Though movies about disruptive tech founders are nothing new, 2026 has been unusually stacked with features that take a much more critical look at how Silicon Valley is reshaping our reality. Aaron Sorkin's The Social Reckoning frames Mark Zuckerberg as a robotic villain whose ambitions are destabilizing society. Nathan Fielder and Lance Oppenheim's You Can See Everything paints a damning picture of Theranos founder Elizabeth Holmes as she prepares for her ongoing stint in prison. After years of being widely celebrated as a visionary, you can see how the larger narrative around Elon Musk has shifted in projects like Alex Gibney's Musk docume …

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As important as some of the messages in The Social Reckoning are, the movie has been drastically underperforming at the box office. Per Variety, Aaron's Sorkin's follow up to The Social Network only grossed a measly $5.5 million this past weekend against a budget that's somewhere within the $30-42 million range. That would make it a certifiable flop that's costing Columbia Pictures (and Sony) quite a bit of money - especially when you compare it to The Social Network's $22 million opening.

This isn't entirely surprising given how middling reviews for the film have been. It's currently got a 55% rating on Rotten Tomatoes and has widely been …

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From Disney Plus to HBO Max, almost every major established streaming service is experimenting with ways to get into vertical content. It's clear that these companies see video-focused social media platforms like TikTok and Instagram as existential threats. In this arms race for viewers' attention, it has often felt like everyone is trying to find new ways to exist on people's phones. But a new startup thinks that the next step in vertical series' evolution is going to take place on our wide-screen televisions.

Unlike most vertical microdrama / series streaming platforms on the market that have focused on mobile viewing experiences, Vurt ha …

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When David Fincher's The Social Network premiered in 2010, many people still thought of Mark Zuckerberg as a genius who had revolutionized the world by creating Facebook. Writer Aaron Sorkin's script was critical of Zuckerberg's character and his ruthless approach to doing business, but it also helped mythologize the co-founder at a time when the general public was much more enchanted by Silicon Valley. When Zuckerberg said in 2014 that he'd been hurt by the film's depiction of him, Fincher said he was "sorry that it did" and admitted that he "wouldn't want a movie made about the things I did when I was 19 years old," either. Fincher's apolo …

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