Here are the five things about my camera I don't like:

1. You have to look through the viewfinder to make any settings, check the battery, etc. The chimney finder just magnifies the viewing screen. So you have to turn the camera on and look through the VF to set or change most things.
2. There's a cover for the huge eyepiece (illustrated below) that has to be snapped on when you're not using the camera. The problem is that direct sunlight through the magnifier could damage the viewing screen. Although it's not something I've ever had to do before on any other camera, I actually don't mind it in practice. Cameras are quirky; you get used to the ones you use.
3. Electronic shutter only. As far as I know rolling shutter is possible. I haven't experienced any problems with it yet. I might have to do some tests. 
4. The conversion probably spoiled its resale value—I'll never get my money back out of it. I don't currently want to; but still, if I wanted to, I probably couldn't. 
5. The worst problem by far is also no problem at all: the crucial difference is that you have to know about it. Here it is. If you're reviewing a picture and you enlarge the review image as much as possible to check focus, it will look unsharp. That does not mean it is unsharp: when you get the file back to the computer it will be razor sharp. But if you don't know about it it will throw you for a loop when you first encounter it. I've actually read of people returning this camera after purchasing it because they are convinced it won't focus and everything is unsharp at the level of fine detail. That's an illusion. Of course, once you know about it, this is not a problem. [UPDATE: See Henry White's Featured Comment below.]

The eyepiece cover. Remove for use and replace when you're done.

There's actually one more problem, which is that some people give me a hard time for having/wanting a monochrome camera. But that's not the camera's fault. And I don't mind it, to be honest. I yam what I yam.

Do I recommend this camera? Probably not. Not as a monochrome conversion anyway. I'd recommend getting a factory Pentax K3 III Monochrome or a Leica Monochrom to preserve resale value, or getting an older camera converted, one you already own (although conversion is expensive, so don't convert one with tons of shutter actuations or lots of wear already on it). 

As a color stills camera? Hmm. Obviously I've never used one that way. But it has a cult following, and supposedly there's magic in Sigma's color science, and as far as the form factor is concerned you'll either love it or hate it, which means some people will love it. So maybe. 

Reducing friction
After yesterday's post, Rob L. mentioned, "Barely comes up, but reducing friction makes life more fun." He's gone down to one lensmount and configured his cameras to make them easier to use—that's what he means by reducing friction. That's probably the main thing I'm experiencing with my FP-m: I've got it set up so sweetly for my uses that it really reduces friction.

There might be one problem I haven't mentioned—now that I'm happy, I don't really look around at new cameras any more. And that leaves a void where GAS used to be. But you know what they say—oh well!

Mike

Original contents copyright 2025 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases. (To see all the comments, click on the "Comments" link below or on the title of this post.)

Featured Comments from:

Henry White: "Workaround for camera finder unsharp imaging on review: The camera, when shooting in raw, creates a very, very small JPEG from the raw file to show for review. If you want a big, sharp review file, then shoot with the camera set to raw+large JPEG. Upon review the camera will show the large JPEG.

"This is the case not just with the Sigma camera but across other brands as well. It's an easy fix and if you are so disposed you can just toss the JPEGs when you download the files to your computer."

Mike replies: So that's it. I figured it was because the review JPEG was too small, but I didn't know the correction. Thanks. 

robert e (partial comment): "These two posts were really interesting. It's much more enlightening to read how a person gets along with a thing while they do what they want to do than to read about how the thing is designed to work for generic uses."

Erwin Frank-Schultz: "This comment is somewhat cheeky on this post as it refers more to the Phone post than this one...but one thing I don't like about my (phone) camera is that it is an internet connected computer. I recently finished Four Thousand Weeks by Oliver Burkeman (highly recommended)—one of his ten recommendations at the end is to use single use devices, to not get distracted. This struck a chord; whenever I use my phone to take a photo, there is a temptation to look at that e-mail or WhatsApp that just came in. Not a problem on my XE-3 and certainly not on my FM2."

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I have a Sigma FP-m, which is an FP with a monochrome sensor. It's not factory; I had it modified. Also, I have just one lens for it, a slow 45mm ƒ/2.8 normal lens (I notice the price on that has gone way up recently).

Here are 15 things I like about my camera:

1. It isn't like any other camera I've ever used. The one it most resembles in feel and what Erwin called "haptics" is a Bronica 645, though of course it's arranged differently.
2. It's manual focus. I had no thought of using it that way when I got it, and even when I first tried it I had no intention of leaving it set that way. I just like it. Since I started using it that way I just never went back. I occasionally set it back to AF, but not very often. Well, I think it's happened twice. 
3. Focus ring is on the traditional position on the lens. Despite being focus-by-wire it's very smooth and feels great.
4. Traditional aperture ring is on the lens.
5. It's B&W only. I've written about this till the cows came home, went back out, and came home again. Briefly: I tend to see like a camera sees, and adapt my thinking to what I know the camera's going to give me. So it's actually freeing for me to have a camera that has a stable configuration, that sees only one way. Some people don't even understand this, so to say "their mileage may vary" is an understatement. But that's OK. We're all different. This is what I like, even if you just have to take my word for it.
6. The viewfinder is B&W-only too. That's all the camera can see, so there's no color option anywhere in the process.
7. The viewfinder is huge. About 1.5x linearly and 2.25x the area of the virtual size of my Fujifilm X-T4 mirrorless viewfinder.  That's thanks to Sigma's odd arrangement of a vertical magnifying "stovepipe"-type finder mounted horizontally so that it magnifies the rear viewing screen. The viewfinder gives me a more immersive and immediate sense of the scene the camera is seeing. You know that feeling you get when you can't see everything on the back of a phone when you're trying to shoot in sunlight? It's like the opposite of that. 
8. When I take images, there's minimal informational clutter in the viewfinder. When I review, I see nothing but the image.
9. I keep it in aperture-priority mode always.
10. I have it set up so that the index-finger front dial always controls exposure compensation, which is how I prefer to tweak exposure. 
11. ISO is one button push away, and is then adjusted with the same front dial that controls the exposure comp. One touch of the shutter button and I'm out of that menu and back to the ready state.
12. It's silent.
13. I can do everything I do on the camera by feel. Don't need to look at the camera for anything.
14. The image quality is great. It's not naturally my kind of tonality, but I've a.) learned to modify it toward my tastes and b.) I'm getting more and more accustomed to the way it naturally wants to look. As I mentioned, I tend to learn to see the way the camera sees. I take slightly different kinds of pictures with this camera that I would have taken with, say, a medium-format camera and Tri-X in D-76, but then, it's a different beast. This is about as close as I've been able to come to the look of Plus-X / K2 filter / D-76 1+1. This is more like the files want to look, with depressed mid-tones. Of course digital is fundamentally different from B&W film, because you have to mind the highlights. With B&W film you always had to mind the shadows. From the film world (in my experience, which was pretty extensive) the results from this camera most closely resemble the look of 4x5-inch Ilford HP-5 Plus. Nothing wrong with that. 
15. The bag I have for it fits it like a glove and is easy to use. It's perfect for the camera. Never underestimate a good bag!

That's pretty much it. Apart from setup, which never changes, those are the only controls I use. Very basic, pretty much like all the autoexposure 35mm film cameras I used to use. Weird that the camera I've found that is the most "film-camera-like" is one designed to be mainly a video camera. But oh well. The only other thing I do when shooting with this camera is that in some circumstances I take the yellow filter off the lens and stash it in my shirt pocket.

Maybe I should add "simplicity" to the list of things I like.

Roads not traveled
My "road not traveled" was that the Pentax Monochrome came out shortly after I committed to getting the FP modified. I do sometimes wonder how my life would have been different if I had gone that way. I would certainly just buy the Pentax if I were doing it now—it's cheaper than my FP-m, for one thing. Leica also makes factory monochrome cameras. I would have gotten the Q3-43 Monochrom*, but I balk at Leica prices. That's just me.

As I sit situated as I am, if you will, with my gear, I would love to pare my kit down to just an iPhone and the FP-m. I'm kind of antsy to do it. The things I need the Fuji for are wide-angle shots with the 14mm lens, and portraits with the 56mm lens. I really can't yet rely on the iPhone for those two things. Although I've gotten some very nice portraits with the iPhone, I've never had one printed, so I don't know how it would do. My next phone is probably the upcoming iPhone 17 Pro Max or equivalent, and I'll be eager to see how it does in those use-cases.

The other day in the "Dedicated Camera" post, Josh Hawkins and several others mentioned that having their big/real/dedicated ILC with them makes them happy and improves the whole experience of where they're going and what they're doing. That's definitely the way it is for me. The dedicated camera makes life better. I really like getting out with the FP-m and doing nothing but hunting for pictures. It gets me into a whole different mindset. And the results can be uniquely gratifying. I wouldn't like to forfeit that.

No way would I be as happy just shooting with the phone...much as I like shooting with the phone. 

Mike

*Oh, wait, they don't make that.

P.S. One very important thing I use my iPhone for is reading books. I probably split my reading about equally between the iPad and the iPhone. Having the phone with me when I'm out an about, it's not so important that I have a phone with me, not so important that I have access to the internet, not so important that I have the phone cameras with me. What's important is 1. driving directions, on the relatively infrequent occasions when I need them, and 2. that I have my current book with me. And that I can get and receive texts, but that's a lesser need. Of everything, book reading is No. 1. 

Original contents copyright 2025 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases. (To see all the comments, click on the "Comments" link below or on the title of this post.)

Featured Comments from:

Tom Burke: "15 things I like about my camera:

1. It’s pretty much the same as all the other Canon cameras I’ve used over the last 30+ years. It’s an old familiar friend who’s learned some new tricks.
2. I press this button and it focuses!—which is good, because my eyesight is poor.
3. I don’t need to worry about the focus ring…
4. …Or the aperture ring.
5. Its images are in full, glorious Technicolor!—just like the world, in fact.
6. And of course the viewfinder shows me all that colour. Who wants to look at a monochrome version of our beautiful world?
7. The viewfinder is big enough to show what I’m shooting, without being awkward.
8. Both when I’m shooting or reviewing I can either see just the image or as much extra information as I want—my choice, with a single button.
9. I can leave it aperture-priority if I want to (and generally do) but it’s easy to switch to a different mode—just twist a dial.
10. I have it set up so exposure compensation is always available on the same dial.
11. I don’t change ISO on the fly. Instead, I have specific modes in which ISO behaves differently, and which I use for different types of shot.
12. It can be silent if I want it, or I can wake the neighbours with it! My choice, either way.
13. The menus are comprehensive and easy to use, and are grouped logically. And the ones I use most are available to me as a separate group of actions.
14. I’m happy with the image quality; indeed, on the occasions when I’m not it’ll be my fault.
15. Ah, rats: still looking for the right bag!"

Ken Ford: "I never realized the Sigma stovepipe finder worked on the FP—mine came with my DP0. I agree, it’s an immersive shooting experience to the point that I have to be sure I’m not anywhere near where I’ll get clobbered by an unnoticed vehicle. An 'FP-m' is something I would definitely pursue if I didn’t already have two other dedicated monochrome digital cameras. I’ve considered seeing if my old X100s can be converted, though. I’ve found having dedicated monochrome cameras inspire me to shoot more."

MikeR: "I'm tempted to write, 'What I like about each of my 15 cameras.' Except, it wouldn't be honest. Otherwise, why would I have set aside about a half dozen to sell?"

Mike replies: Ah, but do you really want to sell them?

ugo: "You should have seen the jalopy of a camera used by Giacomelli; a Kobell (you never heard of that brand, uh?) kept together with iron wire and black tape; let's say that image quality was not his paramount concern. There is a photograph of Giacomelli sitting on a bench with a woman; as the legend goes, she was a witch who removed a curse from his camera. Did you ever need a witch for your camera? Anyhow, he had a second Kobell for replacement, but he kept it behind a piece of furniture because 'If my camera knew I have a replacement, she would make a tantrum.'"

Mike adds: Here's a photo of Mario Giacomelli and his Kobell.

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The batt'ry in my iPhone 13 seems to be getting hinky—a long stint on the charger sometimes doesn't get it to 100%, and it's draining faster—and I'm wondering about replacing it. Replacing the phone, I mean, although I could be talking about replacing just the battery. I've replaced the battery in a phone before, but that just tends to encourage me to keep the phone until there's no trade-in value left in it. Replacing phones generally is the same kind of conundrum as when to sell stock or deciding when to take Social Security—it's a game, but there's no gaming it. When to do any of these things is an insoluble puzzle. Anyway the reason I replace phones is for the cameras, pretty much exclusively. And in researching the newest cameras vs. the one I have, I've happened across the phrase "so good" several times now. 

As in, the camera in the phone is "so good" you might not even need a "dedicated" camera any more.

"Dedicated camera" is only the latest modification of "camera" that I've encountered over my lengthening journey. It distinguishes a camera from a phone camera, which is what "camera" most often means now. "Stills camera" was another that popped up, a bit further back, to distinguish that from a camera that shot video as well, although that's basically everything now, including the phones. Before that, 25–30 years ago, it was "film camera," to distinguish those from digital cameras; before that, "manual focus cameras," to distinguish those from the autofocus cameras coming on strong; way back, before my time,"manual camera" helped distinguish cameras without autoexposure or just cameras that didn't have built-in light meters. Now, if you say to somebody that their camera has a light meter in it, you're likely to get the response, "what's a light meter?" But I suppose it's always been this way: in the 1890s there was "hand camera," to distinguish those from "stand cameras" and cameras on tripods. Whereas, in the 1860s, maybe, every camera was a stand- or tripod camera.

It's tough being a camera—you're never just a plain ol' camera. Each time, the new term acknowledges that something has changed to make it so that all cameras are lately not what the newer term describes. No one would have said "film camera" in 1960 or "stills camera" when the only way for consumers to shoot video was with a camcorder. Remember when those were a hot thing and all the rage? Time was if you had said "dedicated camera" and explained that it meant a device that was just for taking pictures, you would have gotten funny looks.

But I digress. So anyway, now there are dedicated cameras as well as cameras, which are assumed to be in your phone. So do you even need a dedicated camera any more?"

Oooh! Oooh!
I have my hand up. My answer: absolutely I need a dedicated ILC. (ILC = interchangeable lens camera.) The phone cameras that are so good now aren't that good yet.

My response actually tilts the other way altogether. That is, I sometimes wonder if it's bad for me to even have a phone with a camera in it at all. What it does is to encourage me not to have my "real" camera with me. What happens then is that I take a picture with the phone that I wish I had taken with a better camera. I've discussed this before.

A personal memory. Wex has Butters' discus toy, which Butters considers a violation of the proper order of the Universe. Wex would tease Butters by keeping it, and Butters would stalk Wex patiently until he got it back. I called it a "Wexican standoff." I could wish this were shot with the Fuji, but in all likelihood the picture wouldn't exist if it hadn't been for the iPhone.

I think, however—I hope—that I have fully embraced iPhoneography. It's freeing and fun to be able to "take notes" with the iPhone, and to almost always have a camera with me (I still leave my phone at home sometimes—I didn't grow up with them; that's my excuse and I'm sticking to it), and to be able to take a meaningless picture just for myself and just for the pure joy of it. There's another advantage: it has meant that I get out on purpose to do "dedicated photography" more often, with my real camera. Since my dog died I've been lonely and depressed, and my old "mindless compensating" activity—pool—is (temporarily I hope) not comforting, because he was always with me in the pool shed. But when I get out with the camera it's been working as a refuge, a relief. Driving around looking for pictures is still relaxing and comforting. He was never with me on those trips. It's a nice way to get away. Also, I enjoy concentrating on photography.

Should I happen to get a good shot, I would much rather it have been taken with my Sigma FP-monochrome or Fujifilm X-T4.

Do you make any effort to keep a dedicated camera on you at all times, or most of the time? Because that's one solution to avoid getting stuck with just your phone—to always have a real camera close at hand. I would think that would be the great advantage of the new Fujifilm X-E5 and its pancake lens, or any small, pocketable larger-sensor camera. 

But here's what would be the real test of dedication to dedicated photography: if you could buy a phone without a camera in it, would you?

I'm actually glad I can't (I'm in the Apple ecosystem, and Apple doesn't make a cameraless iPhone). I'd like to think that that's exactly what I would do if I could—reserve photography for the tools that do it best; force myself to carry a dedicated camera; never get stuck with an iPhone file for something I'd love to print.

But in reality I guess I'm glad I don't have to make that decision. For all I think I'd like to be uncompromising, I actually like my phone. I've gotten used to it.

Cameras, after all, are useful for other things than just making "dedicated photographs"!

Mike

Original contents copyright 2025 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases. (To see all the comments, click on the "Comments" link below or on the title of this post.)

Featured Comments from:

Roger Bradbury: "I have a dedicated camera on me nearly all the time. It's in a canvas shoulder bag which is part camera bag, part old boy on an old British motorcycle's bag. The camera is a Sony A6000 with the okayish-quality and tiny 16–50mm kit lens. As it's protected by being inside a strong 1960s British Army ammo pouch inside the main bag and hardly weighs anything, I hardly have to take any notice of it at all. It goes everywhere I go when I don't have another camera, and only gets left in the car or bike if I'm in the pub or supermarket. I essentially already have a mobile phone without a camera, as the best the camera in my phone can do is little better than a potato print."

Vijay: "I always carry a dedicated camera with me. It’s a Ricoh GRIII in my front left pocket. My back left pocket always has my iPhone. I wouldn’t buy a phone without a camera because I use the iPhone for videos, and the GRIII for stills. My videos aren’t long, usually about six seconds, and their primary purpose is to capture audio. Sounds (especially of nature) are so representative of many places for me."

Henry White: "Hmm. I leave my phone at home more often than I do my camera. I can't remember the last time I left home without a dedicated camera. I was at a doctor's appointment this morning, Leica D-Lux 8 over one shoulder...as comforting as a warm blanket."

Josh Hawkins "Eight to 10 years ago I was going camping with the kids a lot. Every other weekend, every third weekend. It gave my then-undergrad wife time to study. The kids were three and five, in that range, at that time. I decided to make my life easier and just take my phone with for photos. The photos were just fine from it. What I found was camping just wasn't as much fun. Part of the joy was from having a 'real' camera with me. It wasn't that I just had more fun taking photos, I had more fun camping, overall, all around, because I was using a 'real' camera. It's been a valuable discovery. Sometimes I take my camera to things not because I need it, but because it's just more fun that way. "

Kye Wood: "You carry a dedicated camera for the fun factor. Just like you drive the convertible on the weekend. If you're wired that way, and it floats your boat, a dedicated camera will get the superior shot every time, because you will be engaged and not just passively prodding a button drawn on a glass screen."

Herjulfr: "No. The more I use my phone for photography, the less I like photography. I now prefer to leave the phone or at home or in the car and bring my X-Pro1 or my old Canon FTb. Holding them sets me in the mood, I am more aware of my surroundings and, at the end of the day, I have enjoyed taking photographs."

Edward Taylor: "What no one seems to discuss much isn’t whether a phone camera can replace a dedicated camera, but whether a dedicated camera could ever replace a phone camera. My phone captures decent photos in challenging lighting conditions that my $4,000 dedicated camera simply can’t, especially handheld. And I can share those photos instantly. I often use both cameras for the same shot, and frequently the phone is the only one that produces a usable image. At some point, I believe dedicated cameras will need all the computational power and connectivity of phones to stay competitive, or to replace phones entirely. Cameras should have cellular plans and appropriate software. Is a $20/month data plan really prohibitive when you’ve spent thousands on the camera?"

James Coleman: "I carry a 'dedicated' camera everywhere. I never leave the house without one unless it's raining cat and dogs or I'm headed somewhere 'dedicated' cameras aren't allowed (never mind everyone's got a phone...). My Pixel 6a does a great job but I've taken too many phone photos over the years when I'd wished I'd had my dedicated with me."

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