Unlike Fielder’s past work, “You Can See Everything” isn’t very funny. Instead, the documentary, co-directed by Lance Oppenheim, is a haunting exploration of the limits of other people’s knowability.

Wagner knows the special alchemy that can happen when you point a camera at a Black person on the street.

A simple e-mail or kitchen appliance could send me into a pit of anxiety. The only way out, I learned, was in.

The ad agency M+C Saatchi has been working to boost tourism in the war-torn region. One of its inspo pics is Anthony Bourdain in sunglasses.

A competitive House race in Miami, which leads all American cities in ICE arrests, has revealed how mass deportations have eroded the President’s support among Latinos.

Alex Gibney, the director of the new documentary “Musk,” on how the richest man in the world consolidated his power—and now wields it with abandon.

The former White House communications director reflects on his record for occupational brevity being broken.

A drawing that riffs on the latest news and happenings.

Rich Baris, a pollster supportive of the MAGA “big tent,” talks about how the President lost control of his movement, and why that spells disaster for Republicans.

Removing human drivers isn’t only a cost-cutting strategy; Waymo riders prefer the solitude, the New Yorker staff writer Molly Fischer says.

A drawing that riffs on the latest news and happenings.

One of the biggest failures of the post-#MeToo moment is our collective inability to provide a confident, humane account of sex as a basic good.

Fontaines D.C., a young quintet from Dublin, brings a raucous intelligence to its songs of oblivion.

With the reissue of her 1974 novel “The Cosmopolitan Girl,” a gallery show, and a documentary screening, the renegade artist is everywhere this fall.

Conan O’Brien, Min Jin Lee, Lorna Simpson, and more, plus what to do in Chelsea and the East Village.

The cases of Christa Pike and Nidal Hasan show how vanishingly fine the line is between a routine execution and an unbearable one.

We fight our nervous energy—but maybe we misunderstand what it’s telling us.

No one thinks Russian diesel can save the Republicans, so why is the President doing it?

Why do so many new films have plots and structures that make reviews a delicate dance of hints and secrets?

I was powerful, graceful, and gorgeous.