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Dracula: June 24

24 June 2026 at 14:22

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

24 June, before morning.—Last night the Count left me early, and locked himself into his own room. As soon as I dared I ran up the winding stair, and looked out of the window, which opened south. I thought I would watch for the Count, for there is something going on. The Szgany are quartered somewhere in the castle and are doing work of some kind. I know it, for now and then I hear a far-away muffled sound as of mattock and spade, and, whatever it is, it must be the end of some ruthless villainy.

I had been at the window somewhat less than half an hour, when I saw something coming out of the Count's window. I drew back and watched carefully, and saw the whole man emerge. It was a new shock to me to find that he had on the suit of clothes which I had worn whilst travelling here, and slung over his shoulder the terrible bag which I had seen the women take away. There could be no doubt as to his quest, and in my garb, too! This, then, is his new scheme of evil: that he will allow others to see me, as they think, so that he may both leave evidence that I have been seen in the towns or villages posting my own letters, and that any wickedness which he may do shall by the local people be attributed to me.

It makes me rage to think that this can go on, and whilst I am shut up here, a veritable prisoner, but without that protection of the law which is even a criminal's right and consolation.

I thought I would watch for the Count's return, and for a long time sat doggedly at the window. Then I began to notice that there were some quaint little specks floating in the rays of the moonlight. They were like the tiniest grains of dust, and they whirled round and gathered in clusters in a nebulous sort of way. I watched them with a sense of soothing, and a sort of calm stole over me. I leaned back in the embrasure in a more comfortable position, so that I could enjoy more fully the aërial gambolling.

Something made me start up, a low, piteous howling of dogs somewhere far below in the valley, which was hidden from my sight. Louder it seemed to ring in my ears, and the floating motes of dust to take new shapes to the sound as they danced in the moonlight. I felt myself struggling to awake to some call of my instincts; nay, my very soul was struggling, and my half-remembered sensibilities were striving to answer the call. I was becoming hypnotised! Quicker and quicker danced the dust; the moonbeams seemed to quiver as they went by me into the mass of gloom beyond. More and more they gathered till they seemed to take dim phantom shapes. And then I started, broad awake and in full possession of my senses, and ran screaming from the place. The phantom shapes, which were becoming gradually materialised from the moonbeams, were those of the three ghostly women to whom I was doomed. I fled, and felt somewhat safer in my own room, where there was no moonlight and where the lamp was burning brightly.

When a couple of hours had passed I heard something stirring in the Count's room, something like a sharp wail quickly suppressed; and then there was silence, deep, awful silence, which chilled me. With a beating heart, I tried the door; but I was locked in my prison, and could do nothing. I sat down and simply cried.

As I sat I heard a sound in the courtyard without—the agonised cry of a woman. I rushed to the window, and throwing it up, peered out between the bars. There, indeed, was a woman with dishevelled hair, holding her hands over her heart as one distressed with running. She was leaning against a corner of the gateway. When she saw my face at the window she threw herself forward, and shouted in a voice laden with menace:—

"Monster, give me my child!"

She threw herself on her knees, and raising up her hands, cried the same words in tones which wrung my heart. Then she tore her hair and beat her breast, and abandoned herself to all the violences of extravagant emotion. Finally, she threw herself forward, and, though I could not see her, I could hear the beating of her naked hands against the door.

Somewhere high overhead, probably on the tower, I heard the voice of the Count calling in his harsh, metallic whisper. His call seemed to be answered from far and wide by the howling of wolves. Before many minutes had passed a pack of them poured, like a pent-up dam when liberated, through the wide entrance into the courtyard.

There was no cry from the woman, and the howling of the wolves was but short. Before long they streamed away singly, licking their lips.

I could not pity her, for I knew now what had become of her child, and she was better dead.

What shall I do? what can I do? How can I escape from this dreadful thing of night and gloom and fear?

Apéro wallabag à Paris le mercredi 29 juillet 2026

24 June 2026 at 10:00

Après une première édition en 2025, nous renouvelons l'opération cette année.

Nous vous donnons rendez-vous le mercredi 29 juillet à partir de 18h30 au bar Chez Jean-Claude, 9 rue Vandamme, Paris 75014 (site internet : https://www.chezjeanclaudeleretour.fr/).

Y'aura à boire, à manger et sûrement des autocollants wallabag 🦘

Si vous pensez être de la partie, pensez à remplir le sondage de participation : https://beta.framadate.org/polls/b6cede884d27340afff1.

Si jamais le lieu devait changer (parce que nous serions trop de personnes ou pour toute autre raison), nous mettrions à jour ce billet de blog et nous communiquerions sur notre compte mastodon https://fosstodon.org/@wallabag.

Les personnes qui ont participé à l'apéro wallabag 2025

Des bières et du gras

wallabag x La Clinique du Libre : une heure pour améliorer le projet

23 June 2026 at 16:00

As the video is in French, the rest of this blog post is in French too.

Il y a quelques jours, avec une partie de l'équipe, nous avons pu participer à la première édition de la Clinique du Libre, organisée par la communauté Logiciel Libre de Designers Éthiques.

Designers Éthiques est une association qui explore les pratiques de conception numérique. Nous travaillons à la capacitation des designers et des professionnels du numérique pour produire un numérique émancipateur, durable et désirable. La communauté Logiciel Libre a été créée en 2026 par Émilie Nguyen Van Yen et Nathalie. Son objectif est d'aider des projets libristes sur le plan de l'UX design.

L'exercice était plus qu'intéressant : une heure de direct durant laquelle des expertes UX design nous ont remonté des anomalies sur notre projet. Aucun jugement, uniquement des retours pratiques et parfois assez simples à corriger.

Grâce à leur travail, nous allons pouvoir améliorer wallabag.

Vous avez raté le direct ? La vidéo est disponible sur leur Peertube.

Dracula: June 18

18 June 2026 at 14:21

18 June.—He has turned his mind now to spiders, and has got several very big fellows in a box. He keeps feeding them with his flies, and the number of the latter is becoming sensibly diminished, although he has used half his food in attracting more flies from outside to his room.

Dracula: June 17

17 June 2026 at 14:22

JONATHAN HARKER'S JOURNAL

(Kept in shorthand.)

17 June.—This morning, as I was sitting on the edge of my bed cudgelling my brains, I heard without a cracking of whips and pounding and scraping of horses' feet up the rocky path beyond the courtyard. With joy I hurried to the window, and saw drive into the yard two great leiter-wagons, each drawn by eight sturdy horses, and at the head of each pair a Slovak, with his wide hat, great nail-studded belt, dirty sheepskin, and high boots. They had also their long staves in hand. I ran to the door, intending to descend and try and join them through the main hall, as I thought that way might be opened for them. Again a shock: my door was fastened on the outside.

Then I ran to the window and cried to them. They looked up at me stupidly and pointed, but just then the "hetman" of the Szgany came out, and seeing them pointing to my window, said something, at which they laughed. Henceforth no effort of mine, no piteous cry or agonised entreaty, would make them even look at me. They resolutely turned away. The leiter-wagons contained great, square boxes, with handles of thick rope; these were evidently empty by the ease with which the Slovaks handled them, and by their resonance as they were roughly moved. When they were all unloaded and packed in a great heap in one corner of the yard, the Slovaks were given some money by the Szgany, and spitting on it for luck, lazily went each to his horse's head. Shortly afterwards, I heard the cracking of their whips die away in the distance.

Change on the documentation repository

12 June 2026 at 14:00

Recently, we decided to merge the documentation repository into the wallabag code repository. This will greatly simplify contribution workflows by avoiding to maintain and contribute to a separate repository.

This change will also enable us to easily maintain documentations dedicated to minor versions.

The documentation for the current release is still accessible on https://doc.wallabag.org/. Contributions can now be done on https://github.com/wallabag/wallabag/tree/master/doc.

Finally as a consequence of this merge, we will archive the former doc repository.

Dracula: June 5

5 June 2026 at 14:20

Dr. Seward's Diary.

5 June.—The case of Renfield grows more interesting the more I get to understand the man. He has certain qualities very largely developed; selfishness, secrecy, and purpose. I wish I could get at what is the object of the latter. He seems to have some settled scheme of his own, but what it is I do not yet know. His redeeming quality is a love of animals, though, indeed, he has such curious turns in it that I sometimes imagine he is only abnormally cruel. His pets are of odd sorts. Just now his hobby is catching flies. He has at present such a quantity that I have had myself to expostulate. To my astonishment, he did not break out into a fury, as I expected, but took the matter in simple seriousness. He thought for a moment, and then said: "May I have three days? I shall clear them away." Of course, I said that would do. I must watch him.


[ Special Note from the publisher: The story in Dracula has a break of a couple of weeks here. Don’t expect email for a while, my friends. ]

Dracula Weekly: 4

2 June 2026 at 01:00

Hello! Editor Matt here; this is Dracula Weekly, Week 4. Thank you again for supporting this project!

Let’s get to it.

RECAP

A quieter week in Dracula; there’s some tension brewing…

May 26. Art replies to the previous day’s request; he’s IN.

We didn’t get any details on that tantalizing hangout with Jack, Arthur, and Quincey, nor did we hear from Mina and Lu…

Read more

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