LAcon V Worldcon 2026
LAcon V, the 84th World Science Fiction Convention, was held August 27-31, 2026 at the Anaheim Convention Center and Hilton Anaheim & Anaheim Marriott Hotels in Anaheim, California. Guests of honor were novelist Barbara Hambly, cartoonist Colleen Doran, illustrator Tim Kirk, graphic novelist Stan Sakai, screenwriter Ronald D. Moore, fanzine editor Geri Sullivan, and engineer Anita Sengupta; special guests were NASA engineer Tracy Drain and authors Terese Mason Pierre and Tracey Baptiste. Registration reported 4,597 in-person warm bodies from 59 different countries, at least 847 of which were Worldcon first-timers; 8,225 memberships were purchased, 990 of which were virtual. They saw 1,843 memberships sold for WSFS (supporting memberships). Though there were fewer warm bodies than Seattle at 7,177 and Glasgow at 7,300, Anaheim’s total memberships rival last year’s 8,667 in Seattle. In comparison, Glasgow reported over 10,000 total members, and Chengdu 2023 saw a record in-person attendance of 18,895 with over 20,000 total members.

The con hotels were about a five-minute walk from the ACC North where the dealers room and art show were housed, as well as much programming, which ran in the ACC North and the fourth floor of the Hilton. Events used the center arena as well as two ballrooms in the Hilton, all offering enough space that none of the events were ticketed. At night, the Lanai Deck of the Hilton on the fifth floor, which opened up onto the large, well-lit outdoor green, became a central hub for room parties.
This year’s theme was ‘‘Adventure Awaits.’’ Worldcon chair Joyce Lloyd wrote, ‘‘In line with our theme, the directive given to everyone was to provide an adventure around every corner.’’ Exhibits were placed beyond the traditional exhibit area and into the Hilton function space, with photography exhibits, themed backdrops for photo ops, a LEGO play area, and more.

PROGRAMMING
Programming began early on Thursday with several panels, readings, and workshops. The Opening Ceremonies ran that evening with host T. Kingfisher and, after a land acknowledgment and a performance by Toveema, a Tongva song and dance ensemble, saw speeches by Lloyd and the guests of honor and special guests. H. Emiko Ogasawara detailed the Lodestar Trophy design in a recorded video, and Scott Lefton introduced the Hugo Base design in person. Then, the First Fandom Awards were presented by David Ritter. The Big Heart Award went to Ian Stockdale; Hall of Fame to Mike Glyer, Craig Miller, and Bjo Trimble; Hall of Fame, Posthumous to Fredric Brown and Myrtle R. Douglas; and Sam Moskowitz Archive Award to Andrew Porter and David Ritter. Also making an appearance was Fuzzy the Channel Island Fox, LAcon V’s mascot.

Programming was prolific this year, featuring a wide variety of panels, interviews, meetups, workshops, screenings, performances, tours, and much more. There was no pocket program, to the consternation of many. The well-used online program guide (loaded a reported 2.7 million times) featured tags including AI, astronomy and space, contracts, fandom history, gameshow, music, non-Western literature, roleplaying, sustainability, and many genre categories. There were 1,737 scheduled items, with 243 fully virtual, and over 500 recorded for replay to members; participants totaled 1,063, with 168 virtual. There were 356 table talks; 166 readings. For comparison, Seattle reported 1,425 program items and 936 participants; Glasgow reported 789 program items and 976 participants; and Chengdu offered 235 in-person items with a reported 1,200 panelists and guests. Programming worked to platform ‘‘a very strong indigenous languages track with workshops and panels on Navajo, Tongva, and Chumash.’’
Virtual programming was particularly robust. Of the scheduled items, 243 were fully virtual, and over 500 were recorded for replay to members. Included in these numbers was the convention’s joint program stream with the African Science Fiction Society, which hosted ASFS members on several panels and workshops, as well as the Nommo Awards nominees announcement on Thursday morning. Besides the virtual content itself, the convention held a Discord server that accrued approximately 1,600 members, discussing program items at length before and after the items ran.

There was plenty of hands-on content to be found as well. Among the highlights was ‘‘what we believe is the first fully dedicated Makerspace at the convention,’’ according to Lloyd – four rooms were devoted to Makers presentations and demos. There were also gaming spaces throughout the convention, with libraries and equipment courtesy of such organizations as Strategicon and Anime Los Angeles. The Freebies Book Lounge held books, galleys, bookmarks, and more, ‘‘replacing the bookbags given away at some smaller conventions.’’ For those interested in more physical activity, the convention saw the customary morning Stroll with the Stars, tai chi, Muay Thai, dance workshops, full-body improv workshops, and multiple combat sessions presented by the Society for Creative Anachronism (SCA) Kingdom of Caid. Even before the convention formally started, Anaheim Poet Laureate Camille Hernandez hosted a preconvention poetry event at the city’s public library, and later she moderated a poetry workshop as well.
LAcon V had 78 items listed as ‘‘Kid Friendly.’’ Comparatively, 27 items at Seattle Worldcon were listed as ‘‘Youth’’ and 16 as ‘‘Teen,’’ Glasgow listed 26 as ‘‘Children’s Programme,’’ and Chicon listed 34 tagged with ‘‘children’s program.’’
The Masquerade was Friday night, directed by Richard Man and Karisu Wen. The Award for Best in Show Presentation went to Lance Ikegawa for ‘‘Single Parent’’ and Best in Show Workmanship went to Ed and Jenn for ‘‘Nuada and Nualla from Hellboy 2.’’

DEALERS’ ROOM
Located in the spacious Exhibits Hall, the dealers’ room was a huge hall where dealers were interspersed with exhibits, hangout spaces, signing tables, GOH booths, bid tables, and many empty booths and tables that never filled, wrapped around the art show, which was draped or paneled off from view. The overall effect was that the rather daunting space was sparsely occupied and it never felt the hum of business. There were 120 total dealers offering ‘‘books, jewelry, artwork, collectables, and more.’’ Dealers included Bad Habit Publishing, Tachyon, PM Press, Locus, the Scribe Tribe, and many other indie publishers; Clarkesworld Magazine; Indigenous Tongva people; jewelers, artisans, author tables, and more. Many vendors colonized the empty spaces and we heard from many that the layout was uncomfortably disjointed. Randee Dawn of Armchair News said, ‘‘I sold better here than I’ve ever done before, so I have no complaints about that. But I was all the way in the back of the room, near tables that never were filled up, and it felt a little empty and abandoned,’’ a sentiment others echoed. ‘‘My only real issue was the cold in the room. I brought some nice frocks to wear and had to have a quilted flannel over them! But seriously, it was cold.’’

Patrick Swenson of Fairwood Press said, ‘‘I was very much spoiled by the Seattle Worldcon last year, but this year was not terrible. Considerably less sales, though…. Last year in Seattle the traffic was steady all the time. This year, there were pockets of quiet time, and then some steady times and some rushes. Having the art show in the middle of all the dealers was not the best decision made for the exhibits area. Trying to navigate paying for Wi-Fi (or electricity) and actually getting it was difficult. I never got mine, and I hope to see a refund for what I paid.’’
Shahid Mahmud said, ‘‘We had four tables for Arc Manor/Caezik. We found the room too large and strangely laid out (no segregated sections for dealers and other items like art shows etc., so kind of dispersed all over the place). I think the expansive space with wide empty spaces also made it seem like there was a lot less foot traffic than in Seattle. We had multiple inquiries of people getting frustrated trying to find particular booths since there did not seem to be a comprehensive map and the overall layout made it difficult to locate specific vendors.’’

ART SHOW
The exhibit hall of the ACC North saw the participation of 141 artists, 2,398 pieces on display, and 1,933 prints for sale. This was the first Worldcon to display the work of backdrop/scene painters. Organizers reported sales numbers reaching $140,000 in total buyer payments. There were two internal special displays for Frank Kelly Freas and Vincent Villafranca. Best in Show went to K.L. Wollons for ‘‘Dhiala Waning’’, Best Color 2D went to Barbara Hambly for ‘‘The War Doctor’’, Best Monochrome 2D went to Vincent Di Fate for ‘‘Who Goes There?’’, best 3D went to Vincent Villafranca for ‘‘The Monster Tree’’, Best Fabric Art went to Kestrel Michaud, Best Mixed Media went to Snail Scott for ‘‘Guardian’’, Judges’ Choice went to Daniel Gonzalez for ‘‘Canción Nocterna’’, and the Judges’ Choice for Body of Work went to Brittany Otto. The judges were Elizabeth Klein-Lebbink, Meghan Lancaster, Edie Stern, Joe Siclari, and David Stein.

PARTIES/CON SUITE
The Con Suite was well attended, located at the Hilton in room 5505 from 10:00 a.m. to 10:00 p.m. every day except Monday and offering snacks and beverages for all attendees. The room parties were ‘‘a hit,’’ per Lloyd. There were parties for the Edmonton and Brisbane Worldcon bids and for the Montréal Worldcon, as well as an Asian Fantasy Book Party, a party run by the cast of the Writing Excuses podcast, parties titled ‘‘90 Years of Cons’’ and ‘‘We Interrupt This Party’’, Brotherhood Without Banners, Space Bar, and more. All room parties set on the Lanai deck opened onto a shared central courtyard. Geri Sullivan’s suite, ‘‘Toad Woods West’’, was a popular destination, not least because she hosted and lent the suite to multiple parties throughout the convention. Other publisher and agent mixers were held off-site and in the hotels, as well as a combined Locus & Saga party in the presidential suite.

CON PUBLICATIONS
The souvenir book was the main guide to the convention, a hefty 160-page full-size perfect bound publication, with a cover boasting Big Foot by GOH Tim Kirk. A letter from the chair Joyce Lloyd was followed by introductions to the guests of honor, special guests, and toastmaster Ursula Vernon; essays on Worldcons past; sections on the awards, including a full list of Hugo finalists and the membership list, and a section about WSFS.
The Fuzzy Pink Papers, the convention newsletter published online and in print at the convention, offered regular status updates, featuring programming updates, useful information, announcements, award results, and more.

HUGO AWARDS
The Hugo Awards Ceremony capped off the night of Sunday, August 30, 2026 at the ACC Arena, running from about 8:00 to 11:00 p.m. The event was livestreamed through the convention member portal as well as on YouTube. There was an autocaptioner, though it tended to lag behind, and multiple interpreters. Organizers estimate the in-person audience at 2,500 viewers, and as of September 9, the YouTube livestream had over 10,000 views. The toastmaster this year was T. Kingfisher, whose cheerful energy, hats, and abundant supply of animal facts kept viewers well entertained for the extended show. Although the ceremony experienced some technical issues, notably a corrupted slide deck, all content was shown. Finalist names were read in a prepared audio recording by Frank Todaro, and musical accompaniment was provided by the South Side Symphony.

After Kingfisher’s lively extended opening, as she stalled for time for the A/V team, Hugo administrator Tammy Coxen shared that the awards received 1,488 nominations and ballots from 2,492 members across all 21 categories. Kingfisher then returned to the stage to lead the In Memoriam for the many contributors to the SF scene who died in the past year, although technical issues delayed the playing of the video until later.
Emily Hockaday presented the Astounding Award for Best New Writer to Antonia Hodgson. Hodgson said, ‘‘My first novel, which was unpublished for good reason, was a Gothic vampire saga. My writing took a detour, but my heart has always remained fantastical. This award really does mean the world to me. No more detours. You’re stuck with me, I’m afraid.’’ She thanked the voters, fellow nominees, Hodderscape, Orbit US, her agent, and everyone at Worldcon.

Tracey Baptiste presented the Lodestar Award for Best Young Adult Book to C.B. Lee for Coffeeshop in an Alternate Universe. Lee, attending Worldcon for the first time, said, ‘‘Thank you all so much! I didn’t write a speech because I didn’t think that a little queer cozy novel could even be nominated.… But a novel that celebrates joy is not little.’’ They thanked their five-year-old child, partners, agent, and ‘‘I don’t know, cheese and frogs and all the wonderful things in the world,’’ and all the nominees.
Terese Mason Pierre presented the award for Best Poem to Elis Montgomery for ‘‘Hex Supply Customer Support Log’’. Montgomery, also a first-time Worldcongoer, thanked Jennifer Hudak, LAcon, the readers and voters, the poets of the Speculative Poetry Initiative, and more, and encouraged everyone to vote to make the category a permanent installment of the Hugos.

Tim Kirk presented the award for Best Fan Artist to Yuumei, who said in a virtual acceptance speech, ‘‘I am so grateful to everyone who has supported my art over the years. Your support allowed me to dream and create to the fullest.’’
Mike Glyer presented the Best Fan Writer Award to Jason Sanford. Chris Barkley accepted and read Sanford’s speech, beginning, ‘‘Oh shit, I guess I should have attended Worldcon.’’ Sanford expressed ‘‘I’m honored that people see my journalism and essays as worthy of standing among the writings of these wonderful people.’’ He thanked his mother, his children, Lucienne Diver, Barkley, his readers, and more. He thanked SF/F as a genre for ‘‘help[ing] me realize there’s nothing wrong with me’’ as a neurodiverse child and said, ‘‘We will always be here, living, seeing, loving, dying. We are as normal as life itself.’’
Tracy Drain presented the Best Fancast Award to Hugo, Girl! Amy Salley, Kevin Anderson, and Lori Anderson accepted, expressing extensive thanks and acknowledging Haley Zapal, who could not attend. Lori addressed ‘‘anyone creating fan work: Thank you for sharing your art with the world. In a society where everything is increasingly profit-driven, making cool stuff just because you love to do it and then giving it away for free is an act of resistance. Keep it up.’’

After the In Memoriam ran successfully, Geri Sullivan presented the award for Best Fanzine to nerds of a feather, flock together. G. Brown, Vance Kotrla and Paul Weimer accepted. Brown said, ‘‘The role of a fanzine like nerds of a feather, flock together, as I see it, is not only to celebrate the art that we all love, but to shine a light on these imagined worlds and how they contribute to our shared understanding of what it means to be human.’’ The cast thanked their team and families.
Neil Clarke presented the Best Semiprozine Award to Uncanny Magazine. Michael Damian Thomas accepted by video and thanked the magazine staff, Worldcon staff, the Space Unicorn Ranger Corps, and his family. Betsy Aoki also accepted in person, saying, ‘‘It’s been a bad year for speculative fiction magazines. We’ve seen too many good journals close. It’s really through the gracious community support that Uncanny Magazine has that we’ve been able to keep going another year and we’re grateful.’’
Colleen Doran presented the Best Professional Artist Award to John Picacio, who thanked Doran, Leigh Bardugo, New Leaf Literary, his editor, creative director, family, and more, and dedicated the award to his recently passed brother-in-law.
The award for Best Editor, Short Form was presented by Anita Sengupta to Neil Clarke, who said, ‘‘Twenty years ago this October, Clarkesworld published its first issue. It’s something I never thought would last that long, and my plus-one this evening thought he was here to help me with the table – and to be fair, I helped him with the table in the Dealers’ Room. But I wanted Sean Wallace here because he’s the person that talked me into taking this job. He’s worked by my side this entire time.… I never thought that I would find a career in this.’’ He also encouraged everyone to support the fundraiser for fellow finalist Sheila Williams and her health care.

The award for Best Editor, Long Form was presented by Patrick Nielsen Hayden to Diana M. Pho. Pho accepted, saying, ‘‘One word echoes in my head, said by so many this evening: despite. We are here, we’re alive, despite everything.… Let us keep our spirits, the spite, the fight, and the adventure, and for those who are against these values of love and acceptance, in the words of a great man, ‘Change your heart or die.’’’ She thanked the Worldcon community, family, friends, colleagues, and many others.
Tanya DePass presented the Best Game or Interactive Work Award to Clair Obscur: Expedition 33. Lead writer Jennifer Svedberg-Yen accepted, saying, ‘‘It is an honor to be here today to celebrate the artistic minds of folks who have inspired us, delighted us, and made us think and feel, and I hope we never lose sight of what makes us human and what humans can contribute to each other.’’
Ronald D. Moore presented the award for Best Dramatic Presentation, Short Form to Murderbot: ‘‘All Systems Red’’. Chris Weitz accepted with several others of the show staff, including Martha Wells and actor David Daltsmachian, saying, ‘‘It has been the privilege of a lifetime to be able to make this incredibly well-funded fan fiction.’’

David Gerrold presented the award for Best Dramatic Presentation, Long Form to Sinners, although Ryan Coogler was not able to attend and did not share a speech.
Charlie Jane Anders presented the Best Related Work Award to ‘‘Inventing the Renaissance’’ by Ada Palmer. Palmer, unable to attend, accepted by video, though it was not able to be played immediately. She thanked her agent, advisors, fellow scholars, publishing teams, family, blog readers, and more. ‘‘Critics have called the book innovative, but Worldcon is where that innovation comes from, so it means the world to me to see my weird bridge book welcomed here.’’
Stan Sakai presented the award for Best Graphic Story or Comic to A Wizard of Earthsea: A Graphic Novel. Fred Fordham shared a video acceptance speech expressing many thanks.
The award for Best Series was presented by Barbara Hambly to the Old Man’s War series by John Scalzi, who accepted and said, ‘‘I and some other members of the Best Series crew made a pact that whoever won, the rest of us would flip them off. You don’t do that if you don’t love the people that you are in your field with.’’ He thanked editor Patrick Nielsen Hayden and his wife Kristine.

The award for Best Short Story, presented by Larry Niven, went to ‘‘In My Country’’ by Thomas Ha. Ha expressed thanks to the voters, Clarkesworld, finalists, winners, family, and more, and said, ‘‘I know it’s hard to find the motivation, at least it is for me and I know that it is for some others. It is endless and relentless the way the world’s upended every other day, but I hope other writers, especially newer writers who are just starting out… I hope you just keep going and follow the impulse and the compulsion. You can’t let anyone take that away from you.’’
Mary Robinette Kowal presented the award for Best Novelette to ‘‘Never Eaten Vegetables’’ by H.H. Pak, who accepted with surprise. ‘‘In the absence of words, I’m just filled with gratitude,’’ they said, and thanked Clarkesworld, their readers, their teachers and professors, and their mother.
Harry Turtledove presented the award for Best Novella to The River Has Roots by Amal El-Mohtar. She thanked her fellow finalists, voters, Worldcon volunteers, her agent and editorial team, family, and more. ‘‘The process of seeing The River Has Roots published was a process of being constantly humbled by how much extraordinary art and skill went into making it a beautiful object to hold and experience,’’ she said, recognizing Gem Carmella, Jeff Miller, Kathleen Neeley, and Steve Wagner for their work on the art and audiobook. ‘‘Free Palestine, trans rights are inviolable human rights, borders are bullshit, and we are bound together in this world to fight for the liberation of all people.’’
Kingfisher presented the award for Best Novel, in an envelope delivered by R2-D2, to The Everlasting by Alix E. Harrow. El-Mohtar read Harrow’s speech. ‘‘This is a moment when both love and stories are being systematically devalued, distorted, suppressed, stolen, banned. I don’t know how we’re going to get through it sometimes. Then I start listing people again, the people who keep fighting and yelling at their senators and giving to bail funds and loving each other and telling stories. I want to thank all of you for loving a love story in times like these. It is by far the luckiest, most unlikely thing in a life of unlikely and lucky things.’’

ACCESSIBILITY ISSUES
After some reports about accessibility concerns at the awards and around the hotel, as well as ableist language used with one of the finalists, LAcon V’s chair issued a statement.
‘‘LAcon V recognizes that there were failures in accessibility and communication surrounding our main stage during the convention. The rear backstage ramp did not meet ADA accessibility requirements, and as a result we failed to provide the level of access that we intended and that our community has every right to expect. While this originated with a third-party vendor issue, responsibility for ensuring an accessible experience remained ours. We also failed to communicate the problem, its impact, and potential solutions effectively to those affected.
We recognize that this created barriers for attendees using mobility devices and caused understandable frustration, disappointment, and exclusion. We are deeply sorry for that harm.’’
For the complete statement, see their website.
WORLDCON 2027 AND BEYOND
The 85th World SF Convention, Montréal Worldcon 2027, will be held at the Palais de Congrès de Montréal in Québec, Canada, September 2-6, 2027, featuring guests of honor Linda D. Addison, Cory Doctorow, Chris Barkley, Jeph Jacques, Yves Meynard, Jo Walton, and more to be announced.
The 86th World SF Convention, Aussiecon 5, is scheduled for July 27-31, 2028 at the Brisbane Convention & Exhibition Centre in Brisbane (Meanjin), Australia, featuring guests of honor Claire G. Coleman, David Gaider, Kathleen Jennings, Seanan McGuire, Perry Middlemiss, Jonathan Strahan, and more to be announced.
–Alice Strangman & Liza Groen Trombi
A selection of photos from the convention follows.

































