Editor, critic, and publisher Malcolm Edwards, 76, died October 3, 2026. He had Parkinson’s disease.

Malcolm John Edwards was born December 3, 1949 in London, England. He received a degree from the University of Cambridge. He worked at several publishing houses, including Gollancz from 1976-89, HarperCollins from 1991-7, and Orion Books from 1998-2019, first as managing director, then as deputy CEO and group publisher. For Gollancz, he edited the SF Masterworks series, re-releasing SF novels from notable genre authors including Joe Haldeman, Samuel R. Delany, and Ursula K. Le Guin. He later co-edited the companion series, Fantasy Masterworks, with Jo Fletcher. After this, he undertook the SF Gateway project, an ebook library noted as the largest digital SF/F library of its kind at the time, which launched in 2011 alongside the third edition of The Encyclopedia of Science Fiction.

Edwards was active in the UK SF fandom space throughout the 1970s and ’80s, and soon he was working as a critic and magazine editor. He edited for Vector in 1972-4, penning several editorials and reviews. He was the administrator of the Science Fiction Foundation for three years and edited its journal, Foundation: The Review of Science Fiction, in 1975-80. He was a founding board member of Interzone, which he edited in 1982-3. He also wrote one novel around this time, Succubus (1985) with Robert Holdstock under the name John Stock, and one work of short fiction, BSFA Award winner “After-Images” (1983).

He wrote several works of non-fiction, in frequent collaboration with other authors. He wrote Spacecraft in Fact and Fiction (1979) with Harry Harrison; The Complete Book of Science Fiction and Fantasy Lists (1983) with Maxim Jakubowski; and Alien Landscapes (1979), Magician: The Lost Journals of the Magus Geoffrey Carlyle (1982), and Lost Realms (1984) with Robert Holdstock; among others. He edited anthologies Constellations: Stories of the Future (1980), The Gollancz / Sunday Times SF Competition Stories (1987), and A Is for Brian (1990), the latter with Margaret Aldiss and Frank Hatherley. As a fiction editor, he worked with numerous authors, including J.G. Ballard, Philip K. Dick, Stephen King, William Gibson, Terry Pratchett, and more. In 1996, as part of HarperCollins, he won the British Book Award for Imprint & Editor of the Year.

For more, see his entry in the Encyclopedia of Science Fiction.

Must Read Magazines has issued a statement shared by Analog Science Fiction and Fact on Bluesky in response to public criticism by John Picacio, Donato Giancola, Victoria Strauss, and others about its contract terms for artists.

According to the statement,

We previously commissioned illustrators to create covers as work-for-hire when they were asked to adapt authors’ original stories for elements such as cover art.

This will be changing.

The rights granted to MRM are limited, and therefore we can’t protect the intellectual property and rights of the original author of the story, if we at the same time grant the authors’ rights to the illustrator so that the illustrator can then retain an adaptation copyright. We don’t acquire rights from authors that allow us to grant illustrators broad unencumbered use of the worlds, characters, and other elements created by the author.

We’re planning to pause cover contracts based on specific stories for the foreseeable future while we figure out the best way forward with those kinds of commissions.

…

Regarding retention of “moral rights” in illustrations: our licensing agreements for original art and original fiction use language prepared by an international IP attorney based on notes we received from SFWA’s contracts committee. These kinds of agreements no longer include a waiver of moral rights.

We always appreciate when contributors to the magazines express their concerns.

The response comes after a public memo from Picacio shared to “strongly advise” against submitting stories to or creating art for any of Must Read’s magazines. Picacio has sent Locus a copy of the boilerplate contract he received. Elements he rejected read as follows:

Artist hereby waives the benefits of any provision of law known as “droit moral” and/or “moral rights” or any similar law in any jurisdiction of the universe and hereby agrees not to institute or support, maintain, or permit any action or lawsuit on the grounds that the The Work or any ancillary uses thereof violates any of Artist’s rights or is in any way a defamation or mutilation of the The Work. Company shall solely own the copyright in the The Work. Neither the suspension nor termination of Artist’s services nor the expiration of this Agreement shall in any way adversely affect Company’s ownership of the The Work.

Company or its divisions may be credited as the copyright holder of the work…

Workable files shall mean layered files suitable for use in Adobe Photoshop or such similar software.

At no additional cost, Company will be presented with at least Two (2) and at most Three (3) rounds of drafts of the The Work for review by Company. … Company may instruct Artist to make changes up to Three (3) times upon review of the The Work and drafts inclusive of Company’s notes on such drafts.

The contract sets the artist’s pay at $1,200. Giancola, who reported in a separate post that he rejected a cover art contract offering the same pay, described this as being “on the low side and the same fee they had offered six years before for similar work.” Giancola also strongly criticized the usage of a work-for-hire agreement, “NOT a contract structure I had worked under before for ANY of my previous Asimov’s covers,” as well as several other terms for “deviat[ing] far beyond” his contracts with other SF publications, including some of those quoted above.

I went back and forth in contract revisions with Asimov’s SF legal department five times over three months. Nearly as much time was spent on these negotiations, legal revisions, and emails then what I would put into creating art for a final illustration. All for a $1200 fee on a commission who’s legal contract issues were settled in a five minute digital handshake six years ago.

At the end of June, while their legal department was still soliciting me to supply a Non-Disclosure Agreement I would be fine signing after stating I would not sign one, I told Asimov’s SF to find another artist. Their legal department was not negotiating in good faith to get me to work on their magazine – they were looking for an artist to exploit.

Strauss commented on the subject on the SFWA-sponsored Writer Beware blog: “[E]ven if the publisher is willing to make changes, [writers] must think about what it says about the publisher, and its attitude toward its writers, that it would offer a bad contract to begin with. … [W]riters shouldn’t be afraid to negotiate, and publishers should be open to change. It’s just really important not to let the details obscure the big picture.”

Scott Edelman, who has previously written about his decision to withdraw all submissions to Must Read, also commented on the company’s statement: “This defense from the publisher of Asimov’s, Analog, and F&SF is no defense at all. I’d hoped those of us who’d protested rights-grab contracts last year had caused a change in the way the company dealt with creators, but sadly, all three dream markets must still be unacceptable outlets for me.”

For more information, see previous coverage by Locus, including Must Read’s acquisition of several SF/F magazines, its delisting from The Submission Grinder, SFWA’s provision of contract notes, and Must Read’s announcement of contract revisions.

The British Fantasy Society (BFS) has announced the winners of the 2026 British Fantasy Awards:

The Karl Edward Wagner Award went to Jane Johnson, and the Legends of Fantasycon Award went to Chloe Yates.

Winners were announced during Fantasycon 2026, held October 9-11 in Glasgow, Scotland. For more information, see the BFS website.

The winners of the 2025 Australasian Shadows Awards have been announced. The award is given by the Australasian Horror Writers Association (AHWA) for “the finest in horror and dark fiction published by an Australasian within the calendar year.”

The Empire State Center for the Book has announced Lawrence Block and N.K. Jemisin as two of the three writers in 2026 to be inducted into the New York State (NYS) Writers Hall of Fame, along with Kay Thompson (posthumously). The Hall of Fame is presented alongside the NYS Writers Institute, a literary organization that “enhances and celebrates literature, writing, and performance.”

The 2026 Hall of Fame selection committee included Matthew Baker, John Batteiger, Mildred Bernstein, Kevin Fitzpatrick, Paul Grondahl, Ira B. Matetsky Esq., Susan Polos, and Empire State Center for the Book director Rocco Staino.

Block, Jemisin, and Thompson will be celebrated at an induction ceremony on November 17, 2026 in New York NY.

Finalists for the National Book Awards (NBA) have been announced. Categories, authors, and books of genre interest include:

Fiction

Young People’s Literature

Translated Literature

The judges for the Fiction award are Matt Bell, Caro De Robertis (chair), Danielle King, Akhil Sharma, and Diane Wilson. Judges for the Young People’s Literature award are Edith Campbell, Brandy Colbert (chair), Tricia Ebarvia, Jarrett J. Krosoczka, and Anne Ursu. Judges for the Translated Fiction award are Shelley Fairweather-Vega, Javier García del Moral, John Keene, Christopher Merrill (chair), and Azareen Van der Vliet Oloomi.

The Poetry and Nonfiction finalists were also announced, and Lifetime Achievement recipients Salman Rushdie and Perri Klass were previously announced. Finalists receive a prize of $1,000, a medal, and a judges’ citation. Winners, who receive $10,000 and a bronze sculpture, will be honored at the 77th National Book Awards Ceremony on November 18, 2026.

For more information, including the complete lists of finalists, see the National Book Foundation website.

“Guardians of the Well” by Rose Strickman (In Another Time 6/25) has been announced as the winner of the 2026 Washington Science Fiction Association (WSFA) Small Press Award for Short Fiction. Other finalists include:

The Ignyte Awards Committee has announced the winners of the 2026 Ignyte Awards, which “seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.”

Winners of the French-language Prix Boréal have been announced.

Best Novel

The winners of the 2026 Colorado Book Awards were revealed at a ceremony located in Denver CO on September 26, 2026. Titles and authors of genre interest in categories with winners of genre interest include:

“We, the Fleet” by Alex T. Singer (Clarkesworld 5/25) is the winner of the Theodore Sturgeon Memorial Award for the best short science fiction story, presented by the J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction.

The second-place runner up was “The Sack of Burley Cottage” by Rich Larson (Reactor 6/25/25). The third-place runner up was “The Shadow on the Nest” by Alaya Dawn Johnson (Uncanny 9-10/25).

Other finalists were:

Established in 1987 by James Gunn and the heirs of Theodore Sturgeon, including his partner Jayne Engelhart Tannehill and Sturgeon’s children, the Sturgeon Award is “a memorial to one of the great short-story writers in a field distinguished by its short fiction.” This year’s jurors were Elizabeth Bear, Kelly Link, Sarah Pinsker, Noël Sturgeon, and Taryne Taylor.

The award will be presented in-person at the fifth annual Sturgeon Symposium at the Hall Center for the Humanities in Lawrence KS. The Sturgeon Award ceremony, to be held on October 15, 2026, will feature a reception, opening remarks, presentation of the award, a reading by Singer, and a Q&A session. The theme of this year’s symposium is “Expanding Speculative Horizons.” The Symposium itself is from October 15-16.

For more information, see the Gunn Center’s website.

The Bookseller has announced the shortlists for the second annual British Audio Awards, also called the Speakies, “a prestigious new awards dedicated to celebrating excellence in audiobooks and audio drama, brought to you by The Bookseller and The Stage.” Categories, titles, and authors of genre interest include:

Union Square & Co. has launched Singularity, a new line of paperback novellas led by Union Square editorial director Mika Kasuga. They plan to publish “10-12 titles each year” of “high-impact, one-sitting fiction.”

Works of genre interest scheduled for Fall 2026 include Zero Lives Remaining by Adam Cesare, a new edition of I Have No Mouth, and I Must Scream by Harlan Ellison, and The Waiter by Kwan Ann Tan. Those scheduled for early 2027 include You Just Have to Ask Me by Hadeer Elsbai, The Upper Tentacle by Amanda Helms, Sweet Saints by Cassandra Khaw, and Shouting Distance by Cherie Priest.

Senior vice president and publisher at Union Square Emily Meehan said,

The Singularity program was born out of conversations Mika and I had about reduced attention spans and the desire for more a more snack-sized reading experience that doesn’t compromise depth for length. We wanted to celebrate the novella as a format and use the program as yet another platform to showcase Union Square’s commitment to create books that resonate deeply with readers—especially ones looking for accessible, sophisticated stories in our ever more distracted, digital reality.

For more information, see the official announcement.

The six-title shortlist for the 2026 Booker Prize has been announced, with works and writers of genre interest including The End of Everything by M. John Harrison (Serpent’s Tail) and The Disappearers by Marlon James (Riverhead).

Harrison, James, and other shortlisted authors receive £2,500. The winner, to receive £50,000, will be announced November 9, 2026.

For previous titles of genre interest listed for the Booker, see past Locus coverage of the award.

Longlists for the National Book Awards (NBA) have been announced. Categories, authors, and books of genre interest include:

Fiction

Young People’s Literature

Translated Literature

The judges for the Fiction award are Matt Bell, Caro De Robertis (chair), Danielle King, Akhil Sharma, and Diane Wilson. Judges for the Young People’s Literature award are Edith Campbell, Brandy Colbert (chair), Tricia Ebarvia, Jarrett J. Krosoczka, and Anne Ursu. Judges for the Translated Fiction award are Shelley Fairweather-Vega, Javier García del Moral, John Keene, Christopher Merrill (chair), and Azareen Van der Vliet Oloomi.

The Poetry and Nonfiction longlists were also announced, and Lifetime Achievement recipients Salman Rushdie and Perri Klass were previously announced. Finalists, who receive a prize of $1,000, a medal, and a judges’ citation, will be announced October 6, 2026. Winners, who receive $10,000 and a bronze sculpture, will be honored at the 77th National Book Awards Ceremony on November 18, 2026.

For more information, including the complete longlists, see the National Book Foundation website.

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Montréal 2027, the 85th World Science Fiction Convention, has added Linda D. Addison and Cory Doctorow as guests of honor. Doctorow will be toastmaster for Montréal 2027.

Addison and Doctorow join previously announced guests of honor Chris Barkley, Jeph Jacques, Yves Meynard, and Jo Walton. Montréal 2027 Worldcon will be held September 2-6, 2027 at the Palais des congrès de Montréal in Québec, Canada. For more information, see the official website.

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The Sunburst Award Society has announced Helen Marshall, author of The Lady, The Tiger and the Girl Who Loved Death (Titan) [amazon / bookshop], as the winner of this year’s Sunburst Award for Excellence in Canadian Literature of the Fantastic.

Other shortlisted works include:

Marshall receives a medallion with the Sunburst logo and a cash prize of CAD $3,000. The jurors for the 2026 Award were A.G. Pasquella, Daniel Perry, and A.C. Wise.

For more information, see the Sunburst Award Society website.

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Dream Foundry, a “non-profit dedicated to bolstering the careers of nascent professionals working with the speculative arts,” has announced the winners for its 2026 contests.

Writing Contest

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Author and editor David Kopaska-Merkel, 69, died August 26, 2026.

David C. Kopaska-Merkel was born January 11, 1957 in Charlottesville VA. He attended William & Mary, earned a doctorate in geology, worked for the Geological Survey of Alabama in Tuscaloosa, and wrote several articles and books on geology and paleontology. He began writing speculative work in short fiction, starting with his first published story “Mecroniya” (1981), but soon began publishing poetry, beginning with “on the river” (1984) under the name Lawrence Harding and accumulating well over 1,000 published poems. He served as the president of the Science Fiction Poetry Association from 2011 to 2014. In 2017, he was voted a SFPA Grand Master, and in 2025, the association awarded him the President’s Lifetime Service Award. He lived in Birmingham AL.

Several of his works have been recognized with awards, including Rhysling Award winner “The Tin Men” (2005); Rhysling Award nominees “Valley of Years” (2000), “Medusa’s Tale” (2002), “meteor shower” (2002), “Tsunami Child” (2005), and “Rattlebox III” (2009); and Dwarf Stars Award nominee “If She Knew She Was a Ghost” (2017). He was published in Abyss & Apex, Dreams & Nightmares, Eldritch Tales, The Magazine of Speculative Poetry, Scifaikuest Online, Space & Time, Star*Line, Strange Horizons, and many more. His over 30 collections include underfoot (1991), Elgin Award nominee Edible Zoo (1994), Y2K Survival Kit (1999), The Ruined City (2003), I don’t know what you’re having (2005), Drowning Atlantis (2007), Hasp Deadbolt, Private Eye (2007), Brushfires (2010), The Tin Men (2011) with Kendall Evans, Elgin Award nominee SETI Hits Paydirt (2014), Gods and Monsters (2015), The Ambassador Takes One for the Team (2019), Unwelcome Guests (2024), and Risk Assessment(2025). Some Disassembly Required (2022) won an Elgin Award.

Kopaska-Merkel was also a storied editor. Among his projects, he edited Dreams & Nightmares spanning more than 100 issues over approximately 40 years, beginning in 1986, making the magazine one of the oldest recognized speculative poetry magazines. He edited Star*Line from 1996 to 2002 and a 2020 guest issue of Eye to the Telescope. He edited nine issues of the Rhysling Poetry Awards Anthology, and the 2023 issue of the Dwarf Stars Poetry Award Anthology with Miguel O. Mitchell. He contributed numerous works of non-fiction, primarily to Star*Line, but also to Dreams & Nightmares, The Magazine of Speculative Poetry, Mindsparks, Scifaikuest, and Xenophilia.

He is survived by his wife, Sheila, and their daughters.

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The African Speculative Fiction Society (ASFS) announced the shortlist for the 2026 Nommo Awards, given to works “by African authors” as defined by the ASFS and Nommo Awards Guidelines, on August 27, 2026 at LAcon V, the 84th World Science Fiction Convention, in Anaheim CA.

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