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Patrick Stewart has died at age 86

29 October 2026 at 21:10
A photo of Patrick Stewart

Patrick Stewart, best known for his roles in Star Trek and X-Men, has died at age 86. A message posted to Stewart's Instagram account says the actor died in his Los Angeles home on Wednesday "following a brief and poignant journey with Alzheimer's Disease and Lewy Body Dementia."

Born in 1940 in Mirfield, Yorkshire, England, Stewart began his acting career in theater. He eventually landed the role of Captain Jean-Luc Picard in Star Trek: The Next Generation, which ran from 1987 to 1994. Stewart returned as the Star Trek captain in subsequent films, including Star Trek: Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrec …

Read the full story at The Verge.

VisionQuest is what happens when AI really goes rogue

27 October 2026 at 18:30
Four characters from VisionQuest are seated on a couch in a living room.

In Marvel's VisionQuest, a superpowered robot tries to better understand humanity by getting lost in elaborate, digital daydreams in which he and other artificial intelligence-powered beings live together in a home. The series is deeply fantastical, yet it plays with some of the ideas that have come to dominate the conversation about real-world generative artificial intelligence, exploring whether we should look at thinking machines as people and if AI truly poses the kind of existential danger that should keep us up at night. It's also a reminder how aggressively Silicon Valley has used the trappings of science fiction to sell us on its AI …

Read the full story at The Verge.

Blue Planet III is keeping the rough edges in the age of AI

24 October 2026 at 23:29
A humpback whale breaching with the NYC skyline in the background.

BBC's Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue Planet III goes warts and all.

Executive Producer Elizabeth White told The Guardian in the past, "the amount of plankton and things" floating in the water would have caused them to cut a shot. Or "we might have framed out a boat or a buoy or gone: 'Oh, actually … the water conditions are not really good enough …

Read the full story at The Verge.

Netflix can’t fire its way out of this downward spiral

23 October 2026 at 15:00
Netflix co-CEO Ted Sarandos. | Photo by Noam Galai/Getty Images

Netflix co-CEOs Ted Sarandos and Greg Peters assured investors this week that they have nothing to be concerned about. Sure, the company was going to lay off 1,000 employees, downsizing its product, tech, and legal departments, and was ousting its chief content officer, film chairman, and film vice president. But it had also hired a new COO - "one of the most effective at-scale operators in the entertainment industry," Sarandos said - to turn things around.

Though executive shake-ups aren't uncommon, having so many of them back to back would send a concerning message even in the best of circumstances. With Netflix, however, the situation lo …

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New York’s first microdrama film festival searches for its audience

21 October 2026 at 22:49
Actors Taye Diggs, Autumn Federici, Gary Entin, Troy Brookins, Edmund Entin and Eric Guilmette standing on a red carpet together.
Actors Taye Diggs, Autumn Federici, Gary Entin, Troy Brookins, Edmund Entin and Eric Guilmette attend the world premiere of Microhouse Films and Lifetime's Reunion Island during the ALZA Festival. | Getty Images for Lifetime.

It remains to be seen if people really want to watch vertical content on horizontal TV screens, but many filmmakers and creators were confident that their latest projects would play well at Alza - New York City's first microdrama film festival. Founded by former Tribeca Festival chief operating officer Pete Torres, Alza, which took place October 16th through 18th, was billed as a showcase for the "the creativity, innovation, and growing cultural impact of stories made for the vertical screen." The festival featured a selection of microdrama and film premieres as well as industry-focused panels with executives who all seemed to genuinely beli …

Read the full story at The Verge.

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