As I wrote back in July, a brand-new expedition led by researchers from Purdue University and the Archaeological Legacy Institute is headed toward an extremely small island in the middle of the Pacific called Nikumaroro Island to finally investigate the long-held hypothesis that pilot Amelia Earhart and navigator Fred Noonan were shooting for Howland Island back on their fateful voyage in 1937 and instead landed and were stranded on Nikumaroro.

The 17-person team finally reached the uninhabited island on October 12, 2026, hoping to investigate the “Taraia Object,” a weird thing researchers spotted on Apple Maps that might be Amelia Earhart’s downed Lockheed Electra 10E…or it could be a fallen tree. No one knows for sure, but they went there to find out.

It all sounds like the setup for a B science fiction movie, and we haven’t even gotten to the story’s horrifying monster, because there actually is one. Several, in fact: giant meat-eating crabs.

Amelia Earhart Search Team Flees Remote Island Nightly Due to Giant Flesh-Eating Crabs

Giant coconut crabs are enormous, land-dwelling crustaceans with three-foot leg spans and claws capable of crushing objects with 3300 newtons of force. Run-of-the-mill crabs eat random bits of ocean fodder like worms, snails, clams, and shrimp. Small stuff that any animal can tangle with.

Giant coconut crabs hunt live birds and rats. These monster crabs are also the stars of a popular, if slightly silly and intriguing, theory that suggests Earhart survived the crash landing but was killed and eaten by swarms of bloodthirsty giant crabs.

It sounds absurd, but it has a bit of scientific logic. Popular Mechanics notes that researchers tested the theory years back by tossing a pig carcass onto the island. Within days, the crabs tore the flesh to shreds and scattered the bones several feet away. Maybe Earhart and Noonan suffered a similar grisly fate?

We’ll see what the Purdue team uncovers as it sweeps the island with sonar and dredges the water during the day before retreating to safety at night.

The post A New Search for Amelia Earhart’s Plane Is Underway on an Island With Giant Flesh-Eating Crabs appeared first on VICE.

I'm about to say something bold and trailblazing: the triple-A game development industry isn't particularly creative and has stagnated significantly, in large part thanks to overinflated budgets bringing with them astronomical revenue goals that heavily discourage risk-taking or innovation. Cower as this fresh young firebrand says what we're all thinking! — Read the rest

The post Minesweeper as a triple-A game appeared first on Boing Boing.

The FBI National Stolen Art File lists more than 8,000 paintings, sculptures and other "culturally-significant property" that has found its way out of galleries, museums and private collections and into swag bags. The sprawling online gallery provides a description, dimensions, artist, and, if available, a photograph. — Read the rest

The post The FBI's online gallery of stolen art appeared first on Boing Boing.

A golden statue of Donald Trump was unveiled this week at the European Parliament in Strasbourg, France. Jens Galschiøt's 8.5-foot sculpture depicts the gold-leafed president naked and sitting on the back of a smaller man in bronze. Trump holds the scales of justice in one hand and a golf club in the other. — Read the rest

The post Golden statue of Donald Trump unveiled at European Parliament appeared first on Boing Boing.

Mandelnaut is the ultimate 1990s poster shop spinner, generating beautiful images of fractals with a huge array of options and settings and outputting images at custom dimensions.

Making fractal wallpapers: rendering escape-time fractals, finding beautiful views, and teaching models to judge them

There are Mandelbrots, Multibrots, Julias, and Phoenixes to explore and zoom around, 13 rendering modes, and hundreds of color schemes organized by hue and various pallette cycling knobs and dials on top. — Read the rest

The post Mandelnaut: an atlas of beautiful fractals appeared first on Boing Boing.

Book of Shapes [via] is a collection of minimalist generative SVG patterns created by Nikolaj Sokolowski. Beautiful and elaborate, yet each defined by a few lines of code, they can be customized for use on the web or in print. — Read the rest

The post Book of Shapes: customizable SVG patterns for print and web appeared first on Boing Boing.

The Best of British Design has you choose a favorite betweeen two classics over several rounds, eliminating the loser until only one illustrious masterpiece of design remains in the bracket.

The British understand Design. Let's find the most iconic British design ever, from architecture to pop art, and from fashion to typeface.

— Read the rest

The post Pick your favorite British designs, if any appeared first on Boing Boing.

Our friend Coop has a new book coming out. It collects his rock-and-roll work from the last 40 years, including gig posters, flyers, and record covers.

It's called Poster Boy, and it is massive: 312 pages, 11 inches by 14 inches. — Read the rest

The post Coop's Poster Boy collects 40 years of his rock and roll art appeared first on Boing Boing.

Reelizer is a collection of movie poster art curated by Roger Erik Tinch. First published in 2011, it blew up after being linked to by Daring Fireball, slowly faded over the years, went on hiatus, and is now back thanks to new content management software. — Read the rest

The post Reelizer: curated gallery of movie posters and inspired artwork appeared first on Boing Boing.

In 1967, Kleenex offered pop art pillows in the shape of giant size Kleenex boxes. They cost $2.95 each plus two premium seals cut from Kleenex packages. You could get all three for $8.25 and six seals.

The pillows came in three designs. — Read the rest

The post In 1967, Kleenex sold pillows shaped like giant Kleenex boxes appeared first on Boing Boing.

In the late 1980s, Dave Blair was at UC Santa Cruz making fractal art with video cameras and monitors. Decades later, he's still at it, and his work is mind-bendingly cool. He says, "This time it's an order of magnitude improvement, I finally achieved 4K. — Read the rest

The post This man makes fractals without a computer, using cameras pointed at 4K screens appeared first on Boing Boing.

Today's links

• The Claude Delusion: What if we're the ones having hallucinations?
• Hey look at this: Delights to delectate.
• Object permanence: 9/11 v sex; 9/11 v flags; US customs v diplomatic Vegemite; CIA torture survivors speak; HP's inky timebomb; "The Raven" pop-up; Forex v Zimbabwe's internet; Shirky v "expert Wikipedia": McSweeney's v RIAA; Italy's internet disconnection law; Facehugger mask; "Goliath"; Netzpolitik v German surveillance; Ted Cruz v internet founders; Epipencil; Framework laptops; "The Actual Star;" Pilots tell passengers to tackle suspected terrorists; $2000 rotary phone; French DRM activists demand arrest; US child rearing costs up 40%; Calyx beats telcos; Wells Fargo whistleblower retaliation; David Graeber's "Mutual Aid"; Still censorship (even if it's not a First Amendment violation).
• Upcoming appearances: Berkeley, Edmonton, Boston, South Bend, Hudson, Calgary, Winnipeg, Paris, Vancouver, Victoria, Ottawa, Kilkenny, Montreal.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

The Claude Delusion (permalink)

One of the less remarked-upon aspects of becoming an atheist is how it changes the way you see a sunset. If you believe in an almighty, omnipresent God, then sunsets are one of God's intentional creations, which means that the beautiful colors refracting through the darkling sky were chosen to produce that effect.

To gaze upon a sunset with religious faith is to encounter the intentional act of another mind. To gaze upon that same sunset without faith is to look upon something striking, beautiful, and yet empty; not empty of wonder or beauty, but empty of purpose. No one hung that sun in the sky, no one chose its colors as it sank. It may still be beautiful, but that's a fundamentally different kind of beauty.

There's a sunset that sits halfway between a religious sunset and an atheist sunset: an artist's depiction of a sunset. This represents the choices of another person, another mind, and at the very least, that mind was talking to itself, trying to take something from inside the mind and put it outside of the mind.

Very often, the mind that directed the capturing of the sunset wanted to say something to other people, perhaps even you (think of a loved one sending you a cameraphone picture of a sunset). That painting or photo may not be divine, but it is certainly intentional. To look upon a painting of a sunset – or even a photo of a sunset – is to look upon something someone chose to make. You don't slip and accidentally create a sunset painting. Sunset paintings aren't accidents. The sunset painting has something to say.

Figuring out intentions is our minds' reflexive preoccupation. It's what keeps us from dying in traffic, it's what lets us win at poker. It's the key to love and parenting, to effective management and "managing up." It's why we get mad at people, and why we forgive them. It's why our hearts race in sympathy with the characters in a book or on a screen. It's the automatic and irresistible starting point for every encounter with a poem, a song, a book or a sculpture. It's the most fundamental difference between a sculpture of a tree and a tree: the tree grew all on its own, while the sculpture was made, on purpose, by another person with another mind.

This reflex to attribute intention explains why AI is so controversial, so compelling, and so eerie. Mark Fisher defines eeriness as "when there is something present where there should be nothing, or if there is nothing present when there should be something":

https://www.programmablemutter.com/p/large-language-models-are-uncanny

To look upon an AI-generated text or image is to look upon a thing that was extruded, not chosen. You can slip and prompt an AI-generated image of a sunset, and it will embody no intentionality on anyone's part.

This isn't something we have any experience with. When we see a painting, we reflexively interpret it as having a painter. When we read a book, we reflexively impute auctorial intent to its words. When we converse, we reflexively form a theory about the mind directing the other half of the conversation.

But we can't do this with AI. Anyone who understands how the theory-free statistical inference systems we call "AI" (at this time) work will understand that they are systems that cannot form intent, that have nothing to form intent with:

https://pluralistic.net/2026/09/18/surprise/#wow-signal

Even so, it's hard (or perhaps impossible) to avoid the reflex to impute intention to things that seem to have intenders. Think of your autonomic, unavoidable emotional response to the fictional characters you encounter in literature. Feeling sorrow or joy for imaginary people is weird. They aren't real, and you know they aren't real, and yet you may find yourself moved to tears by their plight.

That aesthetic experience of literature arises from a consensual hack to our reflex to impute human minds to things that are typically the product of human intention. When we experience another person's will – their words or deeds – we try to figure out who they are, and how they feel, and why they act the way they do:

https://genius.com/David-byrne-and-ghost-train-orchestra-she-explains-things-to-me-lyrics

We do this even when we are confronted with just the evidence of others' words or deeds, as when a friend describes an encounter with a stranger. For your reflexive, intention-seeking mind, the author who describes the deeds of imaginary people is an irresistible signal to fire up the old empathy machine and start trying to put yourself in the skins of the people of the tale:

https://locusmag.com/feature/cory-doctorow-stories-are-a-fuggly-hack/

To "converse" with an AI is to carry on a dialog with a fictional character, who is no more real than the imaginary people in a novel. Indeed, the chatbot is less real than the character, because the character is the product of another mind, while the chatbot's words are the product of complex mathematical operations conducted over a massive database of all the words humans have uttered, arranged by their frequency in relation to one another. When that math makes something beautiful or striking, it's like a sunset: no matter how striking it is, it's empty. No one chose those colors. No one chose those words.

In other words, when we interact with an AI, we hallucinate the person on the other side of the interaction. Those hallucinations are far more common and far more consequential than any AI-generated "hallucinations" (these are more properly called "errors" or "defects").

Fortunately, for most of us, the intensity of these hallucinations fades over time, and as that intensity drops off, the character of those hallucinations changes, too. Just as most of us find it easy to set aside the emotions evoked by the plight of imaginary literary figures as having less salience and "realness" than the emotions we feel over the plight of real people we know, for most of us, the experience of AI-generated material has dimmed through repetition.

My first encounters with AI-generated text and images invoked wonder, arising from the tension between the part of my mind that knew this was the product of mathematical operations, and the part of my mind that insisted that a painting must have a painter, a paragraph must have a writer, and a conversation must have an interlocutor. Looking back on the wonder I felt then, I realize that it was largely driven by how good the output was relative to my expectations about how good mathematically-derived sentences and images could be.

The novelty of that experience drove me to grade the machine's output on a curve: "The wonder is not that the dancing bear dances well, it is that the bear dances at all." But with repetition, the stimulus has regressed to the mean. These outputs have an unconvincing lack of texture. The smoothness of AI-generated prose and media makes it unbearably banal. It's hack.

To the extent that AI still surprises me, the surprise is about how much smoothness there is in our real world. The fact that AI can use statistical prediction to answer questions or carry on conversations tells us something important about how regular our real world is. It doesn't prove that statistical prediction is the same thing as understanding:

https://pluralistic.net/2026/09/18/surprise/#wow-signal

Of course, the more you know about a subject, the less convincing the AI's responses are. To be an expert is to know about the grain of your subject: chefs can taste the pinch of spice, painters notice brushstrokes, dancers can decompose the choreography into individual motions.

The other day, someone marveled to me at the quality of the editorial feedback he gets from AI for his prose, saying that a "Tell me what I'm missing" prompt generates suggestions "that would excite a university professor who'd assigned an essay." Speaking as someone who's taught a lot of writers and given a lot of feedback, I think that guy is dramatically overestimating how excited a university professor would be to see the AI-generated feedback he's getting on his essay.

The fact is that non-expert writers mostly make the same kinds of mistakes in their writing, and most writing instruction consists of offering repetitive, near-identical counsel to writers who are making the same kinds of starter mistakes that their peers past, present and future have made, are making and will make.

Mastering the basics of good writing is a matter of practice and feedback, and most of that feedback is rote. What makes a great writing teacher – and what helps to produce great writers – is spotting the non-standard aspects of a student's work that can be developed into a unique and powerful voice. Anyone can help you with the smooth parts of becoming a better writer. Only a good teacher can help you find and refine the texture that will make you a unique writer.

That texture is especially hard to find in beginner work, because beginner work is mostly full of the completely ordinary errors of inexperience, errors that AI can reliably avoid when it extrudes text. But AI-generated prose doesn't have any of those trace-elements of uniqueness, nor can it spot them. These traces are found so many digits after the decimal-place that the AI always rounds them off before it starts doing math.

The more we encounter AIs that have smoothed away the kind of texture we're attuned to, the less we're inclined to hallucinate intentionality, and the less eerie they become. Most of us are slowly but surely becoming AI atheists, and the sunsets are seeming more like the non-intending product of physics than the deliberate products of minds.

There are two great barriers to this AI atheism. First: for most of us, the inability to understand what kinds of intentionality go into which parts of unfamiliar activities makes it easy to assume that any time we see the task performed in the world, it must be intentional, and therefore it must have an intender. In other words: most of us don't hang out at hacker cons, so we have a hard time wrapping our heads around the idea of hacking without hackers:

https://pluralistic.net/2026/09/12/god-in-the-box/#llms-are-fake

But there's a second hurdle that makes it hard for a small but important subset of humanity to understand that chatbots aren't people: the billionaires to whom nearly everyone isn't a real person. These solipsists see chatbots as being equivalent (or even superior) to humans, because they don't think most humans are fully people, either:

https://pluralistic.net/2026/05/13/vibe-governance/#k-hole

For nearly all our species' history, things that seemed to require intent always had an intender. In many times and places (and even now, for many people), it's natural and beneficial to operate as though the natural world has some form of personhood and intention and is therefore worthy of moral consideration. The "rights for nature" movement has made great strides by extending personhood to animals and ecosystems.

But ascribing personhood to chatbots is nothing like ascribing personhood to nature. Indeed, it's fundamentally incompatible with "rights for nature." Think of the abomination that is "corporate personhood": by extending personhood to this human construct, we have made a world where artificial lifeforms – limited liability corporations – can destroy nature and drive animals to extinction. If we extend personhood to these climate-shredding, water-chugging AI models, their personhood will demand the sacrifice of animals, the natural world, and our own wellbeing:

https://pluralistic.net/2026/04/15/artificial-lifeforms/#moral-consideration

Chatbots are marvels of mathematics, and that is enough. They don't need to be people. Mistaking them for people (or even just treating them like people) makes it impossible for us to separate the useful things they can do from the waste, ugliness and wrongness they are so prone to exhausting into the world.

I think it's impossible to build a chatbot using the techniques we're presently calling "AI" that doesn't "hallucinate." However, it's both possible and necessary for us to stop hallucinating about AI.

Hey look at this (permalink)

• Batman, Stephen, d. 1584. The doome warning all men to the iudgemente, 1581. https://houghtonlib.tumblr.com/post/66202591072/batman-stephen-d-1584-the-doome-warning-all

• 13 theses on agentic AI and regulation https://backofmind.substack.com/p/13-theses-on-agentic-ai-and-regulation

• The Business-to-Industry Index and the Geography of Global Capitalism https://economicsfromthetopdown.com/2026/09/19/the-business-to-industry-index-and-the-geography-of-global-capitalism/

• Medical AI has a proof problem https://www.ft.com/content/34319b00-f874-4119-aa28-8376d81e7190?accessToken=zwAAAaC9XGvXkc80MZsA-HRBGdOqKIN22B5xkA.MEUCIBxTaGUf7-Pnw4ErnCAleMMJiOnRfHUFyvbNrWdOrp8yAiEAnjbPR0Ik1xmb2bhrZSj8Fvoe7S6lV_RUd22lZECUTjs&sharetype=gift&token=1dba26c2-4939-4fd7-9dfb-fac85bb96387&syn-25a6b1a6=1

• Please Agree to These Terms & Conditions for Your Slider https://blog.dmxrob.net/please-agree-to-these-terms-conditions-for-your-slider/

Object permanence (permalink)

#25yrsago 9/11 knocks sex off the top of the search charts for the first time ever https://web.archive.org/web/20011019190617/http://www.reuters.com/news_article.jhtml

#25yrsago Post-9/11 flag shortage sparks wave of flag-thefts https://web.archive.org/web/20011024162814/http://www.suntimes.com/output/brown/cst-nws-brown18.html

#25yrsago Pilots' preflight announcement includes exhortation to tackle suspected terorists https://web.archive.org/web/20010919081055/http://www.washtimes.com/commentary/20010919-6357240.htm

#25yrsago Larry Ellison: 9/11 means everyone should have a secret government dossier (on an Oracle server) https://web.archive.org/web/20010924045158/https://www.siliconvalley.com/docs/news/svfront/ellsn092301.htm

#20yrsago Rotary phone cost woman $2,000 over 40 years https://web.archive.org/web/20080526111157/http://www.usatoday.com/news/offbeat/2006-09-14-phone_x.htm

#20yrsago French DRM activists surrender to police https://web.archive.org/web/20070110181344/http://stopdrm.info/index.php?2006/09/20/110-compte-rendu-de-l-operation-des-interoperabilisateurs-volontaires

#20yrsago Zimbabwe’s Internet cut off due to lack of foreign currency https://web.archive.org/web/20070218185156/http://news.zdnet.com/2100-9588_22-6117553.html

#20yrsago An “expert Wikipedia” won’t work https://web.archive.org/web/20061023150433/http://many.corante.com/archives/2006/09/18/larry_sanger_citizendium_and_the_problem_of_expertise.php

#20yrsago RIAA threat-mail parody from McSweeney’s https://web.archive.org/web/20060927155553/https://www.mcsweeneys.net/2006/9/20lloyd.html

#15yrsago Italian MPs propose Internet disconnection law: one copyright accusation from anyone and you lose your Internet connection https://web.archive.org/web/20110924143709/http://www.twitlonger.com/show/d62gmb

#15yrsago Trying to understand riots isn’t the same as excusing riots https://web.archive.org/web/20110924030515/https://www.newscientist.com/article/mg21128306.100-trying-to-understand-the-english-riots-is-not-a-crime.html

#15yrsago ATM skimmer gang invested proceeds in 3D printer to make better ATM skimmers https://krebsonsecurity.com/2011/09/gang-used-3d-printers-for-atm-skimmers/

#15yrsago Facehugger-inspired leather mask https://bobbasset.com/archives/745/

#15yrsago Westerfeld’s Goliath: suitably thrilling conclusion to cracking steampunk WWI YA trilogy https://memex.craphound.com/2011/09/20/westerfelds-goliath-suitably-thrilling-conclusion-to-cracking-steampunk-wwi-ya-trilogy/

#15yrsago Report from 1978’s “Second West Coast Computer Faire” https://web.archive.org/web/20110930035442/https://blog.modernmechanix.com/2011/09/20/the-second-west-coast-computer-faire/

#15yrsago UK patent office seeks public’s help with prior art that invalidates patent applications https://www.peertopatent.org.uk/

#15yrsago 3D printed AR-15 parts challenge firearm regulation https://web.archive.org/web/20110922005752/http://www.thingiverse.com/thing:11636

#15yrsago Minor diplomatic spat when US customs queries Aussie foreign minister’s Vegemite https://www.theguardian.com/world/2011/sep/19/hands-off-vegemite-kevin-rudd

#15yrsago Toronto Convention Centre charges attendees $150/day to use WiFi https://blogcampaigning.com/2011/09/most-expensive-wi-fi-ever/

#15yrsago Tracking down the stories behind a trove of 1920s report cards from a NYC girls’ vocational school https://www.slate.com/articles/life/permanent_record/features/2011/permanent_record/how_i_found_the_report_cards_and_how_they_changed_my_life.html

#15yrsago Movie-industry self-piracy proves that IP addresses aren’t people, invalidates copyright enforcement schemes https://torrentfreak.com/movie-institute-feels-pain-of-ip-address-only-piracy-evidence-110922/

#15yrsago Cost of raising middle-income child in USA increases by 40% in ten years https://web.archive.org/web/20110925000225/https://money.cnn.com/2011/09/21/pf/cost_raising_child/index.htm

#10yrsago HTML standardization group calls on W3C to protect security researchers from DRM https://www.eff.org/deeplinks/2016/09/html-standardization-group-calls-w3c-protect-security-researchers-drm

#10yrsago I have found a secret tunnel that runs underneath the phone companies and emerges in paradise https://memex.craphound.com/2016/09/22/i-have-found-a-secret-tunnel-that-runs-underneath-the-phone-companies-and-emerges-in-paradise/

#10yrsago Gene Luen Yang wins a Macarthur “genius” prize! https://web.archive.org/web/20160922142951/https://www.macfound.org/fellows/class/class-2016/

#10yrsago China’s elites appear to be exfiltrating billions while on holidays https://web.archive.org/web/20160922125621/http://www.bloomberg.com/news/articles/2016-09-21/suitcases-of-cash-chinese-travel-data-hint-at-capital-outflows

#10yrsago Wells Fargo fired the whistleblowers who reported massive fraud, and that’s a crime https://www.nakedcapitalism.com/2016/09/wells-fargo-fake-accounts-hidden-by-fake-whistleblowing-former-employees-including-hr-officials-allege-systematic-retaliation.html

#10yrsago Phoebe and her unicorn are back in Razzle Dazzle Unicorn! https://memex.craphound.com/2016/09/22/phoebe-and-her-unicorn-are-back-in-razzle-dazzle-unicorn/

#10yrsago Brexit’s proposed racist immigration policy will backfire https://crookedtimber.org/2016/09/19/brexit-and-bigotry/

#10yrsago Done in your name: Survivors of CIA’s torture-decade describe their ordeals https://www.aljazeera.com/features/2016/9/14/the-dark-prisoners-inside-the-cias-torture-programme

#10yrsago HP detonates its timebomb: printers stop accepting third party ink en masse https://www.bbc.com/news/technology-37408173

#10yrsago How America abandoned the only policy that consistently closes the black-white educational gap https://www.propublica.org/article/ferguson-school-segregation

#10yrsago Edgar Allan Poe’s “The Raven” – the pop-up book edition https://memex.craphound.com/2016/09/19/edgar-allan-poes-the-raven-the-pop-up-book-edition/

#10yrsago Sitelock abuses DMCA to censor rival’s criticisms https://torrentfreak.com/web-security-firm-sitelock-uses-dmca-to-censor-critics-160920/

#10yrsago Netzpolitik publishes more damning, leaked German surveillance reports, despite previous treason prosecution https://www.techdirt.com/2016/09/20/leaked-oversight-report-shows-illegal-surveillance-massive-constitutional-violations-germanys-intelligence-service/

#10yrsago Web’s inventor and MIT prof explain ICANN to Ted Cruz, using small words https://web.archive.org/web/20160921203119/https://www.washingtonpost.com/news/powerpost/wp/2016/09/20/ted-cruz-is-wrong-about-a-key-internet-agencys-ability-to-censor-free-speech/

#10yrsago Execs with long coporate crime rapsheets stand up for Apple’s tax evasion and “the rule of law” https://web.archive.org/web/20160921002619/https://theintercept.com/2016/09/20/throng-of-corporate-criminals-demands-rule-of-law-in-apple-eu-tax-case/

#10yrsago DIY Epipen: the $30 Epipencil https://fourthievesvinegar.org/2022/07/12/introducing-the-epipencil/

#5yrsago The Framework is the most exciting laptop I've ever used https://pluralistic.net/2021/09/21/monica-byrne/#think-different

#5yrsago Ignore career advice from established writers https://pluralistic.net/2021/09/21/monica-byrne/#pay-it-forward

#5yrsago The Actual Star https://pluralistic.net/2021/09/21/monica-byrne/#like-its-3012

#5yrsago Facebook algorithm boosts pro-Facebook news https://pluralistic.net/2021/09/22/kropotkin-graeber/#zuckerveganism

#5yrsago Mutual Aid and David Graeber https://pluralistic.net/2021/09/22/kropotkin-graeber/#against-just-so

#5yrsago Gig workers around the globe https://pluralistic.net/2021/09/22/kropotkin-graeber/#an-injury-to-one

#1yrago It's still censorship (even if it doesn't violate the First Amendment) https://pluralistic.net/2025/09/22/one-throat-to-choke/#communicable-disease

Upcoming appearances (permalink)

• Berkeley: Celebrating 25 Years at the Digital Frontier (Samuelson Clinic), Sep 24
  https://www.law.berkeley.edu/experiential/clinics/samuelson-law-technology-public-policy-clinic/samuelson-25th-anniversary-celebration/

• Edmonton: Elbows Up (Edmonton Public Library), Sep 28
  https://www.epl.ca/blogs/post/elbows-up-with-cory-doctorow/

• Boston: The Post-American Internet: Possibilities for a new internet created by an American Hermit Kingdom (MIT Media Lab), Sep 30
  https://www.media.mit.edu/events/the-post-american-internet-possibilities-for-a-new-internet-created-by-an-american-hermit-kingdom/

• Boston: Rethinking Our Relationship with AI, Sep 30 (Emtech)
  https://event.technologyreview.com/emtech-future-2026/detailed-agenda

• Boston: The Paradox of Enshittification and Reverse Centaurs (Harvard Berkman Klein), Sep 30
  https://cyber.harvard.edu/events/running-harder-falling-faster-paradox-enshittification-and-reverse-centaurs

• South Bend: An Evening With Cory Doctorow (Notre Dame), Oct 6
  https://franco.nd.edu/events/2026/10/06/an-evening-with-cory-doctorow/

• Hudson, OH: Hudson Library, Oct 7
  https://engagedpatrons.org/EventsExtended.cfm?SiteID=3850&EventID=596952&PK=

• Calgary: Wordfest, Oct 8
  https://wordfest.com/2026/show/wordfest-presents-cory-doctorow-2026/

• Winnipeg: McNally Robinson, Oct 9
  https://www.mcnallyrobinson.com/event-18991/An-Evening-with-Cory-Doctorow

• Paris: Slow Tech Summit, Oct 15
  https://slowtechsummit.com/

• Vancouver: Read, Resist, Repair, Rejoice (Vancouver Writers Festival), Oct 19
  https://writersfest.bc.ca/festival-event-2026/01

• Victoria: Munro's Books, Oct 20
  https://www.munrobooks.com/events/6113620261020

• Vancouver: Life After AI (Vancouver Writers Festival), Oct 22
  https://writersfest.bc.ca/festival-event-2026/46

• Ottawa: Life After AI (Ottawa Writers Festival), Oct 24
  https://writersfestival.org/event/life-after-ai

• Kilkenny (Kilkenomics), Nov 6-8
  https://kilkenomics.com/

• Vancouver: Enshittification (Sid Williams Theatre Society), Nov 10
  https://www.sidwilliamstheatre.com/events/cory-doctorow-talks-enshittification/

• Vancouver: BC Policy Solutions Gala, Nov 12
  https://bcpolicy.ca/gala/

• Montreal: World Science Fiction Convention, Sep 2-6
  https://montreal2027.ca/en

Recent appearances (permalink)

• Could Tech Bosses Destroy Life As We Know It? (Politics JOE)
  https://www.youtube.com/watch?v=PL4VktU0SgY

• Are 'AI Apocalypse' Warnings Just Marketing? (What's Left)
  https://www.youtube.com/watch?v=IXd9HwIE5bo

• The Real AI Threat Isn’t What You’ve Been Told (The Tea with Myriam François)
  https://www.youtube.com/watch?v=Vc8It00fRsA

• Fascists may come after the AI bubble bursts (You&AI)
  https://www.youtube.com/watch?v=J2WN64aQeYQ

• What Would a Normal Person Do (Trashfuture)
  https://www.patreon.com/trashfuture/posts/what-would-do-169247456

Latest books (permalink)

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026
  https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2027

• "The Memex Method," Farrar, Straus, Giroux, 2027

Colophon (permalink)

Today's top sources:

Currently writing:

• “Once Is Enemy Action,” a science fiction novel about the origins of modern technofascism. Friday's words: 518 (17048 total).

• "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Fourth draft completed. Submitted to editor.

• A Little Brother short story about DIY insulin PLANNING

This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.

How to get Pluralistic:

Blog (no ads, tracking, or data-collection):

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https://bsky.app/profile/doctorow.pluralistic.net

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https://doctorow.medium.com/

Tumblr (mass-scale, unrestricted, third-party surveillance and advertising):

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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

This aluminum can compactor looks like a giant red robot monster, and I'm obsessed with it. Recycling is way more fun when you can feed it into the mouth of a giant creature that chomps it down. Art like this is awesome because it is interactive, fun to look at, and it helps the environment. — Read the rest

The post This can crusher is a red robot monster with googly eyes appeared first on Boing Boing.

Today's links

• How corporate America built a better Roach Motel: Hostages beat customers every day.
• Hey look at this: Delights to delectate.
• Object permanence: 3-hole punches; Warner Bros v Warner Bros; Privacy wars get worse; "Weapons of Math Destruction"; HK elections go to pro-democracy reformers; Stock buybacks are swindles; NZ v Open source; MSFT patches DRM faster than other bugs; Wikipedia's worst arguments; Pirates x Iceland.
• Upcoming appearances: Brighton, London, Budapest, Edmonton, South Bend, Hudson, Calgary, Winnipeg, Vancouver, Victoria, Ottawa.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

How corporate America built a better Roach Motel (permalink)

"If economists wished to study the horse, they wouldn’t go and look at horses. They'd sit in their studies and say to themselves, 'What would I do if I were a horse?'" -Ely Devons

Half a century ago, a group of lavishly financed economists from the University of Chicago (the "neoliberals") convinced governments all over the world to completely upend the way they treated monopolies. Up until then, the purpose of competition enforcement was to reduce corporate power, with the understanding that once a corporation became more powerful than the government, it would be impossible to force it to follow any rules:

https://pluralistic.net/2022/02/20/we-should-not-endure-a-king/

But for the "Chicago Boys," monopolies were evidence of efficiency. When you encounter a company in the wild that has acquired a commanding market share, your first assumption should be that it has taken over its sector by being better than anyone else – you should not assume that the company cheated its way to glory. After all, if a company with a large market share was cheating – say, if it was increasing its profit margins by reducing quality or jacking up prices – then smaller companies would rush into the market to poach its dissatisfied customers.

Thus, all competition enforcement was reduced to an empty syllogism: monopolies are the result of excellence and any less-than-excellent monopolist will have its advantage "competed away." Therefore, any monopolist you encounter in the wild is definitionally not a bad monopolist, otherwise it would already have disappeared.

To quote another economist joke:

Two economists are walking down the street when one notices a $20 bill on the sidewalk. "It's not a real $20 bill," the other declares. "If it were a real $20 bill, someone would have picked it up off the sidewalk already."

Half a century later, our entire economy is dominated by monopolies, duopolies and cartels, who boast of gigantic margins, whose products are palpably worsening at an accelerating clip, and yet there is no sign of the "new market entrants" who should be flooding into the market to "compete away" those amazing margins. It turns out that asking "What would I do if I were a horse?" does not yield a series of accurate predictions about horses.

Things have changed. Today, the University of Chicago's Stigler Center harbors a cluster of influential economists who largely or entirely repudiate the orthodoxy of the Chicago Boys. The Center hosts an annual, rather radical conference on antitrust; runs an excellent heterodox podcast (Capitalisn't); its house organ, Promarket.org, regularly hosts work that torches the received wisdom of High Chicago Neoclassicism; and the school's researchers publish papers that dare to actually "go and look at horses."

A recent horse-looking excursion has yielded some distressing, alarming, and thoroughly documented equine facts. In a new Stigler paper, "Rising Customer Durability, Falling Business Dynamism," UC's Li Azinovic-Yang, Ava E Speros and Christopher R Stewart and Stanford's John D Kepler report on some clever research into how a monopolist could raise prices, lower quality, anger its customers, and still dominate its market:

https://www.chicagobooth.edu/-/media/research/stigler/pdfs/workingpapers/387_customer.pdf

The researchers' hypothesis was that dominant businesses don't maintain their lead by making their customers happy, but by making it harder for those customers to leave. There's good reasons to suspect this. Between 2002 and 2024, the average "customer relationship" (how long a customer continues to purchase from a merchant) has risen from 7.5 years to 11.5 years, a 50% surge in "customer loyalty," far outstripping any measure of customer satisfaction over the same period. This is true across all the largest sectors of the economy: "manufacturing, information, professional services, financial services, and wholesale trade."

How to explain the falling divorce rate between customers and businesses? That's where the researchers got very clever. They realized that when a company seeks permission to acquire another business, it must publish truthful and comprehensive information about how the merger is expected to increase the profits of the new combination. These disclosures are validated by external auditors, boards of directors, and/or audit committees. There are legal repercussions for falsifying them or making material omissions to them, and they are matters of public record.

Crucially, these disclosures must include the business's plans to retain its customers, and its plans to increase the profits from those customers. That's where the researchers struck gold. They amassed a novel data-set of 9,500 acquisitions that disclosed over $1t worth of "customer relationship-related intangibles," more than 20% of all the assets that changed hands.

They supplemented this data by mining earnings calls (also subject to strict penalties for omissions and falsehoods), finding CEOs boasting about "practices that may impede switching or increase customers’ dependence on the firm." Executives bragged about their "contractual restrictions, bundling and ecosystem lock-in, and switching costs."

You can get a sense of these in a short accompanying article by the study's co-author Christopher Stewart:

https://www.promarket.org/2026/09/04/american-companies-expect-their-customers-to-stay-much-longer-that-may-be-making-the-economy-less-competitive/

The article recounts how Sirius XM's execs celebrated the news that an appeals court had struck down the FTC's "Click to Cancel" rule, which required companies to make it as easy to resign from a subscription service as it was to sign up for it. Click to Cancel is a response to increasingly sleazy, increasingly pervasive tactics that make it all but impossible to stop being someone's customer. Trump's FTC walked away from defending the rule, which let the court kill it:

https://pluralistic.net/2025/05/12/greased-slide/#greased-pole

After Click to Cancel died, Sirius XM's C-suite got on a call with their shareholders to project "better outcome(s) as a result of not having that in place." Sirius believed that a rule that made it easy for customers to resign from their monthly subscriptions would hurt its business. Put another way: Sirius believes that its profits come in part from the fact that dissatisfied customers can't figure out how to cancel their service.

Then there's the online insurance company eHealth, whose execs crowed about a new "innovation" that forced senior patients to painstakingly enter a long list of their medications and doctors, but did not give them any way to export that data. The lengthy investment of time in getting set up on eHealth would stop customers from leaving, because they wouldn't want "to repeat all of that information over the phone."

This is also a feature of business-to-business relationships. In 2019, US Silica's execs described how they had launched a program to become embedded in their customers' supply chains, because that "really locks in the business," making it "much more difficult for customers to switch and go to someone else."

That's the first half of the story: an empirical account of how the business world switched from "acquiring customers" to taking hostages.

But the second half of the paper is even more interesting: an empirical investigation into the effects of this customer lock-in. For starters, increased customer retention is "associated with higher gross profit margins": that is, the companies whose customers can't leave squeeze those customers for more profit. What's more, once a company has its customers locked in, it starts to capture a larger share of all the profits in its entire sector: these hostage-takers become so profitable that their profits dwarf the profits of their competitors.

The paper also solves the mystery of the missing market entrants that the neoclassical horse-ponderers insisted would be conjured up to compete away an abusive monopolist's margins. The more locked in the customers of a monopolist are, the fewer companies try to enter that market. This makes sense: who would invest in a new business in a market where none of its potential customers can switch to its new business?

This is the opposite of what the horse-ponderers have insisted upon for 50 years. The more lock-in a company attains, the more profitable it becomes, and the less it has to worry about new competitors coming after those incredible margins. This is obvious to everyone, except the monopolist-funded "social scientists" and the governments they captured.

This is bad news, and not just for those locked-in customers. New businesses are the source of new jobs, and, yup, it turns out that sectors dominated by firms with high lock-in create fewer jobs. Of course, as workers chase fewer jobs, bosses are able to suppress their wages by forcing workers to bid against one another. Once again, the study finds that the sectors with the most lock-in also see declining wages in addition to declining jobs.

These are not the horse-ponderers' "efficient" monopolists. Once a company has its customers locked in, it innovates less – as measured by the number of patents a company is awarded, and by how often those patents are cited in other patents (this second measure helps distinguish companies that file mountains of bullshit patents from companies that actually invent useful things). Naturally, R&D spending also declines in companies with more lock-in.

All of this is entirely compatible with the theory of enshittification. Once a company knows its customers can't leave, it can switch from treating them well to abusing them in order to extract money from them. The same goes for companies whose workers can't leave – because they're bound by noncompete clauses, or because their employer has bought out all their rivals:

https://www.eff.org/deeplinks/2023/04/platforms-decay-lets-put-users-first

It's like the old Lily Tomlin sketches on SNL and Laugh-In, where she played Ernestine the telephone operator narrating satirical ads for AT&T. Those sketches would end with her obviously true catch-phrase: "We don't care. We don't have to. We're the phone company":

https://www.youtube.com/watch?v=CHgUN_95UAw

Decades later, Tomlin's phone company joke is a perfect distillation of modern management philosophy. As a famous NBER working paper showed, when a family business is handed over to a professional manager with an MBA, the company doesn't become more profitable overall; it just finds ways to pay its workers less:

https://www.nber.org/system/files/working_papers/w29874/w29874.pdf

That's why Tim Wu named this "the age of extraction." "Growth" no longer means "making something new that people want" – now it means "finding ways to take a larger share of the pie, even if that makes the pie smaller overall":

https://www.wired.com/story/tim-wu-age-of-extraction/

This is something we can all feel. We experience it in our daily lives, through "shrinkflation" and "junk fees" and a million other gross and petty scams. But it's rare that we actually catch executives explicitly admitting that their job is to find ways to take you hostage and squeeze you.

Historically, those revelations have come from extraordinary circumstances, like when Frontier (the worst ISP in America) went bankrupt and we learned that the company had 1.6 million customers who had no access to competing broadband connections. Frontier carried these hostages on their balance sheet as a special, highly valued asset, since they could be charged more for slower, less reliable service:

https://www.eff.org/deeplinks/2020/04/frontiers-bankruptcy-reveals-cynical-choice-deny-profitable-fiber-millions

In assembling this novel, high-quality data-set, the researchers on this paper have performed an important service, capturing a vast number of sworn confessions of highly paid enshittifiers, and then showing how their hostage-taking wrecked competition, prices, wages, jobs and innovation.

Hey look at this (permalink)

• Gloria Steinem Helped Transform the World for Everyone https://www.meditationsinanemergency.com/gloria-steinem-helped-transform-the-world-for-everyone/

• Keep the Internet free https://keepitfree.ai/

• Money Does Not Decide What It Becomes https://sekimonyo.com/money-does-not-decide-what-it-becomes

Object permanence (permalink)

#20yrsago Three-hole punch debut, April 1940 https://web.archive.org/web/20061119140057/https://blog.modernmechanix.com/2006/09/06/three-hole-paper-punch-debut/

#20yrsago New Zealand redefines open source as “code you can’t modify” https://memex.craphound.com/2006/09/07/new-zealand-redefines-open-source-as-code-you-cant-modify//

#20yrsago MSFT quicker to patch DRM than security vulnerabilities https://www.schneier.com/blog/archives/2006/09/microsoft_and_f.html

#20yrsago Wikipedia’s dumbest arguments https://en.wikipedia.org/wiki/Wikipedia:Lamest_edit_wars

#10yrsago Why the Pirate Party could end up running Iceland https://web.archive.org/web/20211024071400/https://www.newstatesman.com/culture/2016/09/how-internet-pirates-became-political-force-iceland

#10yrsago Sampling bias: how a machine-learning beauty contest awarded nearly all prizes to whites https://web.archive.org/web/20160906154712/https://motherboard.vice.com/read/why-an-ai-judged-beauty-contest-picked-nearly-all-white-winners

#10yrago Warner Bros flags its own website as a piracy portal in copyright takedowns https://torrentfreak.com/warner-bros-flags-website-piracy-portal-160904/

#10yrsago The privacy wars have been a disaster and they’re about to get a LOT worse https://locusmag.com/feature/cory-doctorowthe-privacy-wars-are-about-to-get-a-whole-lot-worse/

#10yrsago Weapons of Math Destruction: invisible, ubiquitous algorithms are ruining millions of lives https://memex.craphound.com/2016/09/06/weapons-of-math-destruction-invisible-ubiquitous-algorithms-are-ruining-millions-of-lives/

#10yrsago Pro-democracy reformers win big in Hong Kong’s elections https://globalvoices.org/2016/09/06/hong-kong-voters-elect-pro-democracy-legislators-to-defend-the-citys-autonomy-from-china/

#1yrago Stock buybacks are stock swindles https://pluralistic.net/2025/09/06/computer-says-huh/#invisible-handcuffs

Upcoming appearances (permalink)

• Brighton: The Reverse Centaur's Guide to Life After AI with Carole Cadwalladr (Brighton Dome), Sep 8
  https://brightondome.org/whats-on/LSC-cory-doctorow-the-reverse-centaurs-guide-to-life-after-ai/

• London: The Reverse Centaur's Guide to Life After AI with Riley Quinn (Foyle's Picadilly), Sep 9
  https://www.foyles.co.uk/events/enshittification-cory-doctorow-riley-quinn

• Budapest: Brain Bar, Sep 17
  https://brainbar.com/munkatars/cory-doctorow

• Edmonton: Elbows Up (Edmonton Public Library), Sep 28
  https://www.epl.ca/blogs/post/elbows-up-with-cory-doctorow/

• South Bend: An Evening With Cory Doctorow (Notre Dame), Oct 6
  https://franco.nd.edu/events/2026/10/06/an-evening-with-cory-doctorow/

• Hudson, OH: Hudson Library, Oct 7
  https://engagedpatrons.org/EventsExtended.cfm?SiteID=3850&EventID=596952&PK=

• Calgary: Wordfest, Oct 8
  https://wordfest.com/2026/show/wordfest-presents-cory-doctorow-2026/

• Winnipeg: McNally Robinson, Oct 9
  https://www.mcnallyrobinson.com/event-18991/An-Evening-with-Cory-Doctorow

• Vancouver: Read, Resist, Repair, Rejoice (Vancouver Writers Festival), Oct 19
  https://writersfest.bc.ca/festival-event-2026/01

• Victoria: Munro's Books, Oct 20
  https://www.munrobooks.com/events/6113620261020

• Vancouver: Life After AI (Vancouver Writers Festival), Oct 22
  https://writersfest.bc.ca/festival-event-2026/46

• Ottawa: Life After AI (Ottawa Writers Festival), Oct 24
  https://writersfestival.org/event/life-after-ai

• Vancouver: BC Policy Solutions Gala, Nov 12
  https://bcpolicy.ca/gala/

Recent appearances (permalink)

• Downstream with Michael Walker (Novara)
  https://www.youtube.com/watch?v=nTqCVJFr7XM

• The future of the tech crisis (How the Light Gets In)
  https://iai.tv/video/the-future-of-the-tech-crisis?_auid=2020

• How Tech Platforms Took Over the Economy (Dystopia Now)
  https://sites.libsyn.com/566555/enshittification-and-reverse-centaurs-cory-doctorow-on-how-tech-platforms-took-over-the-economy

• Hope, AI, Fixing the Internet and the Reverse Centaur of it all (Wilosophy)
  https://podcastaddict.com/everyone-relax/episode/231414816

• Deflating the AI Bubble (Do Not Pass Go)
  https://www.donotpassgo.ca/p/deflating-the-ai-bubble-with-cory

Latest books (permalink)

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026
  https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2027

• "The Memex Method," Farrar, Straus, Giroux, 2027

Colophon (permalink)

Today's top sources:

Currently writing:

• “Once Is Enemy Action,” a science fiction novel about the origins of modern technofascism. Today's words: 574 (7730 total).

• "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Fourth draft completed. Submitted to editor.

• A Little Brother short story about DIY insulin PLANNING

This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.

How to get Pluralistic:

Blog (no ads, tracking, or data-collection):

Pluralistic.net

Newsletter (no ads, tracking, or data-collection):

https://pluralistic.net/plura-list

Mastodon (no ads, tracking, or data-collection):

https://mamot.fr/@pluralistic

Bluesky (no ads, possible tracking and data-collection):

https://bsky.app/profile/doctorow.pluralistic.net

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https://doctorow.medium.com/

Tumblr (mass-scale, unrestricted, third-party surveillance and advertising):

https://mostlysignssomeportents.tumblr.com/tagged/pluralistic

"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

Today's links

• Criticizing the everything machine: It slices, it dices, it even makes paperclips!
• Hey look at this: Delights to delectate.
• Object permanence: Parliament v DRM; Colbert's commencement; Counterfeiting x luxury goods; Joule thief; Lean-back media.
• Upcoming appearances: Kansas City, LA, Menlo Park, Toronto, NYC, Edinburgh, South Bend.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

Criticizing the everything machine (permalink)

"Gish Gallop" is the debating term for an opponent who makes so many claims that "it's impossible to address them in the time available" (it's named for Creationist Duane Gish, who was notorious for this tactic):

https://en.wikipedia.org/wiki/Gish_gallop

I think about the Gish Gallop whenever I'm asked to comment on AI.

Here's a recent example: last week, I had a pre-interview call with a radio producer who wanted me to come on a 13-minute segment to discusses "whether there's a problem with AI governance?"

I asked what the show meant by that: was it whether regulation of AI in commercial or public sector decision-making needed more oversight? Was it that the siting and provisioning of data-centers needed more democratic accountability? Was it that workers deserved more of a say in AI's impact on labor markets? Was it that customers and/or audiences should be able to opt out of AI customer service and AI slop? Was it about whether we needed some kind of system to prevent "runaway AI," in the event that we teach so many words to the word-guessing program that it wakes up, becomes God, and turns us all into paperclips?

"Oh," the producer said, "all of that."

In 13 minutes.

You see the problem, right? The AI industry has made so many claims about its past, present and future that it's almost impossible to have a reasonable critical conversation about it:

https://bsky.app/profile/petermiles.eurosky.social/post/3mnffjqczjs2t

Shortly after I did the radio show, a newspaper editor who'd heard my segment got in touch to ask me if I'd write an 800-word op-ed about the subject, and also, could I address claims that "AI is the next Industrial Revolution?"

In 800 words:

https://www.telegraph.co.uk/news/2026/06/04/ai-is-the-greatest-money-wasting-scheme-humanity-has-ever-i/

I keep finding myself on stages or panels where an AI-struck person says something like, "AI is the next industrial revolution. It will change everything we do. It will let anyone create important works of art. It will cure cancer. It will take us to space. It will solve the climate crisis."

Or sometimes it's an AI critic, but that person's criticism is really more "criti-hype," which is when you accept tech industry hype claims at face value, and then criticize them rather than questioning them:

https://peoples-things.ghost.io/youre-doing-it-wrong-notes-on-criticism-and-technology-hype/

AI criti-hype might ask what we'll do once AI takes all our jobs, or what we'll do when AI replaces the government or teachers or doctors, or what we'll do when AI can bypass our critical faculties and brainwash us or drive us all mad.

What do you say to that? I usually start by talking about whether there's any economic basis for keeping the AI servers running. AI is – by far – the money-losingest venture in human history, and it's practically impossible to overstate just how bad the AI business is. Not only does AI have terrible unit economics, those unit economics are getting worse over time:

https://pluralistic.net/2026/05/26/the-ai-will-continue/#until-morale-improves

AI's happiest customers cite cost-benefit calculations that depend on truly unimaginable subsidies from the AI companies, who are basically selling $100 bills for $5 apiece. It would be pretty amazing if you couldn't find people who'd extol the virtues of this arrangement. But when AI companies try to raise the price of those $100 bills to, say, $20 apiece, those ecstatic customers fly into a rage and start loudly proclaiming that AI is so inefficient that they will lose money on this arrangement:

https://www.msn.com/en-us/money/markets/uber-ceo-says-other-execs-are-lying-about-ai-they-say-it-ll-be-fine-publicly-but-privately-admit-millions-of-jobs-are-gone/ar-AA1Z9QMv

Now, it shouldn't fall to me, a card-carrying member of the Democratic Socialists of America, to point out that capitalist enterprises require profits to be sustainable. You can't keep a business afloat by selling $100 bills for $5, nor for $20. You can't even make a profit selling $100 bills for $100 apiece! For a company to succeed, it needs to take in more than it expends.

AI is a money-furnace, and AI hustlers are clearly on the hunt for a way to force all of us to feed every dime we've got to it. Elon Musk's (now scuttled) gambit to make every pension saver in America bail out Grok (and Twitter, but at a mere $44b, the losses from Twitter are dwarfed by the titanic losses from Grok) was the most ambitious and shameless population-scale bag-holder scheme, but it's not the only one:

https://www.reuters.com/business/finance/sp-global-keeps-fast-entry-proposal-unchanged-spacex-listing-looms-2026-06-04/

So before we ask about the capabilities AI will acquire in the future, we should at least give some consideration to the question of whether anyone will be willing to fund the development of those capabilities, and if so, where the money would come from? Likewise, before we ask whether AI can perform adequately in a job, we should at least consider the possibility that the company that sells that AI tool will be bankrupt in a year or two. When we fight about data-center buildout, we mostly talk about the (considerable) environmental downsides to them – but what about the question of what we will do with these data-centers after their owners go bankrupt, possibly even before they can be provisioned with electricity? How many laser-tag arenas do we actually need?

This is just one example of the questions that you could spend days unpacking, which make many of the other questions about AI a little silly. Like, even if you think there are limitless returns to scale for creating new AI capabilities, which means that if we keep the money-furnace burning it's only a matter of time until it powers a cure for cancer and the end of the climate emergency, how much money do we need to shovel into the furnace before that happens, and where will it come from? There are plenty of cancer researchers who have promising approaches they haven't been able to pursue due to funding shortfalls.

Unless there's some way to estimate how much money we have to give to AI companies before they cure cancer, we should at least consider the possibility that the true sum is "more money than exists now and that will ever exist." We should also consider that whatever benefits to cancer research that AI might deliver could come with a higher price-tag than the promising cancer research we're dropping because we can't find far more modest sums.

Likewise, it may be that the amount of CO2 that AI will generate before it "solves climate change" will render Earth permanently unfit for humans, consuming the only habitable planet capable of sustaining human life in the known universe. I mean, I suppose that's one way to "solve" climate change, but it's a pretty drastic solution.

My next book (out later this month) is The Reverse Centaur's Guide to Life After AI. I wrote it because I was frustrated by other people demanding that I talk to them about AI, and then offering me 800 words or 13 minutes to address fifty nebulous, poorly supported claims about AI:

https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/

Shortly after writing the book, I turned it into a lecture:

https://pluralistic.net/2025/12/05/pop-that-bubble/#u-washington

Now that I'm about to go out on the road with the book, I find myself frustrated anew by the need to try and pull together a compact way to address the broad, incoherent claims the industry uses to keep its bubble inflated and the money furnaces roaring. The series of essays I've developed here on Pluralistic are part of that effort:

https://pluralistic.net/2026/05/27/unnecessariat/#rubbuts-stole-my-jerb

But it occurred to me that this whole enterprise of making sense of AI needs to be framed in the context of the messiness of AI itself, and AI boosters' overwhelming, promiscuous and disjointed Gish Gallop.

Hey look at this (permalink)

• What happens when your phone is confiscated at the airport https://www.theverge.com/report/944076/cbp-airport-phone-searches-seizure-minneapolis-activists

• A Billionaire Explains Why American Business Now Feels like the Mafia https://www.thebignewsletter.com/p/a-billionaire-explains-why-american

• These Republican Lawmakers Challenged Abortion Bans. Then They Faced Backlash. https://www.propublica.org/article/republicans-face-backlash-after-challenging-abortion-bans

• Debbie Downer https://prospect.org/2026/06/05/debbie-downer-wasserman-schultz-florida-house-races/

• Mechanical Pencil https://mechanical-pencil.com/

Object permanence (permalink)

#20yrsago UK Parliament report damns DRM, calls for limits https://web.archive.org/web/20060615115510/http://www.openrightsgroup.org/2006/06/05/launch-of-the-apig-report-on-drm/

#20yrsago Colbert’s Knox College commencement speech https://web.archive.org/web/20111228135413/http://departments.knox.edu/newsarchive/news_events/2006/x12547.html

#15yrsago Counterfeiting can be good for luxury goods sales https://web.archive.org/web/20110602061646/http://www.slate.com/id/2294927/

#15yrsago HOWTO make a Joule Thief and get all the power you’ve paid for https://www.instructables.com/Make-a-Joule-Thief/

#15yrsago School suspends student for refusing to remove personal animation from YouTube, threatens other students for petitioning on his behalf https://web.archive.org/web/20110603041200/https://www.theglobeandmail.com/news/national/toronto/student-cites-freedom-of-speech-after-suspension-for-online-videos/article2043954/

#5yrsago Recommendation engines and "lean-back" media https://pluralistic.net/2021/06/05/lean-back/#lean-forward

Upcoming appearances (permalink)

• Kansas City: Facing the Future (Woodneath Library Center), Jun 10
  https://www.mymcpl.org/events/119655/facing-future-cory-doctorow

• LA: The Reverse Centaur's Guide to Life After AI with Brian Merchant (Skylight Books), Jun 19
  https://www.skylightbooks.com/event/skylight-cory-doctorow-presents-reverse-centaurs-guide-life-after-ai-w-brian-merchant

• Menlo Park: The Reverse Centaur's Guide to Life After AI with Angie Coiro (Kepler's), Jun 21
  https://www.keplers.org/upcoming-events-internal/cory-doctorow-2026

• Toronto: TBA, Jun 23

• NYC: The Reverse Centaur's Guide to Life After AI with Jonathan Coulton (The Strand), Jun 24
  https://www.strandbooks.com/cory-doctorow-the-reverse-centaur-s-guide-to-life-after-ai.html

• Philadelphia: The Reverse Centaur's Guide to Life After AI with David Williams (Fitler Club/Philadelphia Citizen), Jun 25
  https://www.eventbrite.com/e/cory-doctorow-book-event-tickets-1990110326559

• Chicago: The Reverse Centaur's Guide to Life After AI with Rick Perlstein (Exile in Bookville), Jun 26
  https://exileinbookville.com/events/50628

• Edinburgh International Book Festival with Jimmy Wales, Aug 17
  https://www.edbookfest.co.uk/events/the-front-list-cory-doctorow-and-jimmy-wales

• South Bend: An Evening With Cory Doctorow (Notre Dame), Oct 6
  https://franco.nd.edu/events/2026/10/06/an-evening-with-cory-doctorow/

Recent appearances (permalink)

• Cory Doctorow's digital jail-break (DW In Focus)
  https://www.dw.com/en/cory-doctorows-digital-jail-break/audio-77414035

• Why the Internet Got Worse and What to Do About It (Jim Rutt) (RIP)
  https://www.jimruttshow.com/cory-doctorow-3/

• On Enshittification – and what can be done about it (Re:publica)
  https://www.youtube.com/watch?v=KhINQgPMVSI

• EFFecting Change: How to Disenshittify the Internet (EFF, with Wendy Liu)
  https://archive.org/details/effecting-change-enshittification

• The “Enshittification” of Everything (Bioneers)
  https://bioneers.org/cory-doctorow-enshittification-of-everything-zstf2605/

Latest books (permalink)

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

• "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

• "The Memex Method," Farrar, Straus, Giroux, 2027

Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Third draft completed. Submitted to editor.

• "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

• "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

• A Little Brother short story about DIY insulin PLANNING

This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.

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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

READ CAREFULLY: By reading this, you agree, on behalf of your employer, to release me from all obligations and waivers arising from any and all NON-NEGOTIATED agreements, licenses, terms-of-service, shrinkwrap, clickwrap, browsewrap, confidentiality, non-disclosure, non-compete and acceptable use policies ("BOGUS AGREEMENTS") that I have entered into with your employer, its partners, licensors, agents and assigns, in perpetuity, without prejudice to my ongoing rights and privileges. You further represent that you have the authority to release me from any BOGUS AGREEMENTS on behalf of your employer.

ISSN: 3066-764X

Today's links

• The tedious power of storytelling: "Excitement" is to art as "falsifiablilty" is to science.
• Hey look at this: Delights to delectate.
• Object permanence: Lost Marx Bros musical; USPTO v Drumpf trademark; 3D scans v copyright; Giving worse internet to people with bad credit ratings; Class action over royalty theft; Trusbusting Prime; Trustbusting Google.
• Upcoming appearances: London, Kansas City, LA, Menlo Park, Toronto, NYC, Edinburgh, South Bend.
• Recent appearances: Where I've been.
• Latest books: You keep readin' em, I'll keep writin' 'em.
• Upcoming books: Like I said, I'll keep writin' 'em.
• Colophon: All the rest.

The tedious power of storytelling (permalink)

Yesterday, I attended a Brian Eno talk about the nature of creativity and art based on What Art Does, the short book he published with Bette Adriaanse last year:

https://www.faber.co.uk/product/9780571395514-what-art-does-an-unfinished-theory/

I haven't read the book (yet – I just ordered a copy), but the talk really got me fizzing. The subject matter (not just what art does, but also what art is) is one I've given a lot of thought to, and Eno's characteristic mix of gnomic koans and deceptively plainspoken assertions brought me along to some realizations of my own.

For Eno, art is "everything you don't have to do." You have to wear clothes to protect yourself from the elements, but you don't need to adorn those clothes. You need to speak to make yourself understood by the people around you, but you don't have to sing or write poetry or make up stories.

This is a really critical point, and I think it can be further refined by this: "Art is intended to make other people feel something." This distinguishes "art" from "beauty." A sunset can be beautiful, but no one intends anything by it. An artist who takes a photo or paints a picture of a sunset does so in the hopes that it will make you feel something, but the sun and the atmosphere and the Earth's curvature and rotation don't hope anything, because they are inanimate.

This distinction has lately become far more significant, thanks to the rise of images and words that have the seeming of intent, but who don't have an intender. When you paint a painting, every brushstroke conveys an intent, even if you can't point at an individual brushstroke and articulate its purpose. The same is true of prose: every word and punctuation mark is there for a reason, and "being good at writing" (like "being good at painting") is how we describe someone who has practiced so much that these reasons can be infused into each micro-decision on a near-totally subconscious level.

Contrast this with AI: when you prompt an AI to generate words or pixels, you are conveying some intent about the feeling you want the people who experience the model's output to experience. The problem is that the AI doesn't have any intent of its own – it just has statistical predictions, based on other people's intent, which it has analyzed through its training data.

So when the AI expands the three sentences in your prompt into 100,000 words or 1,000,000 pixels, it isn't adding any of its intention to the finished work, it's diluting the intention you fed to it. Three sentences divided by one million pixels yields an image that has an average intentionality that's so low that it's practically homeopathic.

Until recently, we weren't accustomed to encountering coherent strings of words or polished images that had no intender, so we imputed the existence of that intender to them, and we did what we always do when we encounter a work of art: we tried to mentally materialize a facsimile of the feeling the artist experienced while creating the work.

Because the intention of these works was so dilute, we ended up hallucinating an intent. We made up an imaginary artist who meant something by every choice in the work, and experienced an emotional affect that we ourselves had created out of (nearly) whole cloth.

As a species, we've been through this before. Think back to those sunsets. There was a time when we all thought of sunsets as being explicitly created by another being, who was in communication with us through the natural environment (some people still believe this). Looking at a sunset was an exercise in asking yourself, "If I were God, what would I be trying to say to me with this sunset?" just as looking at one of my photos of a sunset would be an exercise in asking yourself, "If I were Cory, what would I be trying to say to me with this photo of a sunset?"

The rise of materialism and scientific rationalism is sometimes called a "disenchantment" and indeed, there's a sense in which a sunset that we know to have no intender is no longer "enchanted." The experience of a sunset becomes something like, "Those colors and their interplay with the physical world is very beautiful." It might even be, "How could I capture that beauty in a painting or a photo or a description so that I could communicate it to someone else?" But it's not, "I wonder what God wants me to feel when I look at this sunset?"

So for many of us, the experience of AI "art" went from, "Wow, there's a person in the machine that's trying to tell me something," to "Wow, that is an impressive feat of software design, but it doesn't say anything to me." Maybe some of us think, "Huh, I could take some element of this, refine it with my own brushstrokes or words, and make something out of it." That's like thinking about turning a sunset into a painting: the sunset is striking and maybe beautiful, but it doesn't become art until you work at it, in order to make it communicate something:

https://pluralistic.net/2025/03/25/communicative-intent/#diluted

Mark Fisher describes the "seeming of an intent without an intender" as "eerie." It's true: when the door slams in the night and there's no one else in the house, it's eerie. But eeriness is easily dispelled: once you locate the open window that's creating the draft that's blowing the door closed, the eeriness regresses swiftly to the mean:

https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand

Banishing eeriness may be straightforward, but preventing eeriness is much harder. We are prone to imputing intent to the things we see in the world. In "Genesis," an essay from EL Doctorow's (no relation) collection The Creationists, Doctorow describes the origins of the Babylonian creation story (which the Hebrews ripped off for Genesis 1:1-29 – Genesis is Babylonian fanfic). The Babylonians made up this story about how God created the heavens and Earth and so forth, and this story was so cool that they couldn't believe that they had just made it up, so they concluded that God must have put it in their minds:

https://www.penguinrandomhouse.com/books/41520/creationists-by-e-l-doctorow/

Back to Eno: central to his talk was the "theory of mind." To have a theory of mind is to be able to impute someone else's intent. It's when you ask yourself, "What does that person mean by the thing they just said or did?" Because art is a process by which an artist tries to get you to feel something, it requires that the artist have a theory about your mind. And because experiencing art is a process of trying to figure out what the artist wanted you to feel when you experienced their work, experiencing art also requires a theory of mind.

From time to time, I teach fiction writing workshops, and one of the lectures I always give is about how stories are a "fuggly hack":

https://locusmag.com/feature/cory-doctorow-stories-are-a-fuggly-hack/

It's very weird that storytellers can trick our brains into experiencing emotions based on empathy for "people" whom we know to be imaginary. Romeo and Juliet are made up, they never lived, they never died, and so, objectively speaking, their deaths are less tragic than the death of the yogurt you ate for breakfast. That yogurt was alive and now it's dead, after all. And yet, we weep for Romeo and Juliet.

Our automatic "theory of mind" processes create empathy for stuff even when we know that stuff is inanimate. But the purpose of narrative isn't getting you to experience empathy with an imaginary person. The purpose of narrative is to get you to experience that empathy so that you will feel something. In other words, the storyteller who describes a character who is swept away by the beauty of a sunset is trying to get you to feel "swept away" not "empathy for someone who is swept away."

There's lots of art that skips the step in which you are asked to first experience empathy for an imaginary person in order to arrive at some feeling. A lot of music, visual art, dance, and poetry seeks to evoke that feeling in you directly.

When this works, it's profound. I think about this a lot in terms of built environments, specifically Disney theme park rides. When I started hanging around with Imagineers (the multidisciplinary artists who design and execute these rides), I noticed that they made frequent reference to the role of narrative storytelling in their ride designs, which was weird, because the very best Disney rides do not use narrative to evoke a feeling.

Think of two Disney rides: Snow White's Enchanted Wish (1955); and The Little Mermaid: Ariel's Undersea Adventure (2011). In Snow White, riders follow a track through a series of animated vignettes with UV-fluorescing painted backdrops and an orchestral soundtrack. There are almost no words spoken in the soundtrack. The ride's vignettes recreate scenes from the 1937 animated film, but they don't make any attempt to explain the plot of the movie.

A rider who'd never seen Snow White and the Seven Dwarfs could not recount the plot of the movie to you. However, that rider could absolutely convey the emotional affect of every scene in the film. It is a near-perfect transmission of the feelings evoked by the movie, notwithstanding that it bypasses recounting the film's narrative.

By contrast, The Little Mermaid ride is what's sometimes pejoratively called a "book report ride." The scenes are full of dialog, and they explicitly re-create the storyline of the 1989 film. These scenes are well-executed, with lots of clever mechanical effects and skillfully painted and sculpted scenes and robots. A rider who never saw the film could give you a scene-by-scene breakdown of it – but they could not tell you about any of the emotional beats of the film. For all that the ride faithfully recreates the story of the film, it does so at the expense of the purpose of the film, the feeling the film is designed to evoke from its audience.

As a novelist, I find it natural that someone trying to build a Little Mermaid ride would start from the premise that it should explicitly retell the story of the film. If you want an audience member to experience a feeling, narrative gives you the opportunity to explicitly describe the feeling you want the audience member to experience. You can situate a character on a lonely beach at sunset and tell the reader how that character feels.

The problem is that while this has an increased likelihood of being high-fidelity way of transmitting a feeling, it also has an increased likelihood of being a low-intensity way of conveying that feeling. When you tell someone about what's going on in another person's mind (including an imaginary person's mind), it doesn't fire up the theory-of-mind machine in the way that asking someone to infer the state of someone else's mind from implicit cues does.

This is why fiction writers are exhorted to "show, not tell." Dramatic, implicit evocations of an emotion are intrinsically more interesting than explicit statements about emotions. That's not to say that exposition can't evoke an emotion – it can and does. It's just harder to do this with exposition than it is to do it with dramatization:

https://maryrobinettekowal.com/journal/my-favorite-bit/my-favorite-bit-cory-doctorow-talks-about-the-bezzle/

In his talk yesterday, Eno discussed abstract art, and the way that it evokes feelings in the viewer directly, without ever telling you what to feel. This is in keeping with much of Eno's own art (he recently told me that when he writes lyrics, he never uses the words "I," "me," "you," or "love").

In this theory I'm developing here, we could say that the more abstract a work is, the harder it is to evoke a specific feeling with high fidelity, but the more likely it is that the feelings it does evoke will be intensely felt. When your aesthetic sense resonates with a Henry Moore bronze or an Eno ambient track, the thrum is deep and strong.

Key to this theory is that it's about how hard it is for an artist to evoke a feeling and how hard it is for the artist to make that feeling intense. Abstract art is more likely to be misunderstood (or not understood) than explicit narratives, but lots of abstract art is very well understood by people for whom it resonates. Explicit narratives are likely to have a flatter affect than work that attempts to skewer your emotions directly, but plenty of explicit narratives make you feel the most profound emotions you're capable of feeling.

Imagine a 2×2 grid with "intensity" on one axis and "fidelity" on the other. It's easier to evoke an intense feeling when you are more abstract, but it's harder to control what that feeling will be. These are works that operate on an implicit theory of mind ("I think I know what you'll feel when you see this"). It's easier to control the feeling you're evincing when you are more concrete, but it's harder to make that feeling an intense one ("I will tell you what someone else is feeling using this work").

None of this is to establish a hierarchy of art. As Eno says, the value of art is in whether it makes you feel something and what it makes you feel – not how that feeling is drawn forth. In What Art Does, Eno describes both art and science as an extension of our natural, inborn tendency to play. The difference is that we judge the success of science based on whether we can validate its conclusions, while we judge the success of art based on whether it excites us:

'Excitement' is to art as 'falsifiability' is to science.

(With thanks to Brian Eno.)

Hey look at this (permalink)

• Meta legal action forces Facebook whistleblower to sit in silence at Hay festival https://www.theguardian.com/technology/2026/may/31/meta-legal-action-forces-facebook-whistleblower-to-stay-silent-at-hay-festival

• EU Wants To Break Up With US Tech https://www.barrons.com/news/eu-wants-to-break-up-with-us-tech-5a8da16b

• The rise of the McModern https://web.archive.org/web/20201013161651/https://archive.curbed.com/2017/6/30/15893836/what-is-mcmansion-hell-modern-suburbs-history

• Merchandizing the Void https://dilettantearmy.com/articles/merchandizing-the-void

• Hundreds of prolific Wikipedia editors are threatening to go on strike https://www.theverge.com/report/939442/wikipedia-editors-protest-wikimedia-layoffs-strike

Object permanence (permalink)

#20yrsago IRS insider accuses agency of giving archives to lowest bidder https://web.archive.org/web/20060614142129/http://wftm.diaryland.com/060601_71.html

#20yrsago Telemedicine rigs coming to all Virgin jets https://web.archive.org/web/20060616063357/http://europetravelnews.com/2006_05/844_virgin-atlantic-life-saving-technology/

#15yrsago Con artists caught tricking med-students into helping with high-tech entrance exam cheat https://web.archive.org/web/20110603051231/https://www.cbc.ca/news/canada/british-columbia/story/2011/05/31/bc-high-tech-mcat-scam.html

#10yrsago How a “lost” Marx Brothers musical found its way back to the stage https://web.archive.org/web/20160602114803/https://www.newyorker.com/culture/culture-desk/how-a-lost-marx-brothers-musical-found-its-way-back-onstage

#10yrsago How security and privacy pros can help save the web from legal threats over vulnerability disclosure https://iapp.org/news/a/how-you-can-help-white-hat-security-researchers

#10yrsago US Patent and Trademark Office refuses to issue “Drumpf” trademark https://www.worldipreview.com/trademark/drumpf-trademark-application-refused-by-uspto-10210

#10yrsago How an engineer/public health whistleblower led the citizen scientists who busted Flint’s water crisis https://web.archive.org/web/20160604112755/https://www.wired.com/2016/06/flint-water-marc-edwards/

#10yrsago Why 3D scans aren’t copyrightable https://web.archive.org/web/20160605140300/https://www.shapeways.com/blog/archives/25599-new-whitepaper-on-3d-scanning-and-the-lack-of-copyright.html

#10yrsago Cable One used customers’ credit scores to decide how good their internet would be https://wetmachine.com/tales-of-the-sausage-factory/broadband-privacy-can-prevent-discrimination-the-case-of-cable-one-and-fico-scores/

#10yrsago Class action: publishers paid writers “sale” royalties on ebooks whose fine-print says they’re “licensed” https://www.copylaw.org/2016/05/simon-schuster-hit-with-ebook-royalties.html

#5yrsago The antitrust case against Prime https://pluralistic.net/2021/06/01/you-are-here/#prime-facie

#5yrsago Google cheats on location privacy https://pluralistic.net/2021/06/01/you-are-here/#goog

#5yrsago Canadian telco monopolists run the show https://pluralistic.net/2021/06/01/you-are-here/#crtc

Upcoming appearances (permalink)

• SXSW London, Jun 2
  https://www.sxswlondon.com/session/how-big-tech-broke-the-internet-b3c4a901

• Kansas City: Facing the Future (Woodneath Library Center), Jun 10
  https://www.mymcpl.org/events/119655/facing-future-cory-doctorow

• LA: The Reverse Centaur's Guide to Life After AI with Brian Merchant (Skylight Books), Jun 19
  https://www.skylightbooks.com/event/skylight-cory-doctorow-presents-reverse-centaurs-guide-life-after-ai-w-brian-merchant

• Menlo Park: The Reverse Centaur's Guide to Life After AI with Angie Coiro (Kepler's), Jun 21
  https://www.keplers.org/upcoming-events-internal/cory-doctorow-2026

• Toronto: TBA, Jun 23

• NYC: The Reverse Centaur's Guide to Life After AI with Jonathan Coulton (The Strand), Jun 24
  https://www.strandbooks.com/cory-doctorow-the-reverse-centaur-s-guide-to-life-after-ai.html

• Philadelphia: The Reverse Centaur's Guide to Life After AI with David Williams (Fitler Club/Philadelphia Citizen), Jun 25
  https://www.eventbrite.com/e/cory-doctorow-book-event-tickets-1990110326559

• Chicago: The Reverse Centaur's Guide to Life After AI with Rick Perlstein (Exile in Bookville), Jun 26
  https://exileinbookville.com/events/50628

• Edinburgh International Book Festival with Jimmy Wales, Aug 17
  https://www.edbookfest.co.uk/events/the-front-list-cory-doctorow-and-jimmy-wales

• South Bend: An Evening With Cory Doctorow (Notre Dame), Oct 6
  https://franco.nd.edu/events/2026/10/06/an-evening-with-cory-doctorow/

Recent appearances (permalink)

• On Enshittification – and what can be done about it (Re:publica)
  https://www.youtube.com/watch?v=KhINQgPMVSI

• EFFecting Change: How to Disenshittify the Internet (EFF, with Wendy Liu)
  https://archive.org/details/effecting-change-enshittification

• The “Enshittification” of Everything (Bioneers)
  https://bioneers.org/cory-doctorow-enshittification-of-everything-zstf2605/

• Enshittification (99% Invisible)
  https://99percentinvisible.org/episode/666-enshittification/

• Artificial Intelligence: The Ultimate Disruptor, with Astra Taylor and Yoshua Bengio (CBC Ideas)
  https://www.cbc.ca/listen/live-radio/1-23-ideas/clip/16210039-artificial-intelligence-the-ultimate-disruptor

Latest books (permalink)

• "Canny Valley": A limited edition collection of the collages I create for Pluralistic, self-published, September 2025 https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce

• "Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
  https://us.macmillan.com/books/9780374619329/enshittification/

• "Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).

• "The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).

• "The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).

• "The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).

• "Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.

• "Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com

Upcoming books (permalink)

• "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)

• "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

• "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

• "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

• "The Memex Method," Farrar, Straus, Giroux, 2027

Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Third draft completed. Submitted to editor.

• "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

• "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

• A Little Brother short story about DIY insulin PLANNING

This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

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Not everyone thinks of citrus fruits as “winter fruits.” But that’s when oranges, grapefruits, tangerines, tangy lemons, and enticing limes are often at their peak. And that’s a good thing because there’s nothing that brightens up any season – but especially winter – better than a classic French lemon tart.

Any bakery in Paris will have a Tarte au citron on offer. Some are on the sweet side, others tart. I like my lemon tart, well…tart, for sure and when I search for lemons at my market, I choose the plumpest, juiciest ones I can find. Fortunately, good lemons are available just about anywhere, so anyone can make this tart. Most of us don’t even have to wait until winter!

I juiced my lemons, cracked some eggs, and got to work on the tart.

For the base, I used Paule’s pastry dough, which is so easy to make and hasn’t failed me yet. It’s delicious and buttery, and goes particularly well with the delicious lemon topping.

I cooked the filling, a sunny, luscious lemon curd, on the stovetop with the fragrant zest of the lemons, then poured the warm filling through a strainer to make it as smooth as possible.

 One could pipe whipped cream on it or top it with meringue. To do so, let it cool and spread or pipe whipped cream over the top or serve a dollop alongside. If you want to give a go at meringue, check out my Lime Meringue Tart recipe or the marshmallow topping that I use on my Pumpkin Pie with Marshmallow Topping.

Both are delicious, but just as it is – or as the French say, nature – is just fine with me.

Print

Lemon Tart

I recently updated this recipe to increase the amount of filling and I dialed down the sugar a bit due to frequent questions about reducing sugar in recipes. You can taste the filling in step 3 and if you'd like it sweeter, add up to 1/4 cup (50g) more sugar If you find that you have a bit too much filling for your tart shell (they seem to vary), any remaining lemon filling that you don’t use can be spread on toast, fresh biscuits, or scones. You could substitute fresh lime juice for the lemon, and if you have Meyer lemons, reduce the sugar to 1/2 cup (100g). You can use a favorite tart dough recipe, or the one I’ve linked to.

Ingredients

• 1 cup (250ml) freshly-squeezed lemon juice
• grated zest of two lemons preferably unsprayed
• 3/4 cup (150g) sugar
• 12 tablespoons (170g) butter salted or unsalted, cut into cubes
• 4 large eggs
• 4 large egg yolks
• One pre-baked 9-inch (23cm) tart shell

Instructions

• Preheat the oven to 350ºF (180ºC).
• In a medium-sized non-reactive saucepan, heat the lemon juice, zest, sugar, butter, eggs and egg yolks. Have a mesh strainer nearby.
• Stir until the butter is melted, then whisk the mixture continuously until the mixture thickens and holds its shape when you lift some of it up with the whisk and it visibly mounds up when dropped back down over the rest of the mixture in the saucepan. It should just take a few minute.
• Pour the warm lemon curd though a strainer into a bowl (or directly into the tart shell), scraping with a rubber spatula to press it through.
• Smooth the lemon filling in the prebaked tart shell and pop it in the oven until the curd is just set. It’ll take about 5 to 6 minutes.
• Remove from the oven and let cool before slicing and serving.

Related Links

Recipes to Use Up Leftover Egg Whites

Lemon Verbena Ice Cream

Moroccan Preserved Lemons

Tips for Freezing Eggs

What is non-reactive cookware?

Join me and my friend Jane Bertch in Paris on Sunday, June 29th, for a booksigning event from 3pm to 4:30pm at La Cuisine Paris at 78 Quai de l’Hôtel de Ville (4th).

I’ll be signing paperback copies of my books L’Appart and The Sweet Life in Paris, and Jane will be signing copies of her memoir of opening a cooking school in Paris, The French Ingredient.

Note that books are in limited supply and you are welcome to bring books you’ve purchased elsewhere. Please note that the venue is not able to take credit card payments on-site.

Stop by and say hi!