn struggling in through the windows, as I had now and again felt in the morning after a day of overwork. But my flesh answered the pinching test, and my eyes were not to be deceived. I was indeed awake and among the Carpathians. All I could do now was to be patient, and to wait the coming of the morning.

Just as I had come to this conclusion I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light. Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back.

Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door. The old man motioned me in with his right hand with a courtly gesture, saying in excellent English, but with a strange intonation:—

"Welcome to my house! Enter freely and of your own will!" He made no motion of stepping to meet me, but stood like a statue, as though his gesture of welcome had fixed him into stone. The instant, however, that I had stepped over the threshold, he moved impulsively forward, and holding out his hand grasped mine with a strength which made me wince, an effect which was not lessened by the fact that it seemed as cold as ice—more like the hand of a dead than a living man. Again he said:—

"Welcome to my house. Come freely. Go safely; and leave something of the happiness you bring!" The strength of the handshake was so much akin to that which I had noticed in the driver, whose face I had not seen, that for a moment I doubted if it were not the same person to whom I was speaking; so to make sure, I said interrogatively:—

"Count Dracula?" He bowed in a courtly way as he replied:—

"I am Dracula; and I bid you welcome, Mr. Harker, to my house. Come in; the night air is chill, and you must need to eat and rest." As he was speaking, he put the lamp on a bracket on the wall, and stepping out, took my luggage; he had carried it in before I could forestall him. I protested but he insisted:—

"Nay, sir, you are my guest. It is late, and my people are not available. Let me see to your comfort myself." He insisted on carrying my traps along the passage, and then up a great winding stair, and along another great passage, on whose stone floor our steps rang heavily. At the end of this he threw open a heavy door, and I rejoiced to see within a well-lit room in which a table was spread for supper, and on whose mighty hearth a great fire of logs, freshly replenished, flamed and flared.

The Count halted, putting down my bags, closed the door, and crossing the room, opened another door, which led into a small octagonal room lit by a single lamp, and seemingly without a window of any sort. Passing through this, he opened another door, and motioned me to enter. It was a welcome sight; for here was a great bedroom well lighted and warmed with another log fire,—also added to but lately, for the top logs were fresh—which sent a hollow roar up the wide chimney. The Count himself left my luggage inside and withdrew, saying, before he closed the door:—

"You will need, after your journey, to refresh yourself by making your toilet. I trust you will find all you wish. When you are ready, come into the other room, where you will find your supper prepared."

The light and warmth and the Count's courteous welcome seemed to have dissipated all my doubts and fears. Having then reached my normal state, I discovered that I was half famished with hunger; so making a hasty toilet, I went into the other room.

I found supper already laid out. My host, who stood on one side of the great fireplace, leaning against the stonework, made a graceful wave of his hand to the table, and said:

"I pray you, be seated and sup how you please. You will, I trust, excuse me that I do not join you; but I have dined already, and I do not sup."

I handed to him the sealed letter which Mr. Hawkins had entrusted to me. He opened it and read it gravely; then, with a charming smile, he handed it to me to read. One passage of it, at least, gave me a thrill of pleasure.

"I must regret that an attack of gout, from which malady I am a constant sufferer, forbids absolutely any travelling on my part for some time to come; but I am happy to say I can send a sufficient substitute, one in whom I have every possible confidence. He is a young man, full of energy and talent in his own way, and of a very faithful disposition. He is discreet and silent, and has grown into manhood in my service. He shall be ready to attend on you when you will during his stay, and shall take your instructions in all matters."

The Count himself came forward and took off the cover of a dish, and I fell to at once on an excellent roast chicken. This, with some cheese and a salad and a bottle of old Tokay, of which I had two glasses, was my supper. During the time I was eating it the Count asked me many questions as to my journey, and I told him by degrees all I had experienced.

By this time I had finished my supper, and by my host's desire had drawn up a chair by the fire and begun to smoke a cigar which he offered me, at the same time excusing himself that he did not smoke. I had now an opportunity of observing him, and found him of a very marked physiognomy.

His face was a strong—a very strong—aquiline, with high bridge of the thin nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily round the temples but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale, and at the tops extremely pointed; the chin was broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor.

Hitherto I had noticed the backs of his hands as they lay on his knees in the firelight, and they had seemed rather white and fine; but seeing them now close to me, I could not but notice that they were rather coarse—broad, with squat fingers. Strange to say, there were hairs in the centre of the palm. The nails were long and fine, and cut to a sharp point. As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal. The Count, evidently noticing it, drew back; and with a grim sort of smile, which showed more than he had yet done his protuberant teeth, sat himself down again on his own side of the fireplace. We were both silent for a while; and as I looked towards the window I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves. The Count's eyes gleamed, and he said:—

"Listen to them—the children of the night. What music they make!" Seeing, I suppose, some expression in my face strange to him, he added:—

"Ah, sir, you dwellers in the city cannot enter into the feelings of the hunter." Then he rose and said:—

"But you must be tired. Your bedroom is all ready, and to-morrow you shall sleep as late as you will. I have to be away till the afternoon; so sleep well and dream well!" With a courteous bow, he opened for me himself the door to the octagonal room, and I entered my bedroom....

I am all in a sea of wonders. I doubt; I fear; I think strange things, which I dare not confess to my own soul. God keep me, if only for the sake of those dear to me!

Dracula: May 4

4 May 2026 at 14:04

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

4 May.—I found that my landlord had got a letter from the Count, directing him to secure the best place on the coach for me; but on making inquiries as to details he seemed somewhat reticent, and pretended that he could not understand my German. This could not be true, because up to then he had understood it perfectly; at least, he answered my questions exactly as if he did. He and his wife, the old lady who had received me, looked at each other in a frightened sort of way. He mumbled out that the money had been sent in a letter, and that was all he knew. When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask any one else, for it was all very mysterious and not by any means comforting.

Just before I was leaving, the old lady came up to my room and said in a very hysterical way:

"Must you go? Oh! young Herr, must you go?" She was in such an excited state that she seemed to have lost her grip of what German she knew, and mixed it all up with some other language which I did not know at all. I was just able to follow her by asking many questions. When I told her that I must go at once, and that I was engaged on important business, she asked again:

"Do you know what day it is?" I answered that it was the fourth of May. She shook her head as she said again:

"Oh, yes! I know that! I know that, but do you know what day it is?" On my saying that I did not understand, she went on:

"It is the eve of St. George's Day. Do you not know that to-night, when the clock strikes midnight, all the evil things in the world will have full sway? Do you know where you are going, and what you are going to?" She was in such evident distress that I tried to comfort her, but without effect. Finally she went down on her knees and implored me not to go; at least to wait a day or two before starting. It was all very ridiculous but I did not feel comfortable. However, there was business to be done, and I could allow nothing to interfere with it. I therefore tried to raise her up, and said, as gravely as I could, that I thanked her, but my duty was imperative, and that I must go. She then rose and dried her eyes, and taking a crucifix from her neck offered it to me. I did not know what to do, for, as an English Churchman, I have been taught to regard such things as in some measure idolatrous, and yet it seemed so ungracious to refuse an old lady meaning so well and in such a state of mind. She saw, I suppose, the doubt in my face, for she put the rosary round my neck, and said, "For your mother's sake," and went out of the room. I am writing up this part of the diary whilst I am waiting for the coach, which is, of course, late; and the crucifix is still round my neck. Whether it is the old lady's fear, or the many ghostly traditions of this place, or the crucifix itself, I do not know, but I am not feeling nearly as easy in my mind as usual. If this book should ever reach Mina before I do, let it bring my good-bye. Here comes the coach!

Dracula: May 3

3 May 2026 at 14:03

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

3 May. Bistritz — Left Munich at 8:35 P. M., on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.

We left in pretty good time, and came after nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem., get recipe for Mina.) I asked the waiter, and he said it was called "paprika hendl," and that, as it was a national dish, I should be able to get it anywhere along the Carpathians. I found my smattering of German very useful here; indeed, I don't know how I should be able to get on without it.

Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania; it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.

In the population of Transylvania there are four distinct nationalities: Saxons in the South, and mixed with them the Wallachs, who are the descendants of the Dacians; Magyars in the West, and Szekelys in the East and North. I am going among the latter, who claim to be descended from Attila and the Huns. This may be so, for when the Magyars conquered the country in the eleventh century they found the Huns settled in it. I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)

I did not sleep well, though my bed was comfortable enough, for I had all sorts of queer dreams. There was a dog howling all night under my window, which may have had something to do with it; or it may have been the paprika, for I had to drink up all the water in my carafe, and was still thirsty. Towards morning I slept and was wakened by the continuous knocking at my door, so I guess I must have been sleeping soundly then.

I had for breakfast more paprika, and a sort of porridge of maize flour which they said was "mamaliga," and egg-plant stuffed with forcemeat, a very excellent dish, which they call "impletata." (Mem., get recipe for this also.) I had to hurry breakfast, for the train started a little before eight, or rather it ought to have done so, for after rushing to the station at 7:30 I had to sit in the carriage for more than an hour before we began to move. It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?

All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them. The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.

It was on the dark side of twilight when we got to Bistritz, which is a very interesting old place. Being practically on the frontier--for the Borgo Pass leads from it into Bukovina--it has had a very stormy existence, and it certainly shows marks of it. Fifty years ago a series of great fires took place, which made terrible havoc on five separate occasions. At the very beginning of the seventeenth century it underwent a siege of three weeks and lost 13,000 people, the casualties of war proper being assisted by famine and disease.

Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country. I was evidently expected, for when I got near the door I faced a cheery-looking elderly woman in the usual peasant dress--white undergarment with long double apron, front, and back, of coloured stuff fitting almost too tight for modesty. When I came close she bowed and said, "The Herr Englishman?" "Yes," I said, "Jonathan Harker." She smiled, and gave some message to an elderly man in white shirt-sleeves, who had followed her to the door. He went, but immediately returned with a letter:

"My Friend.--Welcome to the Carpathians. I am anxiously expecting you. Sleep well to-night. At three to-morrow the diligence will start for Bukovina; a place on it is kept for you. At the Borgo Pass my carriage will await you and will bring you to me. I trust that your journey from London has been a happy one, and that you will enjoy your stay in my beautiful land.

Your friend,DRACULA.

The God Question and the Problem of Evil syllabus

30 April 2026 at 14:37

This year I designed and taught a number of new modules in my new job and I’ll be posting my syllabi for them over the summer while I finally get time to catch my breath and think about how to rework the modules from this year that I’ll be teaching next year, alongside planning a new undergraduate ecclesiology module and a new MA level module on mystical theology in the Abrahamic traditions that I’m really excited about, and which will be the first of the modules I’ll teach at DCU I’ve actually designed myself. This module was designed for our part time, evening BA in Theology and Religious Studies, and was taught over five weeks in 3-4 hour session. It was surprisingly fun for a module about such unrelentingly grim things. Thanks are due to various people who helped me pull this together all at quite short notice, but especially to Jake Erickson and to Anthony Paul Smith.

Week 1: What is the Problem of Evil?
This week we’ll spend some time introducing the module, beginning to think about the God question and the problem of evil. Then we’ll take a look at some of the classical Christian texts about the nature of God and evil, focusing on the excerpts from Irenaeus, Augustine and Dionysius which are this week’s required reading.

Required Reading:
 ‘Irenaeus’, ‘Augustine’ and ‘Dionysius’ extracts from Mark J. Larrimore (ed), The Problem of Evil: A Reader. Blackwell, 2001.

Recommended Reading:
 ‘Job’s Question’ in Navid Kermani, The Terror of God: Attar, Job and the Metaphysical Revolt. Polity, 2011.

Week 2: The Devil and the Deep Blue Sea
This week we’ll think about some of the ways that classical Christian ideas about God and evil related to questions of power and violence. How did Christians think about the relationship between good and evil? How was evil understood in relation to questions of law and order? How did beliefs about hell and the devil shape how Christians thought about the societies they lived in? How did ideas about the nature of God and goodness shape how Christians thought about social, political and economic hierarchies?

Required Reading:
Armstrong, Amaryah. ‘Christian Order and Racial Order: What Cedric Robinson Can Teach Us’. The Bias, 3 June 2020, https://christiansocialism.com/2020/06/03/cedric-robinson-racial-order-christianity-socialism/.
Kotsko, Adam, ‘The Sociopathy of the Redeemed’ extract from The Prince of This World. Stanford University Press, 2016.

Recommended Reading:
Stump, Eleonore. ‘Providence and the Problem of Evil’. Oxford Handbook of Aquinas. Brian Davies ed. 2012.

Week 3: Theodicy
This week we’ll look at some of the distinctive ways that the problem of suffering begins to emerge in modernity, along with new ways of thinking about the nature of God, the individual, and the foundations of social order.

Required Reading:
‘Voltaire’, ‘Hobbes’ and ‘Leibniz’ extracts from Mark J. Larrimore (ed), The Problem of Evil: A Reader. Blackwell, 2001.

Recommended Reading:
‘Kant’, ‘Schopenhauer’ and ‘Hegel’ extracts from Mark J. Larrimore (ed), The Problem of Evil: A Reader. Blackwell, 2001.

Week 4: Evil in God’s Name
One of the ways that evil is a problem for Christian theology is that throughout history, some Christians have done things in the name of God which other Christians have considered to be evil. This week we’ll spend some time thinking about some ways that Christians have justified inflicting suffering on other people, and reflecting on what this means for the God question and the problem of evil.

Required Reading:
Humbert of Romans, ‘Opus Tripartitum’ in Riley-Smith, Louise, and Jonathan Simon Christopher Riley-Smith. ‘The Crusades: Idea and Reality, 1095-1274’. 1981.

Recommended Reading:
Nigel Biggar, ‘Individual Rights versus Common Security? Christian Moral Reasoning about Torture’ in Studies in Christian Ethics 27.1 (2014), 3-10 (this nasty little piece takes a very unpleasant delight in superfluously graphic descriptions of torture and I regretted not giving my students a heads up about this earlier in the semester)

Week 5: Reconsiderations

Required Reading:
Extracts from Gustavo Gutiérrez, On Job : God-Talk and the Suffering of the Innocent. Orbis Books, 1987.

Recommended Reading:
‘God Can’t Prevent Evil’ from Oord, Thomas Jay. God Can’t: How to Believe in God and Love after Tragedy, Abuse, and Other Evils. SacraSage Press, 2019.

General Bibliography
Adams, Marilyn McCord. Horrendous Evils and the Goodness of God. Cornell University Press, 2000.
Armstrong, Amaryah. ‘Christian Order and Racial Order: What Cedric Robinson Can Teach Us’. The Bias, 3 June 2020, https://christiansocialism.com/2020/06/03/cedric-robinson-racial-order-christianity-socialism/.
Griffin, David Ray. God, Power, and Evil: A Process Theodicy. Westminster John Knox Press, 2004.
Gutiérrez, Gustavo. On Job : God-Talk and the Suffering of the Innocent. Orbis Books, 1987.
Hart, David Bentley. The Doors of the Sea: Where Was God in the Tsunami? Eerdmans, 2011.
Jantzen, Grace. Becoming Divine : Toward a Feminist Philosophy of Religion. [Bloomington, Ind], 1999.
Jones, William R. Is God a White Racist? A Preamble to Black Theology. 1973
Kermani, Navid. The Terror of God: Attar, Job and the Metaphysical Revolt. Polity, 2011.
Kilby, Karen. God, Evil and the Limits of Theology. 2020. ———. Suffering and the Christian Life. Bloomsbury Publishing, 2019.
Kitamori, Kazoh. Theology of the Pain of God: The First Original Theology from Japan. Wipf and Stock Publishers, 2005.
Kotsko, Adam. The Prince of This World. Stanford University Press, 2016.
Larrimore, Mark J. The Problem of Evil: A Reader. Blackwell, 2001.
Levenson, Jon D. Creation and the Persistence of Evil: The Jewish Drama of Divine Omnipotence. Princeton University Press, 1994.
Löwy, Michael. Fire Alarm: Reading Walter Benjamin’s’ On the Concept of History’. Verso Books, 2016.
McCabe, Herbert. Faith within Reason. A&C Black, 2007.
———. God Matters. A&C Black, 2005.
McGill, Arthur Chute. Suffering: A Test of Theological Method. Westminster John Knox Press, 1982.
Oord, Thomas Jay. God Can’t: How to Believe in God and Love after Tragedy, Abuse, and Other Evils. SacraSage Press, 2019.
Pinn, Anthony B. Why, Lord?: Suffering and Evil in Black Theology. Bloomsbury Publishing, 1999.
Riley-Smith, Louise, and Jonathan Simon Christopher Riley-Smith. ‘The Crusades: Idea and Reality, 1095-1274’. 1981.
Sontag, Susan. Regarding the Pain of Others. Penguin, 2004.
Stump, Eleonore. ‘Providence and the Problem of Evil’. Oxford Handbook of Aquinas. Brian Davies ed. 2012.
Surin, Kenneth. Theology and the Problem of Evil. Wipf and Stock Publishers, 2004. Tilley, Terrence W. The Evils of Theodicy. Georgetown University Press, 1991.
Vincent, Alana M. ‘Dissenting from Redemption: Judaism and Political Theology’. European Judaism [Amsterdam], vol. 50, no. 1, 2017, pp. 32–40, https://doi.org/10.3167/ej.2017.500106.
Zizek, Slavoj, and Boris Gunjevic. God in Pain: Inversions of Apocalypse. Seven Stories Press, 2012.

Assignment
This final assignment will count for 100% of your overall mark for the module. You will be asked to write a 2500 word (+/-10%) essay in response to one of the following questions:

  1. C S Lewis: “If Christianity is true then it ought to follow (a) That any Christian will be nicer than the same person would be if he were not a Christian. (b) That any man who becomes a Christian will be nicer than he was”. Discuss.
  2. William R Jones, “Black theology, precisely because of the prominence of ethnic suffering in the black experience, cannot operate as if the goodness of God for all mankind were a theological axiom”. Discuss.
  3. Karen Kilby, “Christian theology ought neither to construct theodicies, nor ignore the kinds of problem theodicies try to address. It ought instead to acknowledge itself to be faced with questions it cannot answer.” Discuss.
  4. Dorothee Soelle, ‘Any attempt to look upon suffering as caused directly or indirectly by God stands in danger of regarding him as sadistic’. Discuss.
  5. Kenneth Surin, ‘Doing theodicy … as if it were an essentially ‘theoretical’ and ahistorical activity … not only frustrates historically situated reflection on the manifold forms and occurrences of evil, but also militates against a properly Christian response to the ‘problem of evil’. EITHER discuss this claim OR pick one of the thinkers we have read over the course of the module and consider their account of evil in relation to the historical context in which they were/are writing.
  6. Discuss one of the following pieces of fiction which address the problem of evil in light of the materials we have covered over the module:
    1. Ursula le Guin, ‘The Ones Who Walk Away from Omelas
    2. Fyodor Dostoevsky, ‘The Grand Inquisitor
    3. Flannery O’Connor, ‘Good Country People
    4. W E B Du Bois, ‘Jesus Christ in Texas
    5. Ted Chiang, ‘Hell is the Absence of God
    6. A fictional text of your choosing 
  7. Pick one event, recent or historical, which raises the problem of evil. What kinds of questions does this event raise about the god question and the problem of evil, and how might those questions be addressed?
  8. CHOOSE YOUR OWN ADVENTURE. If you would like to write your essay on a topic other than those set out in the questions above, you are free to do so on the condition that you a) pick a topic that will enable to you to meet the learning outcomes and b) get my approval for your chosen essay topic before you submit the essay. I’m really happy to talk over ideas with you and suggest readings etc. but you MUST get in touch with me before you submit your final essay.

If you are responding to one of the prompts which asks you to discuss a quotation, you can choose either to engage extensively with the thinker the quotation is taken from or simply to use the quotation as a way into talking about themes and ideas in the thinkers and texts we’ve studied in this module.

Your essay can draw on a mixture of texts from the module, texts from the module bibliography, and texts that you’ve found yourself. You should cite at least four scholarly sources. Your essay should use quotations as evidence, either to back up your overall argument, or to dissect in order to discuss the thinker or text you are discussing. You should not directly cite lecture materials. 

Your essay must have a thesis: a central idea or insight which is arguable (i.e. someone could disagree with it). 

MUSINGS: On high-end audio component prices, inflation, April Fools and peak "greedflation"?

estimated reading time: 15 min

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Let's consider how over the last while even audiophile magazines have wondered about the High-End Audio Industry's escalation in suggested retail prices for their products.

A year ago, Stereophile attempted to answer "Why Hi-Fi Prices Have Risen". To be fair, I think Jim Austin in the article made some good points about inflation, tariffs, etc. I'm glad that the article also acknowledged the fact that for years now, each generation of "high-end" audio products seemingly have also been just getting more expensive, untethered from inflationary expectations.

Grab a nice beverage, have a seat. Let's talk about prices in audiophilia. Is it true that the "high end" has become much more expensive?
[Some of these thoughts will trickle into the psychology of other luxury products beyond audio. Also, we'll be talking about dollars and cents in this post. Since most audiophile goods are priced in US dollars, let's use that through this post, with early April 2026 currency conversion as needed.]
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Significant changes in the UI from the previous CTXMatrixBeta release.

I want to remind 2-channel "immersive sound" lovers about the potential for using stereo crosstalk cancellation (XTC) / ambiophonics playback to enhance the 3D soundstage. You might have already heard of uBACCH in the audio magazines and on forums - why not try a similar effect for free (or through a small coffee donation)?!

You might recall, last year STC contributed a post on CTXMatrixBeta DSP for Windows. Well, it's great to see that he has continued to develop the software with updated user interface and abilities, this latest edition renamed CTXMatrix Lite, currently at version 1.3. It now includes a standalone processor which I'll spend some time discussing in this post, along with the 64-bit VST3 plugin as shown above that can be used in JRiver, Audirvāna and DAW software like Reaper.

Furthermore, there is now a VST3 plugin for Linux. Since I primarily use Windows for my music listening and processing, I'll stick with the Windows variant here with the hopes that some of this will be applicable. In my discussions with STC, he's aware of interest from Mac OSX users.

Perhaps the most important update in the last few months is that there is now improved support for standard ~60° stereo speaker angle (typically, the recommendation is 20-30° in ambiophonics). As a result, one should have a much better experience with the effect on most set-ups. In particular, hopefully more desktop computer music lovers will give this a listen without needed to move the speaker position and explore what you might be missing in your existing music library.

[If you run a miniPC streamer in the sound room like I do, CTXMatrix can easily be used like with HAF X-talk Shaper DSP discussed a couple years ago.]
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It's taking a bit longer for my testing of the inexpensive I²S/IIS/I2S-HDMI DDC boxes due to some unexpected results which I'm chasing down currently; hopefully that gets resolved or understood soon.

In the meantime, let me address something that folks might be curious about related to this topic of the I2S-HDMI interface... Does the HDMI cable make a difference to the sound quality?

As with much of audiophilia wherein some members of the culture have the belief that "everything makes a difference", obviously this is not the case and I do not recommend this kind of mindset. There are many things that don't make much, if any difference (as discussed here and here) based on experience and understanding principles of the technology.

Since I have not seen measurements examining the effect of HDMI cables on I²S performance from a DAC, let's do some testing here.

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Hey everyone. I'm still waiting to finish the measurements and write-up of the USB DDC boxes discussed last time (a few things I need to double check on!). In the meantime, I thought I'd share some thoughts and pictures with you of a visit I made to a friend, Paul's, place. You'll see that he is much more of a "subjectivist" than I am.

Above, we see his listening room which is capable of multichannel playback as well for music and movies. He's a multichannel enthusiast who values the immersive experience and has a large library of surround content in PCM and DSD - great to see!

Clearly, Paul is a Linn fan with almost an all-Linn system. He has front Linn Akubarik Exakt (Katalyst) active speakers, an Akurate 225 center channel, and a pair of Akudoriks as rear/side channels. Over the years, he has been experimenting with Linn Space Optimisation and wrote an article about his experiences (he contacted me after he saw my tests with Linn SO last year).

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This SMSL unit also does MQA decoding for those who want the feature. Unlike the Douk, this box only has an LED to indicate MQA decoding status but does not tell us the PCM or DSD samplerate.

While I've tested some inexpensive devices (like the Topping D10s DAC) which have the ability to convert USB 2.0 input into S/PDIF output, I have not specifically looked into these Digital-to-Digital Converter boxes which some audiophile reviewers (like this fellow, and this) seem to rave about.

For me, there just hasn't been any reason to be particularly interested since other than conversion from one interface type to another, the other promise of such devices - the reclocking capability - just hasn't been of great interest to me. As far as I can tell from listening, it's not like jitter has ever really been much of an issue unless severely bad for any decent modern device I've ever come across even at low price points (nor was jitter really an issue even with old CD players)!

However, since I have not tested I²S/I2S/IIS, I figure I'd buy both the Douk Audio U2 PRO 2025 upgrade version (US$63; Amazon Canada) and SMSL PO100 PRO (US$74; Amazon Canada) boxes to try out; have a listen and run some measurements. Unfortunately due to time limits, I'm not quite ready to show the measurements yet, so keep an eye out for those results, perhaps next week! For now let's just introduce you to these devices and talk about the I²S-HDMI connection.

As typical of the majority of my reviews/critiques, I bought these through retail channels.

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It's an interesting experience I think to pop into local "brick and mortar" audiophile stores when traveling (like this, this, this over the years). This past week, I've been in San Francisco visiting family. We happened to stay within walking distance from what I think is the most well-stocked audiophile gear store in the city - Audio Vision San Francisco - located in the Nob Hill neighborhood. They're opened on weekends, closed on Tuesday, and by appointment on Mondays.

Chatting with the salesperson, I was told the store opened about 26 years ago. I suspect most audiophiles will be impressed when you walk into the store and see their selection of gear sitting in the hallway!
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For this post, let's discuss a few other audiophile items that have come my way in recent weeks.

First, let's talk about something I haven't brought up for awhile now: sample rate conversion (SRC).

A few weeks ago, Spoon (a.k.a. Steven Elkins of Illustrate) sent me an E-mail about his new src.hydrogenaudio.org page evaluating and ranking the qualities of various software sample rate converters. I believe the page has been online since late 2025. Check out the forum discussion about the project as well.

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Let's have some fun this week on miscellaneous topics.

Occasionally, I'll highlight items I've either written or found on audio discussion forums I think would be good to share. One reason I decided to start doing a blog beyond just contributing to forum discussions was precisely because while the public forums are great for interactions with community members, meaningful posts often become obscured behind pages and pages of chit chat, irrelevant responses, and sometimes unpleasant arguments.

[I've unfortunately witnessed situations where very meaningful threads are closed off prematurely based on the bias of moderators. Even worse, threads with useful discussions might be erased entirely from existence which I feel is an slap in the face of well-meaning participants who put their time and efforts into thoughtful reflections. This is nothing new in the audiophile world; for example last year Stereophile scrubbed their website of all public comments accumulated over decades!

While I acknowledge the right of a website's owner to do such things, that doesn't make it any more palatable. I certainly understand the need for moderation in removing nonsensical, trollish, unethical, or crude statements that add nothing to promote thoughtful discussions.]

Speaking of forums and websites, I thought here in early 2026 it would be fun to explore website traffic numbers of some of the most common audiophile/audio sites using a common metric. One can get monthly visit numbers from Similarweb for free, a well-known website traffic tracker.

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Last week, I discussed the miniDSP UMIK-2 USB measurement microphone and as I mentioned then, it's not often that we see much discussion about these devices among audiophiles even though they are important in helping us chase down sonic problems and of course to calibrate the sound system. To me, that calibration process is an essentialpart of achieving a truly "accurate" sound system once we sort out basic room set-up; assuming high-fidelity accuracy is what you're after of course!

So, before heading off to other topics, I thought I'd explore a little more about this device.
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Well, as mentioned previously, it was a great holiday season and here's another gift from Audio-Santa 🙂 - the miniDSP UMIK-2 measurement microphone. I bought this through Solen.ca here in Canada and they did a great job with the order and quick shipment. Amazon Canada often has limited stock of miniDSP products.

I'm sure the miniDSP company is well known to many audiophiles at this point. I bet many of you, like myself, already have one of their UMIK-1 microphones which I've used in a number of the acoustic measurements on this blog since 2019.

As you can imagine, the UMIK-2, initially released in late 2020, is an evolution of the UMIK-1 with upgrades which we'll talk about. First, let's have a peek at the physical device itself.

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Over the holidays, Santa brought me a new SVS SB-2000 Pro subwoofer (currently US$900 black ash, US$1000 piano black, Canada: black ash, piano black) for the system in the sound room. As you can see, I got the slightly more expensive shiny piano black version. As usual, I bought this from typical consumer channels.

On this blog, we've talked about full-range sound, including the importance of subwoofer(s) in order to experience "fully" all there is in our recordings. As a pop, rock, electronica, orchestral, movie-lover, the ability to experience down to 20Hz (even a little lower into "infrasound") with adequate power, and low distortion is all part of what it means to achieve "high-fidelity" audio that is transparent to the source recording. As usual, it doesn't mean I can't enjoy my music without these sub-bass frequencies! It's just nice to know that I'm not neglecting content present in those lower registers as provided by artists and audio engineers.

During the pandemic, in the spring of 2020, I bought myself an inexpensive 8" Polk PSW111 to use as an "accessory" subwoofer to help fill-in the bass response in concert with the mighty Paradigm SUB1 (1700Wrms, 6 x 8" drivers), my main subwoofer that achieves frequency response down below 20Hz. For these last 5+ years, the little Polk has done its job reasonably well but it clearly has limits. For example, when pushed up in level, I can hear the "chuffing" from the small ~4" diameter down-facing port. Also, a ported 8" sub like this can really only be expected to reproduce down to the mid-30Hz at best.

And so, moving ahead, let's spend some money to retire that little Polk sub to my main floor living room, making space for this SVS! 😁

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Hope you're all having a wonderful Christmas-New Year Holiday season!

On Christmas morn 2025, as I relaxed in the sitting room waiting for the rest of the family to get ready for some holiday festivities, listening to holiday music, I could not help but marvel at the fact that my little Logitech Squeezebox Radio sitting over the fireplace, released back in 2009 continues to go strong all these years later. The Squeezebox products including the Radio were some of the first devices I posted about with measurements in the early days of this blog.

I think it's an obvious reminder that even though time flies, music preferences and artists change, hardware gets upgraded and new technologies show up at our homes, the ability to enjoy music need not be tied into the hardware obsessionality that can consume audiophiles. We can derive much joy out of even a simple mono "radio" device like this.

Although Logitech got out of Squeezebox hardware production way back in 2012, they continued the official MySqueezebox.com servers until March 2024. I actually didn't even notice this change as I've been using my own Logitech Music Server (LMS) home system since something like 2008.

While LMS development has stopped, it's great to see that the good folks have continued to work on this venerable music streaming system as Lyrion Music Server.
After writing the article recently about New Record Day's "AI assisted research" on the P.I. Audio / GR-Research UberBUSS, I thought it was disturbing seeing this recent, rather juvenile, video from Danny:


As we can see, there is this ongoing conflict between Danny and Amir/Audio Science Review (ASR) over the years. Obviously, ASR has been highly critical of some GR-Research products like their power cable and speaker designs. I think that's to be expected; since when did objective-leaning audiophiles care for US$400+ power cables? Objective reviews naturally compare metrics and seek out good value so high-priced items that cannot show improvements in the measurements (nor with controlled listening) simply cannot be recommended.

Given that Danny made this video voluntarily, released publicly, I assume he wanted to foster discussion, so let's get into this for a bit.

First, consider the title - "Measurements vs Listening — and the History of a Site with an Agenda". Sure, Audio Science Review has an agenda and it's different from Danny's. There's nothing wrong with that and in fact is to be expected for anyone trying to publicly make a point to influence others! I'd be dishonest if I claim to have no agenda either given the kinds of articles I write in these pages. Here are some of the items on my agenda list:
A. To discuss audiophile topics through a "more objective", rational lens.
B. When I review stuff, to aim to show demonstrable effects (measurements, graphs, etc.).
C. To speak clearly when products appear to be Snake Oil.
I trust that none of those 3 points above would be a surprise to anyone who has read an article or two around here.
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Hey there guys and gals, since I've been in the mood for bling this end-of-year season (as per recent discussion of the Fosi Audio LC30), let's grab another one of these VU meter boxes - as you can see above, it's the Douk Audio VU30 Pro (typically around US$150, Canada link, AliExpress), a 2024 upgraded version of the Douk Audio VU3 (non-Pro) which came out back in 2021.

Similar to the Fosi LC30, this is also an analog meter with 2-in/2-out switcher which will allow you to select one of two amplifiers and two speakers. As a "Pro" model however, this box has been upgraded with a few funky features over the first version which we'll talk about.

As usual, I bought this from standard retail channels; no contact with the manufacturer.

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These days we have AI making hit music, and AI actors coming soon. The AI industry is "hot" and impressive, seemingly the answer to all kinds of queries we may have right at our keyboards! I think it's absolutely true that with the advent of LLM's and multi-modal deep learning models, we have even more ability now to learn, analyze, and summarize all kinds of information unheard of just a few years back. Like all things, there's always a catch which is that we have to use the tools responsibly and we need to make sure not to be overly reliant on these things because the results can also easily be wrong, like the "hallucinations" (more like "confabulations") that happen still all too often during AI chats.

We're seeing the advent of AI-driven intersubjective delusions in some people. Over reliance of these information tools can lead to all kinds of unforeseen negative outcomes across different domains (like in the legal space).

So I guess it's natural then that audiophiles might want to apply the technology to answer some of audiophilia's deepest never-ending debates - the stuff at the heart of numerous snake oil products.

The other day, I ran into an interesting New Record Day / Ron Brenay video where he uses ChatGPT to assess room audio recordings either from components using stock power cables, or through a new fancy GR-Research power conditioner called the "UberBUSS Power Filtration System" starting at US$1,600 that Danny Richie obviously is getting all excited about (my goodness, everything is "another level" with this guy - how many levels are there with mature technology?). This UberBUSS is further paired with his poorly reviewed US$380-$480 B24 power cable for the test.

[I see the UberBUSS isn't a totally new power filter, non-surge suppression product. Apparently it has been out since before 2021, earliest mention 2018, made by P.I. Audio Group which I guess is now defunct? If at first you don't succeed... Keep trying?]

Let's have a look at this video and what's being done...

Dracula Daily approaches!

22 April 2026 at 14:09

Hello! Editor Matt here. A quick reminder: you’re getting this email because you signed up for Dracula Daily, the email newsletter that sends you the full text of Dracula in real time. If that doesn’t sound familiar, you can unsubscribe at the link at the bottom of this email.

If that DOES sound familiar - you’re in the right place. The story of Dracula starts on May 3, which means we’re starting in less than two weeks. Dracula is fun to read along with people, so if there’s anybody in your life you’d like to join this book club with, get ‘em on board now! :)

On May 3 you’ll get the first section of the book, as we meet Jonathan Harker. After that, you’ll only get emails on days when there’s action in the book.

Confused about how this works? I cover some common questions here. https://draculadaily.substack.com/about


This year:

And like last year, I’m also running Dracula Weekly - this is the optional ‘supporter’ level of Dracula Daily. Dracula Daily has always been free, and to be clear, it will continue to be free. It’s too much fun to restrict to only people who pay money. If you received this newsletter in your inbox, you don’t need to do anything else: you’ll get the full book Dracula emailed to you in real time, bit by bit.

But some of you have chosen to support this project by using one of the subscription levels that the newsletter platform offers here. This means the world to me, and definitely is a part of why I chose to do this again in 2026. You guys are so great!

Also I think it’s time to confess something. Among friends, I have been referring to the supported-tier of Dracula Daily as my OnlyFangs.

Anyways.

This year paid subscribers will get:

  • weekly subscriber-only posts, which cover a summary of the reading (in case you got behind) and a smattering of related jokes and memes and stuff

  • the warm fuzzy feeling of supporting weird artsy internet projects like this

  • and this year, I’m going to mail you some band-aids.

Did you say band-aids?

Yeah! Well ‘adhesive bandage’ is the correct term, since BAND-AID® is a registered trademark. But this has got to be like a Kleenex® situation by now, right?

But YES. I was thinking about making stickers or badges or something to celebrate this year, and my brilliant wife Erika suggested instead: custom bandages.

So yes! I made custom Dracula Daily themed adhesive bandages, so you can patch up (or conceal) those tiny throat wounds. Don’t cause your loved ones undue concern! Those little punctures on your neck are probably no big deal.

I’m not selling these - I’ll just send them out in the postal mail as a way to say thank you to people that support the project. I’ll send out a link in our first weekly roundup email and you can claim your bandages, and then I’ll get them in the mail for you.

And really: it’s just a little thank you. You should only pay actual money to Dracula Daily if you want to throw your support behind the project!

So what does this mean for you?

- If you’re already a supporter - you’re good! Nothing to do. Just claim your goodies when I send out the link.

- If you that support doesn’t sound interesting, no worries. You’re also good! The regular Dracula Daily emails will go out as usual, and you’ll get the full book and the full experience. Still free! You don’t need to do anything.

- If you haven’t subscribed and you WANT to join in and support Dracula Daily, here’s a link (at least I think this is how it works):

Subscribe now

But really - NO pressure here, you don’t need to subscribe to read Dracula with us.

OK! That’s it - thanks for reading along. Doing this Dracula thing is only possible and certainly only fun because of you, dear reader.

And get ready for the book to start - we meet our good friend Jonathan on May 3!

❌